#liveset #techno #bandlive #various
4月3日 晚 9:30 - 深夜 (三厅齐开)
April. 3, 9:30 PM - Late (3-room event)
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全场通票：￥90 早鸟 | ￥110 预售 | ￥130 现场
Ticket : ￥90 early | ￥110 advance | ￥130 on doorL1-11A, Shenye Tairan Building B, Futian., SHENZHEN
OIL CLUB
DAWless茶馆·壹周年 回顾 Recap
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1st Stop in Asia 2024
每当谈论到伦敦的地下音乐场景，总有一些名字被反复提及，而在其中，由Ben UFO、Pearson Sound与Pangaea组成的Hessle Audio三巨头则始终占据了大写的位置。Whenever we discuss about London’s underground music scene, there are always some names mentioned repeatedly, and among them, the trio-founder of Hessle Audio, consisting of Ben UFO, Pearson Sound and Pangea, always occupy a capital position.![]()
十年前RA曾对Pangaea进行专访，题为“Just don't say it”，与他如今取得的成就相比，“低调”往往是他传递给世人的第一印象。在移动互联网快消浪潮下，Pangaea显得是那么的另类。他是一个很不喜欢谈论自己的人，“如果实在没什么话说，那就最好别说了，因为这些东西通常都毫无意义”。而与低调的个性形成鲜明对比的，则是他在业内外被广泛赞誉的高质量专辑、混音集与舞池现场。In the era of mobile Internet fast-moving consumer goods, Pangea's "low-key" profile seems so alternative. In sharp contrast to his low-key personality, he is widely praised in the industry and outside the industry for his high-quality albums, mix collections and dance floor performances.
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2007年，凯文·麦考利（Pangaea）在经过了英伦低音电子年代的熏陶后，决定拉上她最好的两位朋友本·托马斯（Ben UFO）和大卫·肯尼迪（Pearson Sound）创立一个音乐厂牌，力图将原创性和突破性的音乐交织融合，形成他们具备独特性与唯一性的音乐内容与场景。恐怕他们当时也没有预想到，后面这个叫做Hessle Audio的厂牌，会成为现代俱乐部场景下独树一帜的先锋力量，而他们当初给自己命名的一些略微戏谑的，如“飞碟”、“出版商”、“盘古大陆”这样的名字，会在出道十余年后，在各自方向上成为具备广泛影响力的标志性俱乐部人物。Over the past seventeen years, Hessle Audio, which he co-founded with Ben UFO and Pearson Sound, has become a unique music label with far-reaching influence, and they have also become iconic club figures in their respective music content directions.
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“Techno tick all the boxes for me”，Pangaea对于Techno的探索，源自于他对伦敦逐渐固化的音乐场景的疲倦感，相对于“旋律性”的音乐，他更喜欢“节奏性“的音乐，而140 BPM的低沉、冷峻、严肃的Techno音乐让他在俱乐部场景下获得新生，并定义了他音乐的基调，但另一方面，Techno远非Pangaea的全部。"Techno tick all the boxes for me", the low, cold and serious Techno music at 140 BPM seems to have given Pengaea a new life in the club scene and defined the tone of his music, but that is not all.
出道17年来，他始终活跃在Berghain、Fabric、Dekmantel、Glastonbury、Junction 2 和 Houghton 等著名俱乐部和音乐节上，并在Rinse、HÖR、Boiler Room等重要场景中持续传播音乐。在他的 DJ Set以及Mixtape中，你总能听到各种流派相互碰撞与融合，产生出强烈的化学反应，始终给人一种“这个没听过”的新鲜感与现场感。在二十多年英派舞曲的浸淫下，他的现场结合了他对节奏型和实验性内容的探索，具有无法否认的舞池影响力。In the 17 years since his debut as DJ, he has been active in famous clubs and music festivals such as Berghain, Fabric, Dekmantel, Glastonbury, Junction 2 and Houghton, and spread his music in important scenes such as Rinse.FM, HÖR, Boiler Room, etc.
