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中国台湾新北市美术馆位于莺歌溪和大汉溪交汇处的开垦地上。馆址地势平缓，宛如溪流中的一座小岛，可将雄伟的山川景观尽收眼底。北面是桂仑山，南面是大汉溪和雪山山脉。设计从当地丰富的历史和文化中汲取灵感，将干涸的河床、古色古香的老街和青砖建筑，以及秋冬季节特别多的摇曳芦苇等元素融入其中，创造出一种现代而富有前瞻性的建筑形式，即 “芦苇丛中的现当代艺术博物馆”。![]()
设计巧妙地融合了自然和人造元素，以一种形式诠释另一种形式，反之亦然。独特的外墙由一系列高低不一、长短不一的喷砂铝管组成，配以垂直分段、错落有致的三色铝板。从远处看，这种线性屏风让人联想到芦苇在风中摇曳的模糊美感，掩盖了坚固的展览箱，而这种展览箱往往是这种类型建筑的标志。它巧妙地将千变万化的自然环境和景观映射在外立面上，以其独特的建筑外观吸引人们去直观地感受浩瀚中转瞬即逝的变化。The design intelligently blends the natural and the fabricated, interpreting elements of one in the form of the other, and vice versa. The distinctive façade is composed of a series of sandblasted aluminum tubes of varying heights and lengths, paired with vertically segmented three-color aluminum panels arranged in a staggered manner. From afar, this linear screen conjures the blurry beauty of reeds swaying in the wind, concealing the solid exhibition box that so often suggests a building of its typology. It cleverly mirrors the ever-changing natural environment and landscape on the facade, attracting people with its unique architectural appearance to visually experience the fleeting changes in the vastness.![]()
在地面上，清水混凝土艺术村展开，展现出一个由艺术街道和雕塑平台组成的网络。这座新博物馆遵循 “向所有人开放 ”的理念。参观者可以在户外露台上自由漫步，露台上咖啡馆、工作室和餐厅林立，空间布局与莺歌老街和三峡老街如出一辙。他们还可以参加各种艺术活动，流连欣赏开放式装置，或沿着砖砌人行道登上山顶俯瞰风景。At ground level, the fair-faced concrete art village unfolds to reveal a network of art streets and sculpture terraces. This new museum follows the concept of a museum 'open to all'. Visitors can freely wander around the outdoor terraces lined with cafes, workshops, and restaurants, spatially organized in the same manner as the old streets of Yingge and Sanxia. They can also participate in various art activities, linger to admire open installations, or follow the brick pavement to the hilltop and overlook the landscape.![]()
钢结构的艺术博物馆漂浮在村庄的上空，其坚硬的矩形体消失在摇曳的芦苇荡后面，芦苇荡由许多不同高度的垂直管道指示。大跨度结构系统确保了最灵活的展览空间。大楼梯将参观者引向二层的高架大厅，可通往四类展示空间：普通展厅、大型展厅、国际展厅和特别主题展区。屋顶上设有花园餐厅，就餐者可在此饱览大汉江景。另一个设计特点是，运营管理中心和藏品仓库之间的独立通道可加快控制和安全措施。Above the village floats the steel-structured art museum, whose rigid rectangular mass disappears behind a swaying reedbed indicated by numerous vertical tubes of various heights. The long-span structural system ensures the most flexible exhibition space. A grand staircase leads visitors to the elevated lobby on the second floor, granting access to the four types of display spaces: general exhibition rooms, large-scale exhibition rooms, international exhibition rooms, and special-themed exhibition areas. A garden restaurant stands on the roof, where dining guests can enjoy an extensive view of the Da Han Riverscape. Another design feature is the individual circulation to the operation management center and collection storage that expedites control and security measures.![]()
这个开放式艺术村采用了独创的混凝土材料，以展示大汉河侵蚀形成的地理类型。建筑混凝土墙壁的纹理由对角线排列的杉木板构成，与顶部和侧面凹凸不平的凿纹表面形成鲜明对比。坚固的混凝土墙和砖砌路面形成了一种蜿蜒曲折、充满活力的空间布局，营造出一个与大自然交织在一起的艺术空间。The open art village embraces an original concrete materiality to showcase the geographic typology formed by the erosion of the Dahan River. The architectural concrete walls feature a texture imprinted by diagonally arranged cedar wood planks, contrasting with the rugged chiseled surfaces at the top and sides. The robust grainy concrete walls and brick pavements create a winding and dynamic spatial arrangement, establishing an artistic space intertwined with nature.![]()
场地入口处的景观桥采用风化钢建造，随着时间的推移会形成独特的颜色和纹理。在这样的自然环境中，它与艺术博物馆模糊的外立面相协调，成为引导游客进入博物馆进一步探索的起点。The landscape bridge at the entrance of the site is constructed using weathering steel, which develops unique color and texture over time. Within this natural setting, it harmonized with the blurred façade of the art museum, serving as the starting point to guide visitors into the museum to explore further.
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摄影：KRIS YAO | ARTECH, Shephotoerd Co.本资料声明：
1.本文为建筑设计技术分析，仅供欣赏学习。
2.本资料为要约邀请，不视为要约，所有政府、政策信息均来源于官方披露信息，具体以实物、政府主管部门批准文件及买卖双方签订的商品房买卖合同约定为准。如有变化恕不另行通知。
3.因编辑需要，文字和图片无必然联系，仅供读者参考；
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