中国艺术家 | 陈萧伊 Xiaoyi Chen

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Foam, Form – Phase II do, do+, re, fa, sol, la, si, mi 150 x 80cm UV印刷曲面铝板 UV print on curved Aluminum plate 2019

Simulacres 1: clouds dictionary Simulacres 2: never catch the transient 280x120x10cm UV print, arched lightbox UV印刷 拱形灯箱 2020

Living on fragile ice, breathing only 4 mins 53 sec single channel video 2020

Dividing lines hidden on every moment 180x120cm 艺术微喷 Giclée print 2020

陈萧伊（b.1992）生于中国四川，于2014年获得伦敦艺术大学纯艺术摄影硕士学位，目前工作生活于成都。她的作品基于摄影并不局限在具体的媒介当中，通过生产图像的方式，关注于生命体的微妙感知，并不断挑战既定的逻辑、感知与想象来探讨存在本身的问题。她的作品曾获得中国第七届三影堂摄影奖大奖，入选福布斯2017“30 UNDER 30（Art）”亚洲榜单，并参与诸多国内外展览。

Xiaoyi Chen was born in Sichuan, China in 1992. She received an MA Photography from London College of Communication in 2014, currently lives and works in Chengdu. Her work based on photography but not confined to specific media, focusing on the subtle perceptions of human beings by producing images. And constantly challenge the established logic, perception and imagination to explore the existence itself. Xiaoyi Chen has exhibited internationally; she was awarded the Three Shadows Photography Award in 2015, China’s most prestigious photography prize, and named one of Asia’s 30 Artist under 30 by Forbes magazine 2017.

在近年来持续进展的项目中，她关注过往历史中西部作为资源区，聚焦于横断山脉区域的矿山与开采遗迹为切口，持续地打捞那些失落的时间，自然与大地的迷团。从过去的采矿业到如今的山地生境，她在山脉的时空堆叠与土地关系中展开工作，并尝试通过更旷阔的叙事对西部山地进行 “影像的扫描”。

In the project that have been progressing in recent years, she has focused on the Western China as a resource area in history, focusing on the mines and mining relics in the Hengduan Mountains region as cuts, and continuously salvaging those lost time, the mystery of nature and the land. From the mining industry in the past to the mountain habitat today, she worked on the relationship between the temporal and spatial stacking of mountains and the land, and tried to scan the western mountains in China through the broader narrative.

她的个展项目有“横断涟漪纪”（成都千高原艺术空间，2022），“争执”（成都当代影像馆，2020），“他乡异客：当我独自盛开时，世界还在沉睡”（瑞士The Crochetan剧院，2018 / 三影堂摄影艺术中心，2018），“One Giant Leap” （罗马Matèria Gallery, 2017），“Never!”（成都千高原艺术空间，2017），“Art projects”（伦敦艺术博览会，2017），“The Inadequacy of Language”（罗马Matèria Gallery，2016），近期主要群展包括“相机人的明暗室”（麓湖A4美术馆，2019），“末路斜阳——‘声名狼藉者’及其不可解的存在方式”（青策计划2019，上海当代艺术博物馆，2019），“中国当代艺术年鉴展2018”（北京民生现代美术馆，2019），“Extravaganza”（瑞士沃韦影像双年展，2018），“中国当代摄影四十年”（三影堂摄影艺术中心，深圳OCAT，2017-2018），十方：三影堂摄影奖十周年特展”（三影堂摄影艺术中心，2018），“雅典摄影节：主单元-潜入自然”（雅典Benaki博物馆，2018），“回路——2000年以来的西南影像实验”（成都麓湖A4美术馆，2017），“Calling/re-Calling——东亚文化之都当代艺术展”（京都造型艺术大学，2017），“延绵的观念空间——状态与方法”（成都蓝顶美术馆，2016），“隐逸的灵境”（北京Tabula Rasa画廊，2016），“千高原-人民公园计划”（厦门集美·阿尔勒国际摄影季，2015），“中国8:进程当中的摄影展”（德国Folkwang博物馆，2015）“房间里的大象”（上海视界艺术中心，2015），“离相：三影堂摄影奖作品展”（三影堂摄影艺术中心，2015）等。

Her recent solo exhibitions include “ The Epoch of Rippling Hengduan Mountains”(A Thousand Plateaus Art Space, Chengdu, 2022),  “Streit” (Chengdu Contemporary Image Museum, China, 2020), “The stranger:…and while I blossomed all alone, the world slumbered” (Theatre Crochetan, Switzerland, 2018 / Three Shadows Photography Art Centre，2018), “One Giant Leap” (Matèria Gallery, Roma, 2017”, “Never！”( A Thousand Plateaus Art Space, Chengdu, 2017), “Art Project- London Art Fair” ( Matèria Gallery, London, 2017), “The Inadequacy of Lauguage” (Matèria Gallery, Roma, 2016), and group exhibitions include the participation in “The Dark and Bright Room of CAMERAer” （A4 Art Museum, China, 2019), “Sunset on a Dead End – The Notorious and Their Inexplicable Modes of Existence (Emerging curators project)” ( Power Station of Art, China, 2019), “The Exhibition of Annual of Contemporary Art of China 2018” (Beijing Minsheng Art Museum, China, 2018), “Extravaganza”( Festival Images Vevey, Switzerland, 2018), “40 Years of Chinese Contemporary Photography” (Three Shadows Photography Art Centre, OCAT Shenzhen, China, 2017-2018), “Athens Photo Festival: Main- Embedded in Nature” ( Benaki Museum, Greece, 2018), “Loop—Photography and Video Experiments in Southwestern China since 2000” (A4 Art Museum, Chengdu, 2017), “Calling/re-Calling-Culture city of east Asia 2017, Kyoto Asia Corridor Art Exhibition” ( Kyoto University of Art and Design, Japan,2017), “Stretching Conceptual Space – state and method” ( Blue Roof Museum of Chengdu, China,2016), “Elemental Landscape” (Tabula Rasa Gallery, Beijing, 2016), “A Thousand Plateaus Art Space – People’s Park Project”( Jimei x Arles International Photo Festival, Xiamen, 2015), “China 8: Work in Progress” ( Museum Folkwang, Essen, Germany,2015), “The Elephant in the room” ( V art center, Shanghai, 2015), “Detachment :Three Shadows Photography Award Exhibition” (Three Shadows Photography Art Centre, Beijing, 2015) etc.

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