本周六车库丨硬核邪典视听盛宴 2*A/V Live + 3DJ & 7VJ

IG：real_sad_tong

不管有关系还是没关系，不管有没有关系，反正也已经没关系了。

Whether it matters or not, whether it matters or not, it doesn't matter anymore anyway.

当天晚上是Dj_umpheefOox。dlirt!!!

Multidisciplinary, Dj_umpheefOox has been join the music scene since 2016. Originally bonding with his friend Alan through shared apathy that the neighborhood subculture was contrived and void of purpose.

Dj_umpheefOox’s dj set is about unreasonable. It’s not about performing a perfect DJ set to feel good about yourself, and it’s not about delivering what an audience expects you to play. Relationships are about challenging each other. The wonderland of the music journey with imperfect performance.

Noodleprince来自台北，长年居于上海，亚细亚海岛根源揉杂都市混凝土的多重进化体。好奇心驱使她持续搜集氛围迥异的声音，以打造丰富的律动拼盘。在切换不同面具的同时，流露当下角色的最真状态，弹性且来去自如。偶尔淘气一下，调侃不成文的规矩。曾在SVOYI 的活动多次参与演出，也曾在byyb.radio、HKCR、MOBILESUBURB、 Lazyboys在Relativa Radio的节目、BAIHUI、Cloak Radio留下变化多端的mixset痕迹。

Noodleprince hails from Taipei and has lived in Shanghai for many years, with her Asian island roots mixed with the multiple evolutions of urban concrete. Her curiosity has led her to continue collecting sounds with different atmospheres in order to create a rich rhythmic platter. While switching between different masks, she reveals the true state of her character at the moment, flexible and free to come and go as she pleases. Occasionally, she is naughty and flirts with the unwritten rules. She has performed as a regular member of SVOYI's activities for many times, and has also been featured on byyb.radio, HKCR, MOBILESUBURB, Lazyboys on Relativa Radio, BAIHUI, and Cloak Radio, leaving a trail of varied mixesets.

小白能Bi-NON是音乐人、写作者和艺术家。早期以采样拼贴、无输入反馈及接触式麦克制造声响，2015年以“小白能”为代号开始其创作计划，涉及声音、文本及行动，实践场所跨越美术馆、俱乐部、剧场和街头。现正将听觉转向解构主义和非常规打击乐，意图用音乐探索无意识与具身性、记忆与阈值空间的相互关联。

In the early time,they used sampling collage, No-Input feedback and contact mic to produce sound. In 2015, they started its art work plan with the code name "Bi-NON", involving sound, text and action performance.Sites of practice include Art museum, Club, Theater and the Street. They turning them listening to deconstructionism and unconventional percussion, Try to use music to explore the unconscious and embodiment, memory and liminal space.Their work "Deep Freeze" won the Blast! Sound Award in 2016,and 2017 Residency as opening act for UK musician Emmy the great.

星芮Xingrui（@watapp）是一个数字艺术家、视觉设计师、VJ，她活跃于跨学科合作，拥有多重身份，致力于探索与数字媒体艺术相关的领域。她的作品包括音画互动、三维实验动画和插画等形式，曾在上海双年展、威尼斯元宇宙艺术节、Art for All艺术节等展出。在不断创作的过程中，她致力于探索视觉在虚拟空间的新表达和传递形式，以及数字时代的新型展览模式。

Xingrui is a digital artist,visual communication designer,and VJ. She is active in cross-disciplinary collaborations and has multiple identities dedicated to exploring the fields related to digital media art. Her works have output in audio-visual performance, 3D animation and illustration forms and have been exhibited at Shanghai Biennale, Metaverse art festival @Venice, Art for All festival etc. In her continuous creation, Zhao is committed to exploring new forms of visual expression, and delivering them in virtual space.

CHILLCHILL，一个数字艺术家，现工作生活于上海。虚拟3D对他来说更加直接和实验，但3D对他来说并不是一种媒介，而是一种生产新问题的思考系统。他和电脑共同创作，他负责挑选那些他关心的日常现实扔进虚拟世界，让电脑随机搅拌、混合生成出一种始于现实最终又非现实的新 问题，最终它们合作产出的作品内容涵盖了神话、共享经济、吃播、算法与劳工等等。作品"亚洲共享 天堂 II"提 名NOWNESS 天才计划奖(2019)。影像"缸中之脑"、"SHAMAN"在NOWNESS ASIA平台推 荐发布。凭借独特的3D视觉与众多品牌进行合作，例如WINDOWSEN、FARFETCH、DAZED、 NOWNESS、TEAM WANG等。

