她于 1996 年 12 月 16 日出生于土耳其，从事玻璃艺术近 10 年。对她来说，玻璃艺术不仅仅是一种激情，更是一种表达方式。她在埃斯基谢希尔的阿纳多卢大学美术学院完成了本科和研究生学业。2023 年，她在学校科研项目的资助下，以论文形式获得硕士学位。毕业后，她参加了各种国内和国际展览和研讨会。最近，在 2023 年，她有机会通过奖学金与 Emma Varga 一起在土耳其伊斯坦布尔的玻璃炉工作。此外，她关于玻璃颜色变化的研究还在第 35、37 和 38 Şişe Cam 国际玻璃会议上以海报形式展示。
She was born on December 16, 1996, in Turkey, and has been involved in glass art for nearly 10 years. For her, working with glass is more than a passion; it is a form of expression. She completed her undergraduate and graduate studies at Anadolu University Faculty of Fine Arts and Institute in Eskişehir. In 2023, she earned her thesis-based master’s degree with the support of a university grant under a Scientific Research Project. After graduating, she participated in various national and international exhibitions and workshops. Most recently, in 2023, she had the opportunity to work with Emma Varga at the Glass Furnace in Istanbul, Turkey, through a scholarship. Additionally, her research on the color changes in glass was presented in posters at the 35th, 37th, and 38th Şişe Cam International Glass Conferences.
部分展览
Part of the exhibition:
2024 - Solo Exhibition on Perception and Reflection in Glass, Taoxichuan Glass Studio Art Gallery, Jingdezhen China
2024 - +8JDZ Turkish Artist Group Exhibition, Sanbao JingPiao Home Gallery, Jingdezhen China
2024 - Meld International Contemporary Ceramic Exhibition, Taoxichuan Ceramic Art Avenue, Jingdezhen China
2024 - Geumgang Nature Art Cube Exhibition, Geumgang Nature Art Center, South Korea
2024 - Vallus Selected, Vecihi Hürkus Aviation Park, Eskisehir
2024 - Ye’r Community Exhibition, Vecihi Hürkus Aviation Park, Eskisehir
2023 - Game Exhibition, METU Student Center, Ankara
2023 - Young Art: 9th Contemporary Art Project Competition, Izmir Painting and Sculpture Museum, Izmir
2023 - International Glass Biennial, UniArt Gallery, Bulgaria
2023 - 12th Bazaart Edition Exhibition, Galeri Deniz, Istanbul
2023 - Young Glass Artists Exhibition, Contemporary Glass Arts Museum, Eskisehir
2022 - Kaleidoscope Mixed Glass Exhibition, Nurol Art Gallery, Ankara
2021 - Yunus Emre Souvenir Competition, Contemporary Arts Museum, Eskisehir
2021 - International Anatolian Art Symposium, Anadolu University, Eskisehir
在她经常雕刻的作品中，小头、大手和大脚是突出的特征。这种刻意的夸张旨在营造一种视觉对比，挑战人们对比例和平衡的传统认知。通过扭曲这些元素，旨在激发观众的好奇心，鼓励他们进行批判性思考。大手和大脚象征着行动和平衡，而小脑袋则淡化了传统上对智力或身份的关注。这种对比邀请观众思考不同身体部位的作用和重要性，挑战先入为主的观念，并与艺术作品建立更深层次、更直观的联系。
In her often sculpted forms, small heads, large hands, and feet are prominent features. This deliberate exaggeration is designed to create a visual contrast that challenges traditional perceptions of proportion and balance. By distorting these elements, the aim is to stimulate curiosity and encourage critical thinking in viewers. Large hands and feet symbolize action and balance, while a small head downplays traditional focus on intelligence or identity. This contrast invites viewers to consider the roles and importance of different body parts, challenging preconceived ideas and creating a deeper, more visceral connection to the artwork.
最近，她开始使用镜子和水族沙作为替代材料，以增强作品的内涵。镜子可以让观众看到自己的倒影，从而与作品产生个人联系，并将自己视为作品的一部分。这通过关注个人身份和自我意识的主题，加深了作品的内涵。另一方面，水族馆的沙子提供了一种自然的质感和意想不到的材料使用，丰富了作品的视觉和触觉。使用这些材料可以让她以更有力、更多层次的方式表达主题，让观众从不同角度解读作品内容，使作品传达的信息更加有效。
Recently, she has been using mirrors and aquarium sand as alternative materials to enhance the meaning of her works. The mirror allows viewers to see their own reflections, creating a personal connection with the work and perceiving themselves as part of the artwork. This deepens the meaning by focusing on themes of individual identity and self-awareness. On the other hand, the aquarium sand enriches the work both visually and tactilely by providing a natural texture and an unexpected use of materials. Working with these materials allows her to express her themes in a more powerful and multi-layered way, allowing viewers to interpret the content from different perspectives and make the message more effective.
编辑：尧舜禹 | 摄影：大鱼
