作为中国最具代表性的当代艺术家之一，方力钧荣获2023芭莎艺术年度艺术成就奖。
芭莎艺术
2023 BBART'S NIGHT was held on November 16th at New Bund 31 in Shanghai. This art feast invited artists from all walks of life in the industry to come together to pay tribute to the infinite possibilities of art. The BBART AWARDS remained the highlight of the evening, with 17 awards for Artist of the Year, Curator of the Year, Art Museum of the Year, and so on, unveiled at the scene.
“He pioneered the 'Cynical Realism' of Chinese contemporary art. With keen intuition, he captures the connection between the background of the times and the faces of the public, always full of deep feelings for life. The sense of pain is also the connotation of his works. The grand history is broken down into subtle individuals by him, and he sees history and all beings with faces.”
2023.11.09 - 11.12
2023.10.15 - 2024.04.14
2023.08.27 - 10.08
2023.07.22 - 09.16
2023.06.01 - 06.30
2023.05.17 - 06.24
2023.03.04 - 06.11
2023.01.02 - 06.20
方力钧，1963年出生于河北邯郸，1989年毕业于中央美术学院版画系，同年7月1日入住圆明园，并逐渐形成圆明园画家村。1993年创建宋庄工作室并逐渐形成宋庄画家村。2014年创建“中国当代艺术档案库”。
出版个人画册、图书《方力钧：编年记事》《方力钧：批评文集》《方力钧：作品图库》《方力钧：云端的悬崖》《方力钧：禁区》《方力钧版画》《像野狗一样生存》等56本。并被中央美术学院、四川美术学院、景德镇陶瓷大学、西安美术学院等23所国内大学聘为客座教授。1993年，作品《系列二之二》登上《纽约时报周刊》封面。
Fang Lijun was born in 1963, Handan, Hebei. He graduated from the Printmaking Department of China Central Academy of Fine Arts in 1993. on July 1st of the same year, Fang Lijun moved to Yunamingyuan, the Old Summer Palace, and later the Yunamingyuan Artists' Village was gradually formed. In 1993, Fang Lijun established his studio in Songzhuang. The Songzhuang Artists' Village has steadily developed for the last two decades. In 2014, Fang Lijun established the Archive of Chinese Contemporary Art.
Fang Lijun has held exhibitions in major art institutions and galleries, including Ludwig Museum Koblenz, Staatliche Kunsthalle, Stedelijk Museum Amsterdam, the Japan Foundation, Ariana Museum in Geneva, Museum of Modern and Contemporary Art in Turin, Macaw Museum of Art, Taipei Fine Arts Museum, Hong Kong Arts Centre, Shanghai Art Museum, Hunan Museum, Beijing Minsheng Art Museum and the etc. His participation includes the Venice Biennale, Sǎo Paulo Biennial, Kwangju Art Biennial, and Shanghai Biennial. His works are collected by The Museum of Modern Art (USA), Seattle Art Museum(USA), San Francisco Museum of Modern Art (USA), Centre de G. Pompidou (France), Ludwig Forum für Internationale Kunst (Germany), Stedelijk Museum Amsterdam(Holland), The National Gallery of Australia (Australia), Fukuoka Asian Art Museum (Japan), Museum of Contemporary Art Tokyo(Japan), Hiroshima City Museum of Contemporary Art(Japan), National Art Museum of China(China), Shanghai Art Museum (China), Guangdong Art Museum (China), He Xiangning Art Museum (China), Hunan Museum（China）, CAFA Art Museum(China). He is one of the Chinese contemporary artists with the most extensive collection by major art institutions worldwide.
He has published 56 personal catalogues and related publications, including Fang Lijun: Chronicles, Fang Lijun: Criticism, Fang Lijun: Works of Art,FANG LIJUN, Fang Lijun：The Precipice Over the Clouds, Fang Lijun: Espaces Interdits Forbidden Areas, Fang Lijun：Woodcuts, Live Like A Wild Dog, Etc. Fang Lijun has been invited as a visiting professor and graduate supervisor in 23 universities, including Central Academy of Fine Arts, Sichuan Academy of Fine Arts, Jingdezhen Ceramic University, Xi 'an Academy of Fine Arts, etc. In 1993, his painting "Series 2, No. 2" appeared on the cover of the New York Times Magazine.
