竞赛介绍
纵观历史，设计师们一直将绘画作为沟通想法和愿景的基本工具。绘画被用作描绘抽象概念的一种手段，并让广大公众参与到塑造自己思想根本性变化中。绘画是为了直观地叙述概念而出现的。
在数字时代的背景下，我们发现自己被大量的视觉数据所淹没，这一现象迫使我们在建筑领域与视觉内容建立了一种新的关系。著名的建筑经常被拍照，然后被分享到网络上。
“建筑”这个词有超过1亿的帖子被全球热心用户上传，对他们来说，这个词本身可以意味着任何东西，从他们最好的早午餐地点的背景到最新的最壮观的建筑。如今，建筑师被要求创造可拍照并用来发社交网络的建筑空间，引人注目的细节可以成为业主的免费广告。其结果是以媒体为导向的建筑形象，经常被不同的用户从同一角度在网上发布，追随潮流的美学和风格，这样的背景下，原本具有创造性的设计，变成了如今套模板式重复的无意义的工作。
考虑到这一情况，我们鼓励利用重绘的方式来重新审视建筑，让社会与公众重新认识一个特定的建筑，一个建筑地标，让社区积极地去研究一个新的建筑形象，并以一种新的方式来描绘它。为了实现这一目标，Non Architecture与KooZA/rch合作，并联合多家建筑平台，组织了Re Draw著名建筑重绘竞赛。
中银胶囊大厦是第五个被选为重绘竞赛的建筑。
这次的竞赛也是在“生产-废弃”主题竞赛下对机动性结构研究的一部分。
SUMMARY
Throughout history, designers have employed drawings as a fundamental tool for the communication of ideas and visions. Drawings were used as a means of rendering abstract concepts and engaging the wide public in a primordial effort of giving shape to one’s own thoughts. They were made to narrate concepts visually.
Within the context of the digital age, we find ourselves overwhelmed by the sheer amount of visual data, a phenomenon which has forced us into a new relationship with visual content also within the realm of architecture. Renowned buildings are often photographed and then shared as a passive portrait of what architecture can look like.
The #architecture counts more than 100,000,000 posts uploaded by a global population of avid users for whom the term itself can mean anything from the context of their best brunch spot to the latest spectacular architectural artefact. Today architects are being asked to create instagrammable moments, eye-catching details used by the client as free advertising. The result is a media-oriented image of architecture, often portrayed online by various users from the same perspective, following trending aesthetics and styles. Within representation, what once used to be a moment of creation tends to become today a passive exercise of pure repetition.
Reflecting upon this paradigm, we encourage representation as a proactive exercise. We aim to engage a community in rediscovering a given building, an architectural icon, proactively researching a new image, a new way to portray it. To reach this purpose, Non Architecture, in co-curation with KooZA/rch and with the support of prominent architecture platforms, organizes Re- Draw.
Nakagin Capsule Tower is the fifth building selected for the Re-Draw competition.
This competition is part of the research on mobility framed in the “Produce-Waste” competition theme.
竞赛要求
“重绘”竞赛旨在诞生出一幅为了“代表”某个伟大建筑杰作而绘制的作品。参与者需要绘制一幅图像，不限尺寸，技法与抽象程度。
我们鼓励大家发挥各自的创造力、批判力和创新力。而图像既可以去凸显建筑的功能方面，也可以是去呈现对其设计方面某个或更多的深刻理解。此外图像还可以聚焦于建筑在美学上的特征，或是建筑的实验性，或是去掌握某种超现实主义效果的绘图技巧，甚至还能是一些视觉上的变形，抑或一些讽刺的诠释，以及对建筑抽离式的抽象表达。
绘制图纸可以加强对建筑的常规理解，或是发掘出全新的角度，全新的视角，毋论思维上或物质上。中银胶囊大厦可以被描绘成其整体面貌，也可以是其局部，抑或是不连续的瞬间的拼贴。参赛作品的切入点是完全灵活自由的，可以随着参赛者的诠释而调整。
过去四届重绘大赛:
Re-Draw.01: 波尔图音乐厅
Re-Draw.02: 纽约古根海姆艺术馆
Re-Draw.03: 流水别墅
Re-Draw.04: 蓬皮杜中心
BRIEF IN SHORT
The aim of the “Re-Draw” competition is to develop one drawing to ‘represent’ an iconic architecture piece. The participants are asked to draft one image, with absolute freedom of scale, technique and level of abstraction.
We encourage creativity, criticality and innovation. The drawing can highlight functional aspects of the building, showing a deep understanding of one or more design aspects. It can focus on the aesthetic qualities, experimenting and mastering a drawing technique with hyper-realistic outcomes, or it can be an optical deformation, a caricatural interpretation, a distant abstraction of the built architecture.
The drawing can strengthen a conventional interpretation of architecture, or explore a new angle, a new point of view, intellectual and/or physical. The Nakagin Capsule Tower can be portrayed as a whole, a part, or a collage of disconnected moments. The entry is completely flexible and adaptable to the participant’s interpretation.