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Pangaea并没有躺在过往的功绩簿上踟蹰不前，依然在突破自我音乐的边界。他于2023年所发行的个人专辑《Changing Channels》囊括了他的那些最“刻意”、最“写意”、最“功能”的作品，将他所理解的实验、解构与律动融合于其中。这张专辑一经推出，便迅速在行业内外引起巨大反响，并获得 DJ Mag 英国 年度最佳专辑 提名。
Pangea's solo album "Changing Channels" released in 2023 represents his most "deliberate", "freehand" and "functional" works, integrating the experimentation, deconstruction and rhythm he understands into it. And was nominated for DJ Mag British Best Album of the Year.在当下，我们总习以为常地将音乐的“功能性”与“表达性”看做是对立关系，但Pangaea变化多端的舞池现场、作品专辑与混音合集则在不断向外界传达一种信息——这两者是共生而非互斥关系。
4月3日，Pangaea将时隔多年再次踏入亚洲大地，作为本轮巡演的亚洲首站，DAWless茶馆·贰周年联合OIL，迎接阔别已久的“盘古之声”。
On April 3rd, Pangea will return to Asia after many years. As the first stop of his Asian tour 2024, DAWless Teahouse·2nd Anniversary will meet you at OIL Club to listen to the voice of "Pangaea".
1st Stop in Asia 2024
如果合成器文化有一部编年史，那么洛杉矶毫无疑问将占据浓墨重彩的一个篇章。当我们深入其中，合成器的女性主义代表Trovarsi，则是“天使之城”中不能被忽略掉的一个名字。
If there were a chronicle of synthesizer culture, Los Angeles would be no doubt occupy a prominent chapter. When we go deep into it, Trovarsi, the representative of synthesizer feminism in the "City of Angels", will be a name that cannot be ignored.出生于威斯康星州的中心地带，在Trovarsi的成长过程中，Techno 和 House 的身影总是交替出现。而贯彻于整个90 年代电子音乐届的那些名字，如Jeff Mills、Joey Beltram、Frankie Knuckles、Cajmere、Felix da Housecat、Miss Kittin以及The Belleville Three 都对她的音乐启蒙产生了重要影响，并成为她音乐灵感的持续源泉。而近些年，在Surgeon、Lady Starlight 和 Rebekah 的影响下，Trovarsi 对现代电子音乐的愿景被进一步构筑与扩展。
Born in the heart of Wisconsin, she pursued the music and culture of the underground. Growing up, techno and house was always on rotation. Prominent DJs of the 90s such as Jeff Mills, Joey Beltram, Frankie Knuckles, Cajmere, Felix da Housecat, Miss Kittin and last but definitely not least The Belleville Three are some of her influences and continue to be a source of inspiration in her music. 作为模拟合成器原始音色的忠实拥护者，Trovarsi将模块合成器与节奏鼓机所发出的原始声音融入自己的演出工作流之中，并坚持将技术性与音乐性贯穿于科技舞曲与浩室舞曲之中，营造以律动渐变为个人特色的现场音乐氛围。
As a loyal follower of raw synthetic sound, Trovarsi incorporates the raw sounds of modular synths and rhythmic drum machines into her live performance workflow, creating techno and house music with groove-based gradients that are her own signature.如今，Trovarsi被证明是洛杉矶多元音乐文化圈的重要贡献者之一，她持续活跃在洛杉矶的地下音乐场景。并在Boiler Room、ADE、6AM、DubLab、KXLU、Superbooth等重要场景中持续传播她的声音，同时也是999999999、Derrick Carter、Colin Benders等行业巨擘的舞台座上宾。Today, Trovarsi is a proven, talented contributor to Los Angeles music and continues to be active in the Los Angeles underground music scene. She continues to spread synthesizer Techno music and House music that emphasizes both technicality and musicality under famouse scenes such as Boiler Room, ADE, 6AM, DubLab, KXLU, Superbooth, etc. She is also the guest of stage with industry giant such as 999999999, Derrick Carter, Colin Benders, etc.Trovarsi也是一名活跃的互联网内容创作者，她是众多知名厂商的认证合作艺术家，并通过Youtube等平台持续分享她的音乐创作与合成器演奏技巧。