CHILLCHILL is an artist whose art practice revolves around urban life/third world/subculture. He graduated from the Oil Painting Department of Sichuan Academy of Fine Arts, and currently lives and works in Shanghai. He uses his unique sense of humor to mix the virtual world and the real world he lives in, he mentions his work as a "stand-up show about realism". He works on 3D rendered moving images and live performances with real-time rendering by game engines.Virtual 3D is more direct and experimental for him, but 3D is not a medium for him, but a thinking system to generate new topic. He is co-creating with the computer. He is responsible for selecting the daily reality he cares about and throwing it into the virtual world, allowing the computer to randomly stir and mix to generate a new topic that starts from reality and ends up being unrealistic. In the end, the content of their collaborative work covers The myth, the sharing economy, mukbang, algorithms and labor, etc. The work "Asian Shared Heaven II" was nominated Nowness Talent Project Award (2019). The videos "Brain in a Vat" and "SHAMAN" are recommended for release on the NOWNESS ASIA platform. he Cooperated with many brands with unique 3d vision, such as WINDOWSEN, FARFETCH, DAZED, NOWNESS, team wang, etc.

Uan是一位独立艺术家，主要以装置、动态图像和表演为创作媒介，从事艺术和时尚约10年，现居上海。自中央圣马丁女装毕业后，曾在T杂志、VOGUE、Bazaar时尚、Instyle、GQ等多家媒体和品牌、舞台和视频担任艺术总监。同时，她以视觉艺术家、装置艺术家和表演者的身份活跃在艺术展览、俱乐部文化、时装秀等多维舞台上。Uan的作品以角色扮演/魔幻/神秘/虚拟偶像/情色/机器人为特征，探索视听、表演和装置艺术的交叉点，指研究这些艺术形式的交叉点，重点关注如何将它们结合起来，创造创新和沉浸式的艺术体验, 刺激超真实的感官之旅。

Uan is an independent artist, mainly using installation, moving image and performance as creative media, engaged art and fashion about 10 years, now lives in Shanghai. Since graduated from Central Saint Martins Womenswear, She  worked as art director for various media and brands, stages and videos, T Magazine,VOGUE, Bazaar fashion, Instyle, GQ etc. Meanwhile, she is active as a visual artist, installation maker and performer in art exhibitions, club culture, fashion shows and other multi- dimensional stages. Uan's works are characterized by a kind of role-playing/magical/occult/virtual idol/eroticism/cyborg, exploring the Intersections of Audio-Visual, Performance, and Installation Art, refer to investigate the intersections of these forms of art, with a focus on how they can be combined to create innovative and immersive art experiences. to stimulate hyper- real sensory trip.

当代多媒体艺术家、视觉和声音艺术家、中国美术学院博士在读。

井是一个多元综合体，艺术家林璟的视觉分身。常驻纽约、上海和杭州，现于中国美术学院攻读博士学位，拥有纽约视觉艺术学院硕士学位和中国美术学院学士学位。长期活跃于国际舞台的她在当代艺术领域与地下文化场景之间反复横跳。作品涵盖装置、影像、声音、摄影、书法、表演、交互等多种艺术语言，并常以多元交融的形式呈现。井善于通过她的敏锐感官将影像作品转化为独特的视觉能量，为现场制造极致沉浸式感官体验，令边界遁入无形。

Contemporary multimedia artist, visual and sound artist, and Ph.D. candidate at China Academy of Art. J!NG is a multi-complex, the visual alter ego of artist Jing Lin. Based in New York, Shanghai, and Hangzhou, she is pursuing her Ph.D. from China Academy of Art. She obtained her MFA from School of Visual Arts and BA from China Academy of Art. J!NG has been actively involved in the international stage, traversing between the contemporary art field and the underground cultural scene. Her works cover multiple artistic languages, including installation, video, sound, photography, calligraphy, performance, interactive art, etc., which are often presented in diverse and integrated forms. With her acute sensory perception, J!NG transforms her video works into extraordinary visual energies, bringing the audience provocative sensory experiences and dissolving the boundary of space.

世界被塑料包围，Nat觉得这挺可爱挺棒的。他只想做出点能朝他微笑回的东西。当站在人行道长长的队伍中时，很多关于宇宙的想法油然而生。这世界之逼真让我们活的很真实。

The world is covered in plastic and Nat thinks it’s cute and fantastic. He just wants to make something that can smile back at him. Many ideas about the universe come to Nat once a day while standing in long long lines on the side walk with many many people. The world is so real that it’s really true we are alive.

