Culture 菌整理编辑，版权为艺术家本人所有
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Mythos of Lost Dynasties Series—Negative and Positive Characters 遗失的王朝系列—正反的字, 1984-1985
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United Nations project. Italian Division: God and children, 1994 Watercolor on paper 22 4/5 × 29 1/2 in | 58 × 75 cm
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China Park - #3 Pine & Cypress, 2011 Ink on paper 70 9/10 × 70 9/10 in | 180 × 180 cm
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Untitled (Pseudo Character) Ink on paper 44 1/2 × 29 1/2 in | 113 × 74.9 cm
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Gu's Phrase Series: Wind and Bamboo, 2003 Ink on paper 37 3/4 × 35 in | 95.9 × 88.9 cm
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Wind and Sand from the Phrase Series, 2003 Ink on paper 38 × 35 in | 96.5 × 88.9 cm
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H25 (from the Mythos of Lost Dynasties series), c. 2002 Ink on rice paper laid to silk 38 × 23 1/2 in | 96.5 × 59.7 cm
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Untitled (Pseudo Character) Ink on paper 44 3/4 × 29 in | 113.7 × 73.7 cm
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Untitled (Pseudo Characters) Ink on paper 45 1/2 × 30 in | 115.6 × 76.2 cm
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Untitled (Pseudo Characters) Ink on paper 45 1/2 × 30 in | 115.6 × 76.2 cm
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Untitled from the series Mythos of Lost Dynasties Ink on paper 38 × 23 1/2 in | 96.5 × 59.7 cm
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Untitled (Pseudo Characters) Ink on paper 45 1/2 × 30 in | 115.6 × 76.2 cm
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谷文达被认为是中国传统水墨画和书法在其概念项目中的借鉴和挪用的先驱。具有古典水墨背景的顾通过一系列环境装置和大型半抽象作品，探索了媒介的激进可能性。作为革命后散居海外的中国人之一，顾关注区域主义、民族认同、普遍性以及语言和文化之间的差距等主题。他最著名的项目包括“联合国”（始于1993年），在该项目中，谷从世界各国收集人的头发，并用发明的语言将其编织成带有文字的横幅；顾的目标是在世界上每个国家都有一个系列。Wenda Gu is considered a pioneer for building upon and appropriating traditional Chinese traditional ink painting and calligraphy in his conceptual projects. Gu, who has a background in classical ink painting, has explored the radical possibilities of the medium through series of environmental installations and large-scale semi-abstract works. A member of the post-Revolution Chinese diaspora, Gu is concerned with themes of regionalism, national identity, universality, and the gaps between language and culture. The most famous of his projects includes the “United Nations” (begun 1993), in which Gu collected human hair from countries around the world, and wove them into banners with text in invented languages; Gu’s goal was to have one piece in the series in every country in the world.©谷文达
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