Trovarsi is an active content creater, she works with multiple famous synthesizer manufactures and stores, and continously sharing her knowledge and experience on synthesizer thru Yotube.在个人音乐事业之外，Trovarsi还是一名音乐教育家与文化传播者。她创办的南加州合成器协会（SoCal Synth Society）通过合成器手工制作、展演和工作坊等活动来推广大众对硬件电子音乐的兴趣，同时她在DubLab Radio创办了Transduction Signal栏目，按月度对电子音乐领域内各类有趣的人进行深入访谈。
In addition to her personal music career, Trovarsi is also an active music educator and cultural ambassador. The SoCal Synth Society she founded promotes the public's interest in hardware electronic music through activities such as synthesizer & modular DIY, performance, and workshops. At the same time, she founded Transduction Signal on DubLab Radio, which provides monthly in-depth interviews with a variety of unique people of electronic music.![]()
本次群英会，将是Trovarsi在亚洲的首次演出。
Trovarsi will make her debut in Asia this night at OIL Club
白天不亮，又称Gavin Too，国内著名电子嘻哈厂牌明堂唱片核心制作人，走红地下乐界的新爵士/电子音乐制作人，被乐迷亲切称作白叔，扎根于深圳。同时也作为其作品总是以神清气爽的节奏出发，精致而充满魅力的曼妙让人记忆深刻，有人将他划分到驰放音乐的范畴里面，但与其他驰放音乐满是大都会味道有所不同的是，其营造的精致的空间中藏着一个清新的自然环境，也许其非洲生活的经历深刻影响了他的创作。在电声与嘻哈节奏中深深植入的中国古典浪漫主义情怀，使白天不亮的音乐在多元文化的碰撞中仍呈现出极其美妙的浪漫与优雅。 As the major producer of Mingtang Records, a well-known electronic hip-hop label in China, Gavin is a new jazz/electronic music producer who has become popular in the underground music scene, is commonly called “Uncle Bai” by music fans. His productions always start with a refreshing rhythm, and the exquisite and charming grace makes people remember deeply. Some people divide him into the category of unrestrained music, but it is different from other unrestrained music that is full of metropolitan taste. What's more, there is a fresh natural environment hidden in the exquisite space he created. Perhaps his experience of living in Africa has deeply influenced his creation. The Chinese classical romanticism deeply implanted in the electro-acoustic and hip-hop rhythm makes the music that is not bright during the day still present an extremely beautiful romance and elegance in the collision of multiple cultures.
Biting Eye a.k.a Ben Bridges 是一位澳大利亚的 DJ 及音乐制作人，他使用合成器和鼓机现场演奏 Acid、Techno 和 Electro 电子乐。来自澳大利亚墨尔本的 Biting Eye 于 90 年代后期开始制作音乐并在澳大利亚的俱乐部和户外音乐节现场演出。除了是墨尔本锐舞派对和电子音乐界的常客外，Ben 还将他的现场演出带到了亚洲和欧洲，并开始在世界各地的音乐节及俱乐部演出。
Ben 在深深地扎根于澳大利亚电子乐界的同时，也在香港稳步发展。Biting Eye 的现场演出充满活力，完美地将老派 Acid House 与强烈的 Techno、EBM 和 Electro 相结合。 他也是香港唱片厂牌 Acid Chicken Records 的创始人。自 2013 年成立以来，Acid Chicken Records 已经发行了来自全球 90 位 DJ 和制作人的 300 多首独家曲目。
Biting Eye is an Australian DJ & Producer. He plays live sets of Acid, Techno, Electro music with synthesizer and drummachine. His footage of hi-energy live performance goes across global electronic music scene. Biting Eye is also the founder of HK-based record label Acid Chicken, which published over 300 dedicated tracks from 90 multinational producers.
