Culture 菌整理编辑，版权为艺术家本人所有
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ETERNITY, 2013 Artificial stone, compound 150 x 100 x 340 cm | 59 1/16 x 39 3/8 x 133 7/8 inch
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EVOLUTION-SOUTH WALL OF MOGAO CAVE NO.003, IVORY COAST MASK / 進化－莫高窟003窟主室南壁、 科特迪瓦面具, 2017 Oil on canvas 115 x 170 cm | 45 1/4 x 66 15/16 inch
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EVOLUTION-NORTH WALL OF MOGAO CAVE NO.172, MMA JI MASK / 進化－莫高窟172窟主室北壁、瑪基面具, 2017
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THE STRUGGLE OF MAN AGAINST POWER IS THE STRUGGLE OF MEMORY AGAINST FORGETTING, 2010 sculpture, resin, digital fine art pigment print mounted on aluminum 150 x 217.5 cm | 59 1/16 x 85 5/8 inch
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EUROPEAN THOUSAND-ARMS CLASSICAL SCULPTURE,2014
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ETERNITY - THE SOLDIER OF MARATHON ANNOUNCING VICTORY, A WOUNDED GALATIAN,2014 Concrete with fibreglass, marble powder, marble, metal 157 x 96 x 250 cm | 61 13/16 x 37 13/16 x 98 7/16 inch
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EVOLUTION-BUDDHA FROM THE SOUTH WALL OF MOGAO CAVE NO. 172, GALOA MASK / 進化－莫高窟172窟主室南壁佛、 GALOA 面具, 2016
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EVOLUTION-SEATED BUDDHA FROM THE NORTH WALL OF MOGAO CAVE NO. 390, BAOULE MASK / 進化－莫高窟390窟主室北壁坐佛、BAOULE 面具, 2016
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EVOLUTION-STANDING FEMALE ATTENDANT, BWA BOBO MASK / 進化－唐彩繪侍女木俑、BWA BOBO面具,2017
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NEW,2014 Painted stainless steel 402 x 130 x 110 cm | 158 1/4 x 51 3/16 x 43 5/16 inch
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ETERNITY-PAINTED TERRACOTTA STATUE OF HEAVENLY GUARDIAN, SLEEPING MUSE,2016 Bronze, mineral composites, mineral pigments, steel 236 x 102 x 60 cm | 92 15/16 x 40 3/16 x 23 5/8 inch
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ETERNITY-APHRODITE OF KNIDOS, TANG DYNASTY SITTING BUDDHA, 2014 Glass fi ber-reinforced concrete, marble grains, sandstone grains, mineral pigments, steel 355 x 91 x 91 cm | 139 3/4 x 35 13/16 x 35 13/16 inch
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ETERNITY - MATERIAL: WINGED VICTORY OF SAMOTHRACE, TIANLONGSHAN GROTTOES BODHISATTVA,Fiberglass, steel, cement 626 x 460 x 230 cm | 246 7/16 x 181 1/8 x 90 9/16 inch
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徐震的挑衅性美学依赖于概念和流行策略。作为一名自主艺术家，他首先通过有争议的表演和视频进行了行为和文化实验。具有讽刺意味的是，他在2009年创立了自己的艺术公司MadeIn Company，将自己转变为一个品牌，这反映了毛时代后中国的消费主义之旅。他名下的“MadeIn公司生产”的作品主要包括雕塑、绘画和装置。它们往往象征着与遥远文化、文明和时代有关的肖像之间不协调的冲突。从日本束缚和巫毒崇拜之间不太可能的相遇，到佛像强迫自己成为希腊罗马神的复制品，文化符号之间的碰撞使他能够巧妙地触及人类历史上的各种权力斗争。徐震的复合艺术体现了文化融合的真正暴力性质，进一步质疑了数字时代全球化沉淀所导致的意义和语境的丧失。
XU ZHEN®’s provocative aesthetics relies on both conceptual and pop strategies. He first undertook behavioral and cultural experiments as an autonomous artist via controversial performances and videos. Ironically mirroring post-Mao China’s journey into consumerism, he has since transformed himself into a brand with the creation in 2009 of his art corporation MadeIn Company. The works “produced by MadeIn Company” in his name mainly consist of sculptures, paintings and installations. They represent, often monumentally, incongruous clashes between iconographies pertaining to distant cultures, civilizations, and ages. From the improbable encounter between Japanese bondage and voodoo fetishes, to Buddha statues forcing themselves into duplicates of Greco-Roman gods, the collision between cultural symbols allows him to subtly touch upon the various power struggles of human history. Embodying the truly violent nature of cultural hybridization, XU ZHEN®’s composite art further questions the loss of meaning and context induced by the precipitation of globalization in the digital era.排版：Culture菌
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