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If I Died exhibition view, The St. Regis Rome, 2020. Photo: Ela Bialkowska, OKNO Studio

孙原&彭禹

Sun Yuan & Peng Yu

If I Died 2013, fiberglass, silica gel, simulation sculpture. Photo: Ela Bialkowska, OKNO Studio

I Didn’t Notice What I am Doing 2012, Fiberglass sculptures: triceratops sculpture, rhinoceros sculpture. Triceratops sculpture dimension: 400 x 190 x 120 cm | Rhinoceros sculpture dimension: 300 x 160 x 120 cm. Photo: Ela Bialkowska, OKNO Studio

Teenager Teenager 2011, simulation of sculpture, sofa, simulation of stone. Photo: Ela Bialkowska, OKNO Studio

Can’t Help Myself 2016, Kaka industrial robot, stainless steel and rubber, cellulose ether in colored water, lighting grid with visual-recognition sensors, acrylic wall with aluminum frame. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Ela Bialkowska, OKNO Studio. Sun Yuan and Peng Yu, artist invited to the 58th International Art Exhibition of La Biennale di Venezia 'May You Live In Interesting Times'

Dear 2015, air pump, air tank, hose, sofa. Courtesy: the artist and GALLERIA CONTINUA, San Gimignano / Beijing / Les Moulins / Habana. Photo: Ela Bialkowska, OKNO Studio. Sun Yuan and Peng Yu, artist invited to the 58th International Art Exhibition of La Biennale di Venezia 'May You Live In Interesting Times'

Teenager Teenager & I Didn’t Notice What I am Doing 2011-2012, Fiberglass sculptures, simulation of sculpture, sofa, simulation of stone. Photo: Ela Bialkowska, OKNO Studio

Teenager Teenager 2011, simulation of sculpture, sofa, simulation of stone. Photo: Ela Bialkowska, OKNO Studio

Dear, 2013, air compressor, air storage tank, pipe, sofa

IF I Died, 2013, Fiberglass, silica gel, simulation sculpture

It is not certain that your enemies will harm you, it is not certain that your friends will help you, 2011, metal, Ø 34 cm, Photo Michele Alberto Sereni

THE WORLD IS A FINE PLACE FOR YOU TO FIGHT FOR, 2011, 8 photos, 80 x 120 cm each

Teenager Teenager, 2011, simulation of sculpture, sofa, simulation of stone, performance

Freedom, 2009, metal plate, high-pressure hydraulic pump, fire hose, hydrant, site specific installation

Absent, 2008, 13 automatic wheelchairs, 100 x 100 x 50 cm each

Barbarossa, 2008, metal, aluminum, electronic-mechanism, 210 x 230 x 330 cm

Old people's Home, 2007, electric wheelchair, Fiberglass,silica gel, simulacral sculpture, Life-size sculpture

孙原&彭禹: 自我反省，而不仅仅是挑衅

Sun Yuan & Peng Yu: self-examination rather than mere provocation

孙原于1972年出生于中国北京，彭禹于1974年出生于中国黑龙江。同年，他们在北京的中央美术学院学习，至今仍在北京生活和工作。在整个90年代，他们开始成为当代艺术界的杰出合作伙伴，他们脱离了当时的艺术规范，同时也质疑了国际艺术界的原则。他们使用和采用不同寻常的材料，参与过去的斗争，以及对当前背景的认识，都是使他们的工作具有相关性和极强相关性的因素。0

Sun Yuan was born in 1972 in Beijing, China and Peng Yu was born in 1974 in Heilongjiang, China. They studied in the same years at the Central Academy of Fine Arts in Beijing, the cit0y where they still live and work today. Throughout the 90s, they started to become a prominent partnership in the contemporary art world, they came away from the artistic norm of that time while also questioning the principles of the international art world. Their use and adoption of unusual materials, their engagement in past struggles and their awareness of the current context are all factors in making their work relevant and extremely relatable. Throughout their artistic career, Sun Yuan & Peng Yu have deliberately incorporated provocative materials into their work, ranging from live animals to human flesh, bones and oil. The work of Sun Yuan & Peng Yu is based on the incessant confirmation of paradox, on the perpetual search for the dualities between reality and falsehood, the manifest and the concealed. Their apparently provocative work is the demonstration of a continual analysis of life through experience in which the viewing public is often invited to participate, equipped with the will to find the essence and substance hidden behind appearance.

©孙原&彭禹

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