出生于美国佛罗里达州的Casey Anderson，是多年在香港 Techno 场景中的领军人物之一, 在香港及亞洲各大音乐節 Sonar , Clockenflap, ShiFuMiz, Oma, Savage, 宀 Minh, Acadana 及各地下場景的常客。
Casey以他滿天星斗的取向為人知悉—從Indie、Electro、Disco、八十年代音樂到太空感的Techno/Ambient音樂他都能駕馭。除了 DJ，Casey还使用自己創造的巨大模块化合成器进行现场演出。他的模块现场演出完全是即兴创作，风格包含混乱的爵士技巧音乐到美妙的氛围探索等。
Born in Florida, Casey Anderson is one of the leading figures active in Hong Kong's techno music scene, presenting DJ & live set across the festivals and clubs like Sonar, Clockenflap, ShiFuMiz, OMA, Savage, MinH, Acadana etc.. Besides DJ, he is also a pattern-free live set performer with his giant modular synth.
Polypumpkins，来自香港的二人电子组合。由 Dominic Au aka Bluedee 与 Pion Leung 组成，成立于 2015 年。他们分别拥有来自电子音乐及古典音乐的背景，作品充满其衍生的独特化学作用。
Dominic，音乐制作人、ASM Hydrasynth合成器设计师，Ableton 官方认证导师、DJ 及电子乐器设计师、合成器专家。Pion，作曲人、钢琴/键盘手，自幼习传统古典钢琴却流着电子音乐的血。少时组原创电子乐队，为乐队带来独特的电子味道。
配乐的经验让他们特别着重音乐的氛围营造与声音设计。每一场演出都为听众带来乘过山车般的跌宕起伏。他们并不局限创作及表演的媒介，无论是软件或硬件，数字或模拟，一体琴或模块，都是他们取得灵感的源泉。Polypumpkins 的作品渗透着不同音乐类型的元素，Synthwave、Techno、DnB、Chill Out、Funk 等。
Polypumpkins, is a HK duo made of Dominic and Pion. Dominic is the synthesizer designer of ASM Hydrasynth, producer and DJ. Pion is the keyboardist for decades. Polypumpkins' music genre goes across synthwave, techno, dnb, chill-out, funk and so on, filled with vibes constructing and unique sound design.
Ambient Communication (live)启发自氛围音乐带来的冥想旅程，由跨媒体艺术家Mellowmelt 与 独立音乐人Warm Attack组成的次世代电子氛围组合，于2022年开始以Ambient Communication 的名称发布了一些别树一格的作品。 揉合了电子锐舞及独立摇滚两个不同区域的风格，他们开发了一种独特的即兴表演风格。透过对声音反覆的琢磨、实验，巧妙地结合了虚缈梦幻的歌声、迷离重复的节拍和复杂的效果运用，以即兴演奏的方式叠加成一层层合成器音墙。灵活地运用不同的视觉、听觉媒介，多感官地呈现出他们的抽象哲学。 最近他们在不同的场地进行即兴演出，去年12月刚刚完成了日本巡演，并将于2024年发行首张LP。
Formed in 2022, the iconoclastic electronic duo is the collaborative electronic outfit of digital artist Mellowmelt and multimedia producer Warm Attack. They developed a unique improvisation style of live performance with the pursue of blissful polyrhythmic soundscapes with dense layer of ethereal lullabies manipulated by electronic circuitry of sequencers. Recently touring in various clubs and livehouses, they have just finished their Japan tour last December and going to release their debut LP in 2024.