Re-Draw.01: Casa da Musica
Re-Draw.02: Guggenkeim New York
Re-Draw.03: Failingwater
Re-Draw.04: Centre Pompidou
关于中银胶囊大厦
中银胶囊大厦是位于东京银座地带的一座实验性建筑。它是由日本建筑师黑川纪章所设计，于1972年竣工，是一座依靠140个相互独立的胶囊堆叠在一起所形成的塔楼，有14层楼高。黑川纪章希望能通过这座塔楼，来设计出一种新型城市住宅的模范，以适应高速变化的社会需求。每个胶囊单元尺寸为2.5 x 4米，意欲打造出一个经济高效的生活空间，里面容纳了浴室、厨房以及睡眠区。
该建筑最引人注目的特点便是其模块化的设计。每个胶囊都被设计成易于更换或是重新装配的模样，使建筑能够适应不断变化的需求。这对于当时处于经济高速增长期的日本而言，是一个非常重要的考量，当一个国家的人口发生重大改变之际，将迫切需要新的住宅形式。该建筑仅用了30天就竣工，每个胶囊都是在工厂预制，然后通过吊装和螺栓系统在现场组装。这种节奏迅速的施工流程是通过高度的标准化和预制化的模块式建筑设计得以实现。
但在2018年，中银胶囊大厦被宣布即将拆除，并于2022年4月5日正式动工。而拆除这座建筑的决定引发了巨大的争议，许多人认为它是建筑史上重要的一部分，应该保留下来。建筑拆除过程缓慢而谨慎，每个胶囊都被小心翼翼地从建筑物中移取出来，并运到一个保存的设施当中。而其中有部分的胶囊被卖给了藏家，另一些则被捐赠给了博物馆和文化机构。
拆除中银胶囊大厦的决定呈现出建筑师和城市规划师在保护历史建筑时所面临的复杂挑战。虽然我们理应去保护那些具有历史意义和文化意义的建筑，但也要从如修护和运营的成本、现代化的需要等等实际的考量出发，以适应日新月异的需求。
在往后的岁月里，中银胶囊大厦留下的遗产仍将继续被建筑师、城市规划师和历史学家展开去辩论和探讨。虽然这座建筑可能将不复存在，但其创新的设计和独一无二的特征将持续激励新一代的建筑师和设计师们，它在日本的建筑和设计史上将永垂不朽。
ABOUT NAKAGIN CAPSULE TOWER
The Nakagin Capsule Tower was an experimental building located in the Ginza district of Tokyo, Japan. Designed by the Japanese architect Kisho Kurokawa, it was constructed in 1972 and consisted of 140 individual capsules stacked together to form a tower that stood 13 floors tall.
The tower was designed to be a model for a new type of urban housing that could accommodate the needs of a rapidly changing society. Each capsule measured 2.5 meters by 4 meters and was intended to be an affordable and efficient living space that included a bathroom, kitchen, and sleeping area.
The modular design of the building was one of its most notable features. Each capsule was designed to be easily replaced or reconfigured, allowing the building to be adapted to changing needs over time. This was a particularly important consideration in a period of rapid economic growth in Japan, when the country was experiencing significant demographic shifts and the need for new forms of housing was acute.
The Nakagin Capsule Tower was constructed in just 30 days, with each capsule prefabricated off-site and then assembled on-site using a system of hooks and bolts. This fast-paced construction process was made possible by the modular design of the building, which allowed for a high degree of standardization and pre-fabrication.
In 2018, it was announced that the Nakagin Capsule Tower would be demolished, and this process began in 2019. The decision to demolish the building was controversial, with many arguing that it was an important piece of architectural history that should have been preserved.
The demolition process was slow and deliberate, with each capsule carefully removed from the building and transported to a storage facility. Some of the capsules were sold to collectors, while others were donated to museums and cultural institutions.
The decision to demolish the Nakagin Capsule Tower highlights the complex challenges faced by architects and urban planners when it comes to preserving historic buildings. While there is a strong argument for preserving buildings that are of historical and cultural significance, there are also practical considerations to take into account, such as the cost of repairs and maintenance, and the need for modernization and adaptation to changing needs.
The legacy of the Nakagin Capsule Tower will continue to be debated and discussed by architects, urban planners, and historians for many years to come. While the building may no longer exist, its innovative design and unique features will continue to inspire new generations of architects and designers, and its place in the history of Japanese architecture and design will remain secure.
参赛资格
Non Architecture竞赛对所有年龄和文化背景的人开放，竞赛以小组或个人的形式进行。
每个团队最多2人，每个团队只需要支付一份报名费，与团队人数无关。
所有成员的个人信息可以在最终图纸提交界面中上传。
ELIGIBILITY
Non Architecture Competitions are open to all human beings, from every age and cultural background,working in groups or individually.
Teams can be formed by a maximum number of 2 people. The registration fee is paid per team,regardless of how many members form it. Personal information of all the team members can be uploaded during the submission procedure of the final drawing.
