周六11月16日 - Ninajirachi【GirlEDM.com】被誉为EDM最后的希望少女 @ Dada Beijing

High Cry备受期待的第六次巡演，由澳大利亚音乐艺术家和制作人Ninajirachi领衔！Ninajirachi通过将future bass, bubblegum bass, electropop, hyper-pop, hardcore and house music 等元素相结合，创造出独属于自己的音乐风格。

此次Ninajirachi的中国巡演仅有两站。于11月15日在上海的Dirty House揭开序幕，11月16日在北京的DADA画上句号。

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In what some may call the unthinkable, we’re back and thrilled to officially announce our highly anticipated sixth tour featuring Australian music artist and producer Ninajirachi! 

Combining elements of future bass, bubblegum bass, electropop, hyper-pop, hardcore and house music, Ninajirachi plans to create a captivating experience that will leave her fans in China thirsty for more. 

The tour will kick off in Shanghai on November 15th at Dirty House, and from there the tour will continue to Beijing where it will end on November 16th at Dada.

美丽与神秘的混合体，是自然世界中的危险事物。这位年仅22岁的舞曲制作人成长于澳⼤利亚中央海岸。

在⻘少年时期的夏天创作出大众喜爱的流⾏乐，从前卫时髦的少⼥成⻓为全世界“hyperpop”的代名词。

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Contained in Ninajirachi’s music is all the beauty, mystery, and danger of the natural world. 

The 22-year-old Central Coast-raised dance producer makes bristling electronic pop and club music, making herslef an in-demand producer and one of the first landmark names of Australia’s burgeoning hyperpop scene.

就在今年，Ninajirachi发布了她的全新EP“girl EDM”，继她与ISOxo合作后又掀起了一波新锐电子的声浪。

《girl EDM》前卫⽽富有未来感。

通过她标志性的冰冷、破碎质感的音色与2000年代末和 2010年代初的俱乐部⾳乐相结合，Ninajirachi以另类的⽅式解构了硬核舞曲、electro house, progressive house 和 trance 正是她“天⽣要做的”⾳乐。

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Her latest ep titled “girl EDM” is a project that sees Ninajirachi offer a refreshing take on existing styles of EDM, girl EDM is forward thinking and futuristic in how she recalls the initial sound that first inspired her to pursue music production.

Traversing her token icy, glitchy textures with the club sounds of late 2000s & early 2010s, Ninajirachi pulls apart the seams of hard dance, electro house, progressive house and trance with a left-field twist, emblematic of the music she was ‘born to make’. 

作为Ninajirachi艺术表达的⼀部分，《girl EDM》也为 EDM领域，尤其是⼥性制作⼈的讨论打开了空间，聚焦于新⼀波制作⼈如何以⾃⼰的⽅式推动潮 流发展。通过《girl EDM》的发布，Ninajirachi巩固了她在澳⼤利亚⾳乐⾏业及国际⾳乐界的地位。 

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An artistic output that marks an extension of Ninajirachi’s position herself, girl EDM cultivates a space to open the conversation around producers – especially female producers – in the EDM scene, dialling in on the new wave moving the needle on their own terms. Firmly cementing her position in the Australian industry and international music landscape, Ninajirachi rises with the release of girl EDM. 

在世界于各地处于混乱之中的2020年，Ninajirachi依然表现出⾊，发布了两个项⽬-- Blumiere和与Kota Banks合作的True North--并制作了很多混⾳、DJ set和直播。当其他音乐家在努力适应完全在线的现有模式时，Ninajirachi已经拥有了优势，因为她已经在虚拟世界中度过了一生中的大部分时间。

作为电⼦⾳乐的先锋，Ninajirachi也与诸如Ableton和悉尼歌剧院这样的标志性品牌合作，前者委托她为Ableton Live 11制作演示曲，后者邀请在Joan Sutherland Theatre进⾏表演作为面向未来的liminal系列的一部分。

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In 2020, despite the chaos occurring throughout the world, Ninajirachi thrived, releasing two projects — Blumiere and True North, with Kota Banks — and working on countless remixes, DJ sets, and livestreams. As other musicians struggled to adapt to existing solely online, Ninajirachi had a leg up, having spent much of her life in virtual worlds already. 

