项目视频
This case is located in Chengdu, the owner studied overseas, love art, this house is a home after returning to China, hoping that the internal space of the house and the colorful external living space contrast. Therefore, this case uses "black" to become the best background color for condensation, precipitation, contemplation and then display freedom, on this, all the contrast is strong, all the language is clear, and the personalized expression tension of space can be extended to the maximum. This project starts from the ideal construction of the inner world and integrates the design concept of private residential space, focusing on the island of self and building a black utopia of individual living space.
约瑟夫·阿尔伯斯和安妮·阿尔伯斯认为:建筑师可以从材料的材质、颜色、原色的组成、接受和反射光线的方式来感受材料,并且材料是建筑师探索如何塑造精神空间的一个途径。我们关注材料的感官效果,以结构的方式区分空间,强调几何秩序,将空间、结构、建筑本身的体量和逻辑完美地融合在一起,完成理想中的对于光和形态的追求,实现自然光与建筑界面的统一。
Joseph and Anne Albers believe that architects can perceive materials in terms of their texture, color, composition of primary colors, the way they receive and reflect light, and that materials are a way for architects to explore how to shape spiritual Spaces. We pay attention to the sensory effect of materials, distinguish Spaces in a structural way, emphasize geometric order, perfectly integrate space, structure, the volume and logic of the building itself, complete the ideal pursuit of light and form, and realize the unity of natural light and architectural interface.
In the living room, the natural light introduced by the floor glass, the connection between the curtain and the white wall, the brightness is greatly improved, the internal structure of the space and the display have a more clear and clever light and shadow effect, the color of the three primary colors of the furniture has become a clever ornament of the space, and the independent artistic conception of the picture has been opened up in the mutual contrast. The geometric shape of the coffee table is more profound and luminous under the support of metal materials, the opposite sex shape of the Ribbon Chairde, and the red flame of the electronic fireplace all show the dynamic interaction experience between people and space.
The wood element is the mildest expression of "accumulation" and "time". While the tone and material of the wooden storage cabinet should match the overall tone, it presents the Oriental aesthetic texture for the space. The insertion of the black mirror not only adds light and shadow to the interior, but also eases the simplicity of the facade and imparts a modern sense.
将自然因素引入几何化和秩序化的建筑,并藉此唤醒建筑的生命,互为对比的因素与那些令人惊讶的结果并置,建筑的表现生来就能够感动人们的精神并使我们瞬间感悟到永恒,永恒在于能感受其存在的心灵之中。我们将静态空间的单一功能打破,注重其间的情感体验、对美的感知,获得动态生命。
By introducing the elements of nature into geometric and orderly architecture, and thereby awakening the life of the building, the juxtaposition of contrasting elements with those surprising results, the expression of architecture is inherently capable of moving the human spirit and making us instantly aware of eternity, which lies in the mind that can feel its existence. We break the single function of static space, pay attention to the emotional experience and perception of beauty, and obtain dynamic life.
建筑的存在不是孤立的,每个空间都有其独特的在地性与精神性,而边界空间对于空间精神与文化的表达尤其重要,边界是一种介质,与空间内所有元素发生联系,建筑、边界、环境是有机的整体,是一个完整的生态系统,既是空间内部动线的场景折叠,又是场地外部环境的整合,设计中观照和营造边界空间的生产与阅读性,重构边界空间的视觉元素,从人体尺度、行为方式、感官功能出发为人体创造空间,则会形成一种不可预知的意义、开放和自由的形式。
The existence of architecture is not isolated, each space has its unique localism and spirituality, and the boundary space is especially important for the expression of spatial spirit and culture. The boundary is a medium, which is connected with all elements in the space. Architecture, boundary and environment are organic whole and a complete ecosystem, which is the scene folding of the dynamic lines inside the space. It is also the integration of the external environment of the site. In the design, we observe and create the production and reading of the boundary space, reconstruct the visual elements of the boundary space, and create space for the human body from the perspective of human scale, behavior mode and sensory function, which will form an unpredictable form of meaning, openness and freedom.
勒内·笛卡尔(RenéDescartes)用数学概念理解空间:“使客体相对于主体,物质实体相对于思想实体,空间透过他们,转而支配所有知觉与身体。”从极小边界强调建筑内部的自主性,也就是强调建筑内部的流线,与外部流线形成一种较为封闭的形式。以动态变化承托身体行为边界,当边界逐渐延伸,达到与外部环境最大的交涉的时候,人在空间的动态感受也得以伸展与解放,住宅的内空间也得到无限延伸。
项目名称|黑色乌托邦 Black Utopia
项目地址|中国|成都
项目面积|240㎡
设计时间|2022年10月
完工时间|2023年11月
设计机构|RIMLAND边缘地设计
主创设计|刘文平
设计团队|廖雨、王思雨
主要品牌|凡纳定制、德利丰、B&B、SINGCHAN、LIVING DIVANI
项目摄影|边界摄影
视频制作|边界摄影
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