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《苍然齐屋：从一片玻璃叶子说起...》
Cangran Qi House: from a leaf of glass...
讲座时间/Lecture time
2024年8月3日（周六）19:00
Sat. 19:00 , Aug. 3rd, 2024
讲座地点/Lecture location
陶溪川玻璃工作室-热玻璃表演大厅
Taoxichuan Glass Studio
Hot Glass Performance Hall
讲座语言/Language
中文 CN
英语 ENG
参与方式/Participation
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陶溪川艺术中心讲座本期邀请到艺术家—彭怡。于2024年8月3日，周六晚上19:00于陶溪川玻璃工作室-热玻璃表演大厅带来主题为《苍然齐屋：从一片玻璃叶子说起...》的讲座。
Taoxichuan Art Centre Lecture This issue invites the artist - Peng Yi . On 3rd August 2024, Saturday evening at 19:00, she will present a lecture entitled "Cangran Qi House: from a leaf of glass..." at Taoxicuan Glass Studio - Hot Glass Performance Hall.
在本次讲座中彭怡将分享她如何与玻璃结缘，分享自己在天津美院的玻璃课程。剖析对玻璃的创新探索与发展现状，分享自己在玻璃道路上所遇到的机遇与挑战。
In this lecture Peng Yi will share how she became involved with glass and share her glass course at the Tianjin Academy of Fine Arts. She will analyse the current situation of the innovative exploration and development of glass, and share the opportunities and challenges she has encountered on her glass path.
本次讲座将会是一个自由交流的分享会，欢迎听众的你们随时提出提问！
This lecture is intended to be an open and interactive sharing session, where audience are encouraged to ask questions and engage at any point.
彭怡
天津美术学院副教授，英国桑德兰大学玻璃艺术博士，主要研究传统灯工玻璃与现代灯工工艺结合与再创作。博士课题：“跨文化灯工玻璃艺术-在东西方文化背景影响下创意性运用灯工玻璃工艺到当代玻璃艺术中”。作品曾参加国内外玻璃艺术展览，两次入选英国玻璃艺术双年展，国际北部印刷双年展，第十三届全国美术作品展览，国家博物馆工艺美术作品邀请展等，同时作品被德国Alexander Tutsek-Stiftung基金会，醴陵瓷谷美术馆，中国国家大剧院，青岛市美术馆收藏。担任2020年国家艺术基金人才培养项目"传统灯工玻璃创新人才培养项目"项目负责人，同时主持完成天津美术学院创新能力引导发展项目“玻璃创意礼品创新创业课程”，“十三五”综合投资项目“英国桑德兰大学 Jeffrey Sarminento博士玻璃丝网印教学”，以及参与国家级一流专业建设，国家级一流本科课程“创作构想研究”，天津市教委社会科学重大项目“基于大数据的陶瓷窑变文创产品研发与应用研究”，天津市高等学校本科教学质量与教学改革研究计划“基于国家文化战略的工艺美术特色人才培养模式研究与实践”等。
在英国的经历让彭怡对多元文化有了较为深刻的体会，东西方文化的冲击激发了她的创作灵感。尤其是在另一个教育文化影响下反而对中国传统文化有了一个新的认识与反思，对文化符号背后的内在涵义和个人身份认知也有了重新的思考。无论是可乐茶壶系列、算盘系列还是解构系列都是在探索不同文化背景下与玻璃艺术之间的相互碰撞。
Her experience in the UK has given Peng Yi a deeper understanding of multiculturalism, and the impact of Eastern and Western culture has inspired her creativity. Especially under the influence of another educational culture instead, she has a new understanding and reflection of traditional Chinese culture, and has rethought the inner meaning behind the cultural symbols and personal identity perception. Whether it is the Coke teapot series, the abacus series or the deconstruction series, they are all exploring the mutual collision between different cultural backgrounds and glass art.
彭怡每个时期的灵感来源都有所不同，早期在英国时多元文化的冲击会影响她的创作，回国后更加关注于表达个人情感的表达，专注于探索灯工玻璃材料本身的特性，恰当的运用玻璃独特的工艺材料魅力表达个人情感。如，新作品《Missing》系列，将玻璃在高温情况下拉成如头发般的细丝，表达对亲人脆弱有长久的思念之情。
The source of inspiration for Peng Yi is different in each period. In the early days, when she was in the UK, the impact of multiculturalism would affect her creations, but after she returned to China, she has been more concerned with the expression of her personal feelings, focusing on exploring the characteristics of the lampworking glass material itself, and appropriately applying the unique charm of the glass craft material to express her personal feelings. For example, in her new work ‘Missing’ series, glass is pulled into hair-like filaments at high temperatures to express the fragile and long-lasting longing for her loved ones.
编辑：千舜