提交方式
参赛者必须通过Non Architecture官网(nonarchitecture.eu)提交，并在提交期结束前完成，截止日期详见竞赛日程。提交页面将在提交截止日期前2周开放，并将被呈现在Non Architecture的官网上。遵循官网上的提交说明，将项目文件夹直接上传到网站，填写表格后，您的提交即告完成。在完成提交后，您将收到一封确认电子邮件。
SUBMISSION
Submissions must be done through the Non Architecture website (nonarchitecture.eu), before the submission period ends, the deadline is indicated in the calendar.
The submission surface opens 2 weeks before the submission deadline. It is going to be placed on the Non Architecture website, on the corresponding competition page.
Simply follow the submission instructions and upload the project folder directly on the website.
By filling the form, your submission is finalized. You are going to receive one confirmation email when you finalize your submission on the website.
奖项
冠军（1个奖项）
奖金1000欧元
将在两本书籍上发表，《RE-DRAW.05: Nakagin Capsule Tower》和《THEME 7: Waste-Produce》，并将在Non Architecture的官网及社交平台上发表
将在数字杂志和建筑领域的社交平台上发表
将被选作《RE-DRAW.05: Nakagin Capsule Tower》一书的封面
参赛成员将作为评委参与下一届的RE-DRAW竞赛
（不包括使用AI创作的提交作品）
荣誉奖（7个奖项）
作品在Non Architecture竞赛的书籍和官网上发表
入围奖（最多36个奖项）
作品在《Re-Draw.05：重绘中银胶囊大厦》一书中和官网上发表。
特别奖
主办方可能会在竞赛发展和评选阶段设立额外的特别奖和奖品
注：具体情况取决于外部平台的议程和可行性。
PRIZES
Non Architecture Competitions will award only one winner, selected by the jury collectively, and 7 honourable mentions.
WINNERS (1 Prize)
1.000 euros.
Publication in two books, RE-DRAW.05: Nakagin Capsule Tower and THEME 7: Waste-Produce, and the Non Architecture website.
Reviews in digital magazines and several architecture blogs.
Selected for the cover of the book RE-DRAW.05: Nakagin Capsule Tower.
Participate as a juror in the upcoming RE-DRAW competition.
(excluding submissions using AI)
HONORABLE MENTIONS (7 Prizes)
Publication in the Non Architecture Competitions books and website.
FINALISTS (Up to 36 Prizes)
Publication in the RE-DRAW.05: Nakagin Capsule Tower book and the Non Architecture website.
SPECIAL PRIZE
The organization might establish additional special prizes and awards during the competition development and in the evaluation phase.
Note: The appearance on the involved architectural platforms are subject to the agenda and availability of the external platforms involved.
评审团
Federica Sofia Zambeletti：Koozarch创始人
Francisco Rivera：Axonometric Madness创始人
Mariela Mezalira：Act of mapping创始人
Alper Turan & Doruk Kayali: 重绘蓬皮杜竞赛冠军兼Post-form创始人
Francesco Decaro：C_A_G_E_创始人
Berk Kirmizi：Toffu联合创始人兼董事总经理
Daniela Sánchez：Archez International董事
JURY
The jury members are the following:
Federica Sofia Zambeletti: Founder of Koozarch
Francisco Rivera: Founder of Axonometric Madness
Mariela Mezalira: Founder of Act of mapping
Alper Turan & Doruk Kayali: Winners of Re-Draw.04: Centre Pompidou and founders of Post-form
Francesco Decaro: Founder of C_A_G_E_
Berk Kirmizi: Co-founder & Managing Director of Toffu
Daniela Sánchez: Director of Archez International
竞赛日程
2023年
5月1日——竞赛开始
5月1日-31日——特别注册阶段（40欧元）
6月1日-30日——早鸟注册阶段（55欧元）
7月1日-31日——常规注册阶段（70欧元）
8月1日-31日——最终注册阶段（100欧元）
8月15日——作品提交界面开放
8月31日23点59分——作品提交界面关闭
9月22日-26日——获奖名单公布
*所有价格均不包括22%增值税。
时间标准为欧洲中部时间（CET）。
为避免混淆，请查看竞赛页面上的倒计时。
CALENDAR
01 May 2023 - Competition launch.
01 - 31 May - Special registration period (40€*).
01 - 30 June - Early registration period (55€*).
01 - 31 July - Regular registration period (70€*).
01 - 31 August - Last minute registration period (100€*).
15 August - Submission opens on our website.
31 August 11:59 PM - Submission Closes.
25 - 29 September - Winner announcement.
* +22% VAT.
The timing always refers to Central European Time (CET).
To avoid confusion, please check the countdown on the competition page.
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使用此优惠码，报名将会享受10%的费用优惠
比赛报名网址
https://www.nonarchitecture.eu/archi-hack-oil-platform/
比赛进行时
Non Architecture
致力于通过竞赛来跨越建筑的边界
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