Known for her work on electronic music’s cutting edge, Ninajirachi has also worked with iconic brands like Ableton and the Sydney Opera House, the former of whom commissioned her to create the demo song for Ableton Live 11 and the latter of whom had her perform at the Joan Sutherland Theatre as part of their future-facing Liminal series. 

2022 年，Ninajirachi发布了混⾳专辑Second Nature，展示了她音乐制作技能更为深沉、多变的⼀⾯，并将创作风格与细腻情感展现得淋漓尽致。这张专辑取得了巨大成功，并获得了多项重大音乐生涯中里程碑的荣誉，包括《NME》杂志澳大利亚版封面故事、《卫报》澳大利亚版、《苹果音乐》和《NME》杂志的“年度最佳专辑”提名，以及 FBi 电台 2023 年 SMAC 奖的“年度最佳唱片”提名。

此外， 2023 年，她还发行了的 4×4 EP，标志着她在艺术上的新拓展，汲取了她青春期时受到的电子音乐影响，获得了 triple j、Crack Magazine、Metal Magazine、Clash Magazine、Bandcamp、Billboard、Rolling Stone、10 Magazine 等媒体的极高赞誉。

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As the world has come out of hibernation, she’s continued to excel, releasing the acclaimed True North (Deluxe) — one of The Atlantic’s top 10 albums of 2021 — and selling out Oxford Art Factory with Kota Banks. Her 2022 debut mixtape Second Nature, saw her move the needle and attribute an impressive list of major career milestones including NME Magazine Australia’s cover story, Best of the Year placements in The Guardian Australia, Apple Music and NME Magazine Australia and a nomination for Record of the Year at FBi Radio’s 2023 SMAC Awards. 

This accompanied her 2023 4×4 EP which marked a new artistic expansion that drew from her earliest influences of electronic music, collecting praise from triple j, Crack Magazine, Metal Magazine, Clash Magazine, Bandcamp, Billboard, Rolling Stone, 10 Magazine among others. 

Ninajirachi，在她还未小学毕业时就开始进行音乐创作了，从⼩受到很多不同的艺术熏陶——从她的钢琴课到Lady Gaga和Ke$ha的极繁主义流⾏乐，她试着将这些音乐启发融⼊到Garageband青涩幼稚的创作中，这引发了她对⾳乐制作的兴趣。

在⾼中，Wilson发现了电子舞曲， 在YouTube的扎染教程的背景⾳乐中偶然发现了Madeon的歌曲。她在学校是⼀个“怪小孩”的存在， 没有朋友可以分享，但互联⽹——尤其是她所加⼊的电⼦⾳乐社区——提供了⼀ 个独特的空间，让Wilson可以做⾃⼰并发展她的兴趣。受到 Porter Robinson粉丝社区的⿎舞，Wilson开始创作⾃⼰的电⼦⾳乐，从Mura Masa，Flume，SOPHIE和Robinson这样的前卫电⼦⾳乐人那⾥源源不断获得灵感。 

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Born Nina Wilson, Ninajirachi first started making music before she had even left primary school, absorbing myriad influences — namely her piano classes and the maximalist dance-pop of Lady Gaga and Ke$ha — and channelling them into rudimentary Garageband sessions that led to an instant interest in production. 

At high school, Wilson discovered electronic and dance music, first stumbling across a Madeon song in the background of a YouTube tie-dye tutorial. In contrast to school, where few friends shared her decidedly niche interests, the internet — and, specifically, the internet electronic music communities she found herself in — provided a unique space where Wilson could be herself and celebrate her interests. Spurred on by a Porter Robinson fan community she was active in, Wilson began producing her own electronic music, taking inspiration from avant-garde electronic luminaries like Mura Masa, Flume, SOPHIE, and Robinson himself.