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青爵 Rox
「 DAWless茶馆」主力打手，电子音乐人、硬件DJ 矢量插画家、艺术设计师、乐队鼓手及键盘手、Audio Visual制作人 互联网大厂艺术设计中心美术指导，国内知名插画家，专注矢量潮流插画+艺术设计。设计作品曾收录于深圳当代艺术馆展览。设计专注街头设计，IP拓展，游戏文化，电子乐文化，摇滚文化发掘。同时组建多支独立乐队二十载，经历过先锋金属与俱乐部文化等音乐影响，衍生在艺术创作上不拘一格，画面会有氤氲演出现场状态，非常态性的手法阐述自己内心内容。坚持金属音乐与电子音乐并行创作。青爵是草莓、迷笛、山海等各大音乐节主舞台常客，并作为尚雯婕、超级斩、九连真人等知名艺人的嘉宾演出。
As a electronic musician and hardware-based DJ, Rox called himself as the main fighter of “DAWless Teahouse”. Aside of the famous vector Illustrator, art designer, band drummer & keyboard player, and audio visual producer. He is the art director of the art design center at a famous China-based internet company. His design works have been included in the exhibition of Shenzhen Museum of Contemporary Art. His design focuses on street design, IP expansion, game culture, electronic music culture, and rock culture exploration. At the same time, he has formed at several independent bands for 20 years. He has experienced musical influences such as avant-garde metal and club culture, and his artistic creation is eclectic. Adhere to the parallel creation of metal music and electronic music. Rox is a regular guest on the main stage of major music festivals such as Strawberry, MIDI, Shanhai, etc., and performed as a guest of well-known artists such as Shang Wenjie, HYPER SLASH, Jiulian Zhenzhe.
小雪王 SnowW
小雪王，现假斯文乐队成员，作为吉他手和主唱出身的她是忠实的旋律拥护者，对电子乐与摇滚乐也有个人特别的见解，在她的作品中总是充满了丰富且细腻的情感。Snoww, a member of the Fake Gentle band, is a loyal supporter of melody as a guitarist and lead singer. She also has personal and special insights into electronic music and rock music. Her works are always full of rich and delicate emotions.
ddDerij
DJ、Beatmaker、独立音乐人，BLACK RAINBOW 厂牌的成员，同时也是唱片从业者、音乐挖掘者和采样爱好者。从2005年开始接触唱片行业，深受前卫摇滚、先锋爵士和实验音乐的熏陶。2008年，开始尝试实验电子音乐的创作，风格涵盖广泛，包括Chiptune、Ambient、Minimal、Instrumental和Experiment-Hiphop等。在其音乐生涯中参与策划了许多演出和活动，例如UNKNOWproject和FeelinSoLazy LIVE等。2012年以来一直担任DJ，并通过多年的唱片收集和对音乐的热情，不断提升自己对音乐的理解，使之独具特色。DJ, beatmaker, independent musician, member of BLACK RAINBOW label, record practitioner, music digger and sampler. Since 2005, he has been in contact with the recording industry and has been deeply influenced by progressive rock, pioneer jazz and experimental music. In 2008, he began to try to create experimental electronic music, covering a wide range of styles, including Chiptune, Ambient, Minimal, Instrumental and Experiment-Hiphop. During his music career, he participated in the planning of many performances and events, such as UNKNOWproject and FeelinSoLazy LIVE, etc. He has been working as a DJ since 2012, and through years of record collection and passion for music, he has continuously improved his understanding of music and made it unique.
Auras Kong
职业游戏行业社畜，标准2.5次元，复古控，beatmaker，TCG玩家深圳后摇乐队“咸空气”吉他手，“未乙立”核心主创。什么风格都能来一点，但是还是喜欢搞氛围不会尽力去讨好任何事物，只求能带来听觉上的画面感，做自己喜欢做的事
Practioner in game industry, ACG enthuiast, retro lovers, beatmaker, Guitarist of Shenzhen TCG post-rock band "Salty Air", head creator of "May Early". Various genre but still love to create vibes.
