Albright, Ann Cooper and Ann Dils, co-editors. Moving History/Dancing Cultures. Middletown, Connecticut: Wesleyan University Press, 2001.
Anderson, Jack. Ballet and Modern Dance: A Concise History. Princeton, New Jersey: Princeton Book Company, 1992 (2nd Edition).
Au, Susan. Ballet and Modern Dance. London: Thames and Hudson, 1988 and 2002.
Carter, Alexandra, editor. The Routledge Dance Studies Reader. London and New York: Routledge Press, 1998.
Novack, Cynthia J. Sharing the Dance: Contact Improvisation and American Culture
Madison, WI: University of Wisconsin Press, 1990.
Chinese Texts for reference:
平珩/主編,《舞蹈欣賞》台北：三民書局，1995。
Jennifer Homans著，宋偉航譯《阿波羅的天使：芭蕾藝術五百年》台北：野人出版，2013。
*Other articles to be distributed.
Class Schedule (may be revised as the course proceeds) 課程大綱
I. BALLET芭蕾舞
week ＃1. Introduction課程介紹
Background reading:
吳素芬/著，〈芭蕾的產生〉，平珩/主編,《舞蹈欣賞》第二章
-Ballet and Modern Dance by Susan Au, and by Jack Anderson.
Jennifer Homans著，宋偉航譯《阿波羅的天使：芭蕾藝術五百年》台北：野人出版，2013。
＃2. 浪漫芭蕾Romantic Ballet: 《吉賽爾》 Giselle (1841)
Reading文章: -Deborah Jowitt’s “In Pursuit of the Sylph: Ballet in the Romantic Period,”in The Routledge Dance Studies Reader, editor Alexandra Carter, (London and New York: Routledge Press, 1998) pp. 203-213.
Viewing影像資料: Giselle, by ABT, 1969 film version.
＃3. 狄亞格列夫(Serge Diaghilev)俄羅斯芭蕾舞團 Ballet Russes and issues of reconstruction以及舞作重建等議題
Reading: -Millicent Hodson, “Searching for Nijinsky’s Sacre,” in Ann Cooper Albright and Ann Dils, co-editors. Moving History/Dancing Cultures. (Middletown, Connecticut: Wesleyan University Press, 2001), pp. 17-29.
Viewing: Nijinsky’s The Rite of Spring《春之祭禮》reconstructed by Joffrey Ballet; and TNUA Reconstruction of Nijinsky’s The Afternoon of a Faun (L’apres-midi d’un faune) 《牧神的午後》
＃4. 巴蘭欽紐約市立芭蕾舞團Balanchine’s New York City Ballet and issues of appropriation與「挪用」議題
Reading: -Brenda Dixon Gottschild’s “Stripping the Emperor: The Africanist Presence in American Concert Dance,” in Moving History/Dancing Cultures, pp. 332-341.
Viewing: Balanchine’s Four Temperaments《四種性情》
＃5. 歐洲當代芭蕾Contemporary European Ballet I: A) Jiri Kylian季里安
Reading: -Isabelle Lanz, “Introduction,” in A Garden of Dance: Jiri Kylian, 20 years at Nederlands Dans Theater. Amsterdam: Theater Instituut Nederland, 1995, pp.20-37.
Viewing: Black and White Ballets; Car Men《卡門》; NDT Celebrates Kylian
＃6. Contemporary European Ballet II: William Forsythe佛賽
Reading: -Dana Caspersen, “The Company at work, how they train, rehearse, and invent: The Methodologies of William Forsythe.” In Forsythe: Bill’s Universe. Ballettanz: Dax Jahrbuch, 2004, pp.26-33.
Viewing: William Forsythe Improvisation Technologies: A Tool for the Analytical Dance Eye CD-Rom (Cologne: ZKM Karlsruhe, 1999); also, visit website: http://synchronousobjects.osu.edu/
II. MODERN AND CONTEMPORARY DANCE現代舞、後現代舞與當代
＃7. Isadora Duncan鄧肯
Reading: -Ann Daly, “Prologue,” in Done Into Dance: Isadora Duncan in America. Bloomington and Indianapolis: Indiana University Press, 1995, pp. 2-20..