@songxin.xin

数字末⽇的废墟上，社会⽂明的实体被算法所取代，数字技术正在塑造⼀种新的语⾔体系。虚拟现实的不断侵蚀导致⼈类在被看⻅的渴望与隐匿的需求间摇摆不定，⾃我意识成了⼀场幻觉，选择似乎已被剥夺，只能在这漩涡中⽆助地寻找出路。同时，赛博空间的景象与古⽼海洋之间出现共鸣，数字化重塑了⼈类对现实的感知，也模糊了虚拟与现实世界之间的界限。⼈类处于⼀种新的⽣态系统，技术成为了第⼆层⽪肤。就像古⽼寄居蟹在海洋中寻找并利⽤⻉壳以加固其脆弱躯体的⾏为，通过其⻉壳的遮掩与揭露来促进呼吸与航⾏。在⼀个充满暴⼒、流离失所以及信息过载的脆弱未来，⼈类NPC在数字化废墟中寻找庇护，试图找到⼀种既保守⼜能促进共鸣的⽣存策略。未来和过去，个体与环境之间复杂⽽多层次的关系正在同时发⽣。

Amidst the ruins of a digital doomsday, the physical structures of civilization are seized by algorithms, crafting a new lexicon of existence. Virtual reality's relentless push pulls humanity between visibility and obscurity, reducing self-awareness to an illusion. Stripped of choice, we circle endlessly in a vortex, searching for an escape. Cyberspace echoes ancient oceans, blurring the line between real and virtual, casting us into a new ecosystem where technology integrates as a second skin. Like ancient hermit crabs seeking shells for protection, we navigate a future marred by violence and information overload, scavenging through digital debris for shelter. This quest blends survival with resonance, as we weave the past with the future, and self with the collective, in a fragile dance of existence. Amidst digital ruins, we strive to redefine our place, merging digital with tangible, in our continuous search for identity and belonging.

閔詩涵，1995年生於台灣台北市，早期以繪畫、複合媒材、攝影等為創作媒材，近期以3D動畫、AR、VR、結合遊戲引擎及空間的互動裝置為主要創作，長年研究臺灣民俗信仰，並融入傳統廟宇元素與台灣的特殊美學。常以3D空間掃描技術數位保存了許多已拆除的廢墟，並在3D其中加入手作的拙趣與特攝片鏡位，以對抗普遍以西方發明之主流3D生產流程與美學；於2024年年初與陳誌陽共同創立藝術團體「海闊拉帝 High Quality」。

Mien Shi Han, born in 1995 in Taipei, Taiwan, used painting, composite media, and photography as creative media in his early days, and recently he has been focusing on 3D animation, AR, VR, and interactive installations combining game engines and space, and has been researching Taiwanese folk beliefs for many years, incorporating elements of traditional temples and Taiwan's special aesthetics. He often digitally preserves many demolished ruins with 3D spatial scanning technology, and adds handmade fun and close-up shots to 3D to counter the mainstream 3D production process and aesthetics commonly invented in the West. In early 2024, he co-founded the art organization Haikou Radei High Quality with Chen Zhiyang.

身兼3D影像設計者與DJ選取人身分之間，蜇伏於當代多樣蓬勃的台北電子音樂場景，並調度聲音與視覺的經驗，致力於創造數位時代下科幻且交錯於虛實之間的影像，結合機械結構及有機性的物件材質，去嘗試連結人性、科技、神聖、具速度感的虛構場景，近期關注於描繪變異的世代機能，以及神聖古老的信息處理系統如何在數字空間中互動和形成，並藉由觀看數位信使如何棲身於數據終端中，經歷意識穿梭於靈魂暗夜的擬像場域，顯露所有我們意識中的障礙、限制性信念和數位信使帶來的種種啟示與救贖。

As a 3D video designer and DJ, she stays in the diverse and vibrant electronic music scene of contemporary Taipei and adjusts her sound and visual experiences to create sci-fi and intertwined images in the digital age, combining mechanical structures and organic objects in an attempt to connect human nature, technology, the divine, and fictional scenes with a sense of speed, and recently focusing on the depiction of changing generational functions and how sacred and ancient information processing systems interact and take shape in the digital space. Recently, we have been focusing on depicting the functioning of the changing generations and how the sacred and ancient information processing systems interact and take shape in the digital space. By watching how the digital messenger inhabits the data terminals and experiences the imagery of the consciousness traveling in the dark night of the soul, we are able to reveal all the obstacles and limiting beliefs of our consciousness, as well as all the revelations and redemptions brought by the digital messenger.

Cedar Kitchen位于上海巨鹿路272号巨大的汽修店旁，供应阿拉伯美食咖啡，举办不限形式的活动，活动之余DJ设备开放可供人玩耍。

Cedar Kitchen, located next to the huge auto repair store at 272 Julu Rd in Shanghai, serves Arabian gourmet coffee and hosts unlimited events with DJ equipment open for playtime.