Herbix
DAWless茶馆主力买手，曾进修于自英国利兹音乐学院，在导师Jamie Taylor和Mike Walker的引导下，他探索着爵士乐和现代音乐的边界，将不同元素融汇于自己的音乐创作和演奏中。作为一名音乐制作人，除了参与商业项目外，他以艺名Herbix在全网发布个人作品，将电子、爵士和嘻哈等多元音乐元素巧妙融合，让人耳目一新。此外，他还是一位电子音乐live set深重度研究人员，通过使用模块，合成器，鼓机，采样器等硬件设备更加即兴的表达声音。Herbix, who journeyed to the United Kingdom, to study at Leeds College of Music. There, he studied under esteemed musicians Jamie Taylor and Mike Walker, becoming well-versed in the art of jazz and contemporary music. As a music producer, he shares his personal works across various online platforms. His music showcases a unique fusion of electronic, jazz, and hip-hop elements, providing a refreshing auditory experience. Additionally, he excels as a DAWless Teahouse biggest shopper and conducts extensive research in the realm of electronic music live sets.
Tens
资深采样音乐与说唱玩家，同时是某大厂设计师。从高中开始接触Jazz Hip-Hop，从此踏入了嘻哈的世界，大学时期在朋友怂恿下，买了台Maschine，从此开始一发不可收拾的自学采样及伴奏制作，累计数百首。在伴奏制作逐渐成熟后，开始尝试说唱，热衷表达，晋升说唱爱好者。作品风格多种，热衷尝试。蝉联月季小学四年三好学生，市优秀少先队员。入围网易云第三季石头计划前100。Tens is a lover of sampling music and rapping, and a designer at a famous internet firm He has been in contact with Jazz Hip-Hop since high school, and have stepped into the hip-hop world since then. In university, at the instigation of my friends, he bought a Maschine. Since then, he has been self-taught in sampling and accompaniment production, accumulating hundreds of pieces. After the accompaniment production gradually matured, he began to try rap, enthusiastic about expression, and became a rap lover.
Caesar
Caesar带着黄金年代的回忆与以House舞曲为主的节奏活跃在全国各个跳舞场景下。他不拘泥于电子场景，而是从多个音乐场景中寻找灵感。Caesar同时也是直播电台马克斯大酒店的大经理。他擅长将节奏与氛围如潜意识般植入舞池里所有人的大脑，探索持续舞动的多变声音。
Caesar is active in various dance scenes across the country with memories of the golden age and rhythms based on House dance music. He doesn't stick to the electronic scene, but finds inspiration from multiple music scenes. Caesar is also a member of the music organization DAWless Sound System, and the "manager" of Max Grand Hotel Radio. He is good at implanting rhythm and atmosphere into the brains of everyone on the dance floor like a subconscious, exploring the changing sounds of continuous dancing.
Jam Mo
Jam Mo是一位跨媒体艺术家、动画导演、游戏开发者、audio-visual artist，哈佛中国艺术实验室合作艺术家。活跃在各种场景中，试图在不断地探索多感官场域与边界，在混乱里构建秩序，从秩序中延伸尺度。Formerly known as Jam Mo is a inter-media artist, animation director, game developer, audio-visual artist，and collaborative artist with Harvard FAS CAMLab. Active in various scenes, he tries to explore multi-sensory fields and boundaries, build order in chaos, and extend scale from order.
SPOTLITE
原名Max，「 DAWless茶馆」馆长，100伏特交流电爱好者，音乐内容PH值<1。十数年不懈的音乐创作仍然不足以充分抒发他的音乐表达欲，他追求将温热模拟电路的生命感与多元数控技术的精确性有机结合，他的观点是，没有不好的声音、只有不好的创作，唯有大脑思考所及之地，才是唯一的上限。
Formerly known as Max, the initiator and organizer of DAWless Teahouse, he is a 100-volt AC enthusiast, and the PH value of his music content is less than 1. More than ten years of unremitting music creation is still not enough to fully express his desire for musical expression. He seeks to organically combine the sense of life of warm analog circuits with the precision of multi-dimensional digital control technology. His point of view is that “there is no bad sound, only for bad creations, the only upper limit is the place where your thought could reach”.
设计：青爵 | 动效：Jam Mo | 推文：Max![]()
