Culture 菌整理编辑，版权为艺术家本人所有
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Earth Birth, 1985
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Desert Atmosphere, Palm Desert, CA, 1969–2018 Archival pigment print 81 x 115.8 in. (205.7 x 294.1 cm.)
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Pink Atmosphere, Cal State Fullerton, Fullerton, CA, 1971–2018 Archival pigment print 81 x 115 cm. (31.9 x 45.3 in.)
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Almost Born,1983 Lithograph on Rives tan BFK paper (accompanied by original documentation sheet - also hand signed by Judy Chicago) 15 x 22 in. (38.1 x 55.9 cm.)
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Driving the World to Destruction,1988 Silkscreen 35.35 x 46 in. (89.8 x 116.8 cm.)
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Creation of the World, 1985 Serigraph 24 x 35 in. (61 x 88.9 cm.)
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Holocaust Project Logo Pin and Pendant, 1993
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Through the Flower, 1991 Silkscreen oSilkscreen on Stonehenge natural white paper with deckled edges 31 x 31 in. (78.7 x 78.7 cm.)
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Hildegarde of Bingen Cloisonne Brooch, 1987 Prints and multiples, Cloisonne brooch/pin with clasp on the back 2 x 2 in. (5.1 x 5.1 cm.)
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朱迪·芝加哥是20世纪70年代早期女权主义艺术运动中的美国艺术家和主要人物，被认为是关于女性与艺术的持续对话中最突出的声音之一。与米里亚姆·沙皮罗等同行一起，芝加哥不断挑战男性主导的艺术世界，并试图吸引人们对传统上被忽视的工艺的关注，如针线活和陶瓷。她标志性的《晚宴》（1974-1979）由一张大型三角形桌子组成，每张桌子都为历史上不同的女性摆放了复杂的餐桌，这仍然是她最著名的作品，也是20世纪文化批评中不可磨灭的时刻。这件雄心勃勃的作品是在数百名志愿者的努力下完成的，现收藏于布鲁克林博物馆。“我相信与真实人类情感相关的艺术，它超越了艺术世界的界限，拥抱了所有在日益非人化的世界中寻求替代品的人，”芝加哥曾解释道。“我试图创作与人类最深层次、最神秘的担忧相关的艺术。我相信，在这个历史时刻，女权主义就是人文主义。”1939年7月20日出生于伊利诺伊州芝加哥的朱迪思·西尔维亚·科恩，她从小就受到父亲马克思主义激进主义的影响。她继续在芝加哥艺术学院学习，最终于1962年从加州大学洛杉矶分校毕业，获得学士学位，1964年获得硕士学位。她的众多个展包括在布鲁克林博物馆、加利福尼亚州奥克兰博物馆和国家女性艺术博物馆等举办的个展。Judy Chicago is an American artist and major figure within the early Feminist Art movement of the 1970s, and is considered one of the most prominent voices in ongoing dialogue about women and art. Working alongside peers such as Miriam Schapiro, Chicago consistently challenges the male-dominated art world and sought to draw attention to traditionally dismissed craft, such as needlework and ceramics. Her iconic The Dinner Party (1974–1979—consisting of a large-scale triangular table complete with intricate table settings each laid for a different woman in history—remains her best-known work and an indelible moment in 20th-century cultural criticism. The ambitious piece was completed thanks to the work of hundreds of volunteers, and is now housed in the Brooklyn Museum. “I believe in art that is connected to real human feeling, that extends itself beyond the limits of the art world to embrace all people who are striving for alternatives in an increasingly dehumanized world,” Chicago once explained. “I am trying to make art that relates to the deepest and most mythic concerns of human kind and I believe that, at this moment of history, feminism is humanism.” Born Judith Sylvia Cohen on July 20, 1939 in Chicago, IL, she was notably influenced by her father’s Marxist activism from an early age. She went on to study at the Art Institute of Chicago, eventually graduating from UCLA with a BFA in 1962 and an MFA in 1964. Her numerous solo exhibitions include those held at the Brooklyn Museum, Oakland Museum of California, and the National Museum of Women in the Arts, among others.
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