8号准备就位！音乐 艺术都「在场」！

Eric Liu 是一位极具创新精神的模块电子音乐人。在他的演出中，您将听到由模块化合成器创造出的独特声音世界。模块化合成器就像是一个声音的实验室，通过亲手搭建和编程，将一个个声音模块组合成千变万化的音色和节奏，创造出属于自己的音乐语言。Eric Liu的音乐风格融合了实验电子、科技舞曲和现代氛围等元素，他善于打破常规，探索声音的边界。他的演出不仅仅是音乐表演，更是一次声音艺术的实验和探索。
Eric Liu stands as a luminary in the realms of dub techno and ambient music. With a sophisticated approach to sound design, he weaves intricate sonic tapestries live on stage, captivating audiences with a mesmerizing fusion of organic textures and electronic rhythms. Each performance is a meticulously crafted journey, where the audience is invited to witness the magic of synthesis unfolding in real-time. Originally honing his craft in the vibrant electronic scene of Los Angeles, Eric Liu began his musical journey through DJing before delving into the intricate world of modular synthesis. His journey led him back to his roots in China, where he immersed himself in the local underground scene, focusing on crafting unforgettable live experiences.

Red: EricLiuMusic

音乐是人类最好的意识形态传达方式之一，这种无形而又巨大的信号能量一直在改变着由各种物质组成的空间，也改变着可以接受到这种信号能量的人们，就 这样才有了2Xy。从90年代感受西方摇滚乐后对世界观的重建，到后来接触电子乐对意识形态的解读，2Xy是一个新的意识载体，之前的一切只是为了形成新 的进化成果的过程。也许音乐才是能记录这个过程的那一条线。这条线上包含了时间轴，有对从对70年代迷幻音乐的膜拜，有对80年代摇滚乐盛世的热爱和 对90年代独立音乐垂死的无助惋惜，电子乐信号技术和模拟合成器技术是这些繁华背后运算程序，从而使音乐信号能量影响着人类对文化和物质理解进化， 2Xy就是要用音乐穿越这个维度的限制。
Music is one of the best ways for human beings to communicate their ideologies. This invisible yet immense signaling energy has been changing the space made up of all kinds of matter and the people who can receive it, and that’s how 2Xy came to be. From the reconstruction of the worldview after experiencing western rock music in the 90’s to the later exposure to the interpretation of ideology through electronica, 2Xy is a new carrier of consciousness. Everything before was just a process to form a new evolutionary outcome. Perhaps music is the thread that can document this process. This line contains a timeline, from the worship of 70’s psychedelic music, to the love of 80’s rockmusic and the helplessness of 90’s Indie music dying, electronic music signal technology and analog synthesizer technology is the arithmetic program behind these prosperity, so that the music signal energy influences the evolution of human’s understanding of the cultural and material understanding, 2Xy is to use the music to cross the limitations of the dimension! Founder of LFO MUSIC, music producer, film score and sound design. Director of Music Study Abroad Organization, students have been accepted to Berklee College of Music, CalArts, Peabody Conservatory of Music, MI,LACM, and more!

电子子音乐人、合成器爱好者，从小喜欢摇滚乐，从刚开始接触Punk到Post Punk再到Post Rock、Psychdelic、Shoegazing、Dream Pop，越来越喜欢氛围类音乐。他从视频中看到合成器可以制作氛围音乐便开始买了第一个合成器，到现在沉迷于各种合成器所发出的未来之声中无法自拔。他的音乐更多的主要以合成器为基础，配合大量效果器塑造空间感和氛围感来表达自己的音乐世界。

孟奇是当代的先锋合成器设计师和音乐家，他善于从乐器的角度深入理解、设计和演奏合成器系统。作为声音合成、电子乐器制作和创意编程的教师，他曾在北京现代音乐学院，天津美术学院，中央美术学院，以及国内外的活动中进行教学和讲座。孟奇最新的两个电子乐器设计是 振翅 和 小羽。振翅是把混沌与旋律结合在高演奏性界面上的模拟电子乐器；小羽是自带麦克风的一款手持立体声共鸣器。孟奇广泛与世界上其他电子音乐设计师积极交流与合作，目前，他正在与纽约合成器设计师 Gill Trent 一起合作设计他的第三件独立乐器作品，预计2024年推出。此外，孟奇还与朋友经营着科普性媒体【合成少数派】，致力于将合成器的知识以及合成器在现代电子音乐中的使用传递给更多的人。
Meng Qi is a pioneering synthesizer designer and musician famous for his music and distinctive instruments, which are used by electronic artists all over the world. With dedication, research, and deep experience in electronic musical interfaces, he designs synthesizers with unique thoughts and aesthetics and performs synthesizers with a gestural, emotional edge. As a synthesis, creative coding, and instrument-building teacher, he has led courses at institutions like Beijing Contemporary Music Academy, Tianjin Academy of Fine Arts, Central Academy of Fine Arts, and other significant events throughout China and abroad. Meng Qi’s two latest designs are Wing Pinger and Wingie. Wing Pinger is an analog musical instrument that merges chaos and melody on a highly optimized interface for sonic versatility and profound expressions; Wingie is a handheld stereo resonator with onboard microphones. Meng Qi maintains effective communication and cooperation with the whole community of synthesizer designers worldwide. He’s working on his third standalone instrument with Trent Gill, which is expected to be launched by 2024. Otherwise, he’s been running a media called Synthesizer Minority with his friend, devoting themselves to introducing the knowledge of synthesizers and how they are used in modern electronic music to more and more people.Founder of LFO MUSIC, music producer, film score and sound design. Director of Music Study Abroad Organization, students have been accepted to Berklee College of Music, CalArts, Peabody Conservatory of Music, MI,LACM, and more!