Background reading: Isadora Duncan’s autobiography, My Life (1927) 《鄧肯自傳》.
Viewing: Duncan techniques and repertoire
＃8. Reading week. (instructor off for dance conference)
＃9. Ruth St. Denis and Orientalism聖丹尼絲與東方主義
Reading: -Priya Srinivasan, “The Bodies Beneath the Smoke or What’s Behind the Cigarette Poster: Unearthing Kinesthetic Connections in American Dance History,” in Discourses in Dance, Vol. 4, Issue 1 (2007) pp.7-47.
Background reading: “Introduction,” from 薩伊德Edward Said’s Orientalism (1978)
Viewing: Denishawn: “Incense” and other excerpts
*Dance Review Due.
＃10. Guest Instructor: Marta Savigliano
＃11. Martha Graham葛蘭姆
Reading: -Marcia B. Siegel, “The Harsh and Splendid Heroines of Martha Graham,” in Moving History/Dancing Cultures, pp. 307-314.
Background Reading: Ernestine Stodelle, Deep Song: The Dance Story of Martha Graham (New York: Schirmer Books, 1984) 《赤足女王:葛蘭姆傳》.
Viewing: Appalachian Spring《阿帕拉磯之春》；Cave of the Heart《心之穴》；Night Journey《夜旅》from Martha Graham in Performance
*Final Research Project Topic due 交期末報告摘要並列舉參考文獻
(one paragraph description, with at least three references).
Readings: -Merce Cunningham, “Space, Time and Dance” (1952); “Four Events That Have Led to Large Discoveries” (1994), in Art Performs Life: Merce Cunningham/Meredith Monk/Bill T. Jones. Minneapolis: Walker Art Center, 1998, pp.18-19, 20-21.
-Yvonne Rainer, “No manifesto (1965),” in the Routledge Dance Studies Reader, p. 35.
-Sally Banes, “Choreographic Methods of the Judson Dance Theater,” in Moving History/Dancing Cultures, pp. 350-361..
Viewing: Cunningham’s CRWDSPCR and Beyond the Mainstream.
＃13. 接觸即興 Contact Improvisation
Reading: -Cynthia Novack, Sharing the Dance: Contact Improvisation and American Culture (1990).
Viewing: Contact Improvisation: Fall after Newton
讀書心得口頭報告oral book reports
*交讀書心得Book Reviews due
＃14. Pina Bausch 碧娜‧鮑許德國舞蹈劇場German Tanztheatre
Reading: -Susan A. Manning and Melissa Benson, “Interrupted Continuities: Modern Dance in Germany,” in Moving History/Dancing Cultures, pp.218-227.
-Royd Climenhaga, “Chp. 3: Kontakthof in Context,”in Pina Bausch (Routledge performance practitioners series) London & New York: 2009, pp. 69-94.
Background Reading: 林亞婷等合著《碧娜‧鮑許為世界起舞》(台北：國立中正文化中心, 2007)；Jochen Schmidt著《碧娜‧鮑許：舞蹈 劇場 新美學》(林倩葦譯) 台北：遠流出版，2007.
Viewing: Pina Bausch dance films: Café Muller, Kontakthof《交際場》, etc.
＃15. 歐洲當代舞壇 Contemporary European Dance Scene:
Mathew Bourne & AMP, Anne Teresa de Keersmaeker & Rosas, and Sasha Waltz
Reading: -Irmela Kastner (text) & Tina Ruisinger (photo), “Interview with Anne Teresa de Keersmaeker, Brussels 2004, Essen 2007,” in Anne Teresa de Keersmaeker/Meg Stuart. Munich: K.Kiesser Verlag, 2007. pp. 1-8.
-Alastair Macaulay, “Matthew Bourne, Dance History and Swan Lake,” in Rethinking Dance History: A Reader. Ed. By Alexandra Carter. London: Routledge, 2004, pp.157-169.
-Carolin Emcke, Judith Butler, and Dorita Hannah, 3 short articles from Cluster—Sasha Waltz, published by Sasha Waltz and Guests. Germany: Henschel verlag, 2007, pp. 69-75.
Viewing: Bourne 新版《天鵝湖》, Rosas danst Rosas, and Sasha Waltz’s Dido and Aeneas
来源：台北艺术大学
