fRUITY-FRESH
水果什锦杂谈是fRUITY-FRESH的新栏目
每期包含不同风格的音乐,满足好奇的耳朵
什锦杂谈之隐藏宝石
Hidden Gem
Sandro Brugnolini – Overground
fRUITY-PICK: Sandro Brugnolini - Roxy
Jazz
Label: Sonor Music Editions
在很多图书馆乐迷口中,来自意大利爵士乐大师 Sandro Brugnolini 的 是一枚隐藏宝石。桑德罗·布鲁诺里尼 (Sandro Brugnolini) 是 20 世纪 50 年代和 60 年代现代爵士乐队的重要人物,对意大利爵士乐的形成起到了重要作用。他的作品涵盖了从迷幻休闲放克到前卫爵士节奏的各种流派。今日推荐曲目 Sandro Brugnolini 作曲与吉他手 Angelo Baroncini、钢琴手 Giorgio Carnini , 贝斯手 Giovanni Tommaso共同构建出了一个充满故事感的迷幻氛围,随着音乐的深入 Fuzz guitars 的声音一直在脑海中挥之不去,更值得一提的是这张专辑的封面来自 Umberto Mastroianni 的一幅完全修复的画作。不由得感叹真是一枚令人琢磨不透的隐藏宝石。
For many library music fans, ”Overground“ by Italian jazz master Sandro Brugnolini is a hidden gem. Sandro Brugnolini was an important figure in the modern jazz bands of the 1950s and 1960s and was instrumental in the formation of Italian jazz. His work covers a variety of genres from psychedelic casual funk to progressive jazz rhythms. Music by Sandro Brugnolini, guitarist Angelo Baroncini, pianist Giorgio Carnini and bassist Giovanni Tommaso create a story-filled psychedelic atmosphere. The sound of Fuzz guitars never gets out of mind as the music progresses, and it’s worth mentioning that the album‘s cover comes from a fully restored painting by Umberto Mastroianni. Can not help but sigh that it is really a mysterious hidden gem.
什锦杂谈之各式甜甜圈
All Kinds Of Donuts
Herbie Hancock - Blow-Up (The Original Sound Track Album)
Soundtrack
fRUITY-Pick: Bring Down The Birds
Label: Music On Vinyl
今日推荐来自 Herbie Hancock 操刀制作的一张的原声带。Deee-Lite 的单曲 Groove In The Heart 中的采样就来自这里。
J Dilla 则采用了 Deee-Lite 歌曲的开头部分,收录在他的 Lost Tapes Reels + More 中。
谢谢你,打开了诸多音乐的大门。
Today’s recommendation comes from the soundtrack of the Herbie Hancock, Deee-Lite’s single Groove In The Heart sampled it later.
Later on, J Dilla used the intro of Deee-Lite’s song, made his Have Some Fun Beat, which later collected in his Lost Tapes Reels album.
Thank you James,for opening the door to so much music.
什锦杂谈之要么放弃要么放弃
Give It Up Or Turn It A Loose
James Brown – Sex Machine
Soul, Funk
FRUITY-PICK: Give It Up Or Turnit A Loose
LABEL: Polydor
James Brown 的专辑《Sex Machine》是他在1970年发布的一张标志性专辑。这张专辑巩固了他作为“灵魂乐教父”的地位,并在Funk音乐中树立了新的标杆,同时影响了后来的音乐风格,包括Hip-Hop和电子音乐。尽管专辑的内容和主题在一定程度上反映了以男性为主导的性别观念,这可能会被现代视角的我们认为是男性中心主义的表现,不过值得注意的是,这样的表达在当时的文化背景下是较为常见的。在20世纪70年代的很多流行音乐,包括 Funk、Soul 通常以男性为主导,且常以男性视角表达性和力量。我们不能因此忽视它在 Funk 音乐发展中的重要地位和影响,专辑中的音乐代表了 Funk 音乐的一个关键时刻,特别是在节奏和律动上的创新。James Brown 在专辑中采用了标志性的 “one drop” 节奏和切分音,推动了Funk音乐的风格演变。同时在音乐制作和编排上强调了贝斯在 Funk 音乐中的核心作用,使贝斯成为了 Funk 音乐的经典元素。音乐和艺术的解读往往受到时代背景的影响,同时也随着社会价值观的变化而不断演变,这不也正是艺术的有趣之处吗?
James Brown‘s album “Sex Machine” is one of his signature albums released in 1970. The album not only cemented his status as the “godfather of soul”, but also set a new benchmark in Funk music. The music on the album represents a key moment in Funk’s music, particularly with its innovations in rhythm and groove. James Brown‘s signature “one drop” rhythm and syncopation on this album drove the stylistic evolution of Funk music. The bass line on the album became a classic element of Funk music, emphasizing the central role of bass in Funk music in music production and arrangement. Although the content and themes of the “Sex Machine” album reflect, to some extent, male-dominated notions of gender, which we might consider to be an expression of androcentrism from a modern perspective, it was more common in the cultural context of the time. The interpretation of music and art is often influenced by the context of The Times.
什锦杂谈之被爱围绕
There’s love around
Kiefer - When There’s Love Around
fRUITY-PICK: Kiefer - I Love My Friends
Jazz
Label: Stones Throw Records
我们时常感到自己渺小、微不足道,而面对担心的事情我们时常会开始焦虑。但当我们从更广阔的角度去看,这些事到头来也并不那么重要了,Kiefer 在2021年发行的专辑 When There’s Love Around 的前半部分用音乐表达出了他的理解。而在这张专辑的后半部分则是更为深刻的内容,用积极的态度去面对自己失去至亲的痛苦。
We often feel small and insignificant, and we often start to worry about the things we worry about. However, when we look at the larger picture, these things end up not being so important, and Kiefer‘s understanding is expressed through music in the first half of his 2021 album When There’s Love Around. The second half of the album is more profound, using a positive attitude to face the pain of their own loss.
什锦杂谈之翻录挖掘记9
Cover Diggin Story 9
Home Boy And The C.O.L. – Out Break
Electro
fRUITY-Pick: La La Means I Love You
Label: P-Vine Records
好久不见朋友们,翻录挖掘工今天再次回归。
今天再度推荐来自Home Boy And The C.O.L.的专辑,之前我们推荐了他们的第一张专辑同名专辑中的 You And Me,绵长温暖的合成器运用,令人难以忘却。
虽说该乐队带有明显的80年代放克乐队的特色,即大量使用电子合成器,并加入到传统器乐中。所发行的专辑通常也只有一首或两首是慢节奏的。但常常是这些部分直戳心脏。
La La Means I Love You原为费城 The Delfonics在1976年发行,这首1984年的翻录版本,不仅增加了可摇性,还带有一些似有似无的雷鬼节奏。
今天的故事就是,给音乐一点时间,但是不要放过自己。(开玩笑)
It‘s been a while friends, the Cover Digger is back again today.
Once again today we’re recommending an album from Home Boy And The C.O.L. We previously recommended You And Me from their self-titled debut album, with its dreamy, warm use of synthesizers that is hard to forget.
The band has a distinctly ‘80s funk band flavor —— heavily using electronic synthesizers with traditional instruments. Their albums also usually have only one or two tracks that are slow-paced. But it’s often these parts that poke straight to the heart.
La La Means I Love You was originally released by Philadelphia‘s The Delfonics in 1976, this 1984 remake makes it more uptempo that you can groove to and consist a vibe of reggae rhythm somehow.
Today’s story is all about giving music a little time, but don‘t let yourself go. (Joking)
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