住在酒仙桥附近，恰好爱喝点小酒，就借此地名一用。工作之余搞一些简陋的声响，做一点闲散的音乐，来消磨自己多余的热量和情绪。偶尔很热情，通常很社恐。
A wine lover living in a neighbourhood called Jiu Xian Qiao (direct English translation: Wine God Bridge). An amateur noise maker, trying to make some noise to exhaust the overwhelming agression. A bit shy but not really.
Bilibili: 酒仙桥之声
Bandcamp: Wine God Bridge

来自西安，系统的核心是睡眠专家的交互模块以及lzx的激光模块。对律学比较感兴趣，传统乐器很难自由的探索频率，合成器会自由许多。也许不够好听，但希望足够有趣和自由。
From Xi’an, the core of the system is an interaction module for Expert Sleepers and a laser module for Lzx. More interested in rhythmology, it’s hard to explore frequencies freely with traditional instruments, a synthesizer would be much freer. It may not sound good enough, but hopefully interesting and free.

Rev是一名制作人、独立音乐人、Live Set Performer、声音设计师、DJ。
他的音乐风格混合了故障、碎拍、实验、氛围等多种乐种。他试图通过不同的媒介、音频技术、调制方式去延伸和探索现场音乐表达的边界。
Rev is a producer, independent musician, live set performer, sound designer, and DJ. His music style blends various genres including glitch, breakbeat, experimental, and ambient. He aims to extend and explore the boundaries of live music expression through different media, audio techniques, and modulation methods.

Red: 来福的酸

香蕉机器人 介绍：剧场工作者，好奇的猪 常驻上海。

spiritually sexy.从风情各异的世界音乐到能量充沛的Indie Dance.manju享受着用不同类型的音乐讲述适合在夜晚聆听的传说，更喜欢用令人惊异的采样创造神秘的想象空间。

宇宙蛋生，喜欢无法被风格定义的音乐。从迷幻摇滚延展至电子音乐的世界，开始用合成器和乐器描绘未来人类图景。

随机蛇是SWEETHEART HILL甜心山乐队于2022年9月成立的live形式电子项目，使用鼓机和采样，合成器，和电吉他。灵感来自90年代electronica, alternative, breakbeat。追求自由，混乱，以及松散的能量。

电子音乐人、吉他手
就读于 北京迷笛音乐学校
音乐风格：氛围、迷幻
23年接触实体模块合成器，玩模块合成器是一种对音乐表达的自由态度与方式，喜欢使用模块合成器进行音色设计营造故
事性与画⾯感，使用视觉、交互装置元素，进行模块交互，触动灵魂深处。Electronic musician, guitarist studied at Beijing MIDI Music School Music style: atmosphere, psychedelic 23 years exposure to physical module synthesizer Playing module synthesizer is a free attitude and way of music expression. I like to use module synthesizer for timbre design to create story and picture sense, and use visual and interactive device elements to carry out module interaction and touch the soul.

电子音乐人/音乐制作人/贝斯手。
旅行新蜜蜂乐队成员/汪峰乐团成员/Timers乐队成员。
生于冷战末期的中苏边境，深受Space age、Sci-Fi、Retro
Future等文化影响，个人音乐以Synthwave为主，演出形式为纯硬件Liveset。

音乐人，导演。听一套做一套，想用模块合成器连接不同的听觉习惯。
Starting out as a rock band guitarist,produced music for some variety shows and concerts.Like to listen to experimental music when making pop music. Try to find common ground between them using modular synthesizers.

网易云: 默墨

黛谬decide_mutes是电子/indie rock向的双人project。橄榄liyv：独立音乐人/合成器爱好者/songwriter/BU文学系surviverFuto. :音乐人/卧室制作拥趸/合成器低烧友/音乐制作讲师

声音艺术家, 摄影师。毕业于伦敦艺术大学中央圣⻢丁艺术设计学院文化评论及策展(Culture, Criticism and Curation)硕士, 纯艺术(Fine Arts)学士。曾工作于: Ogilvy & Mather (奥美中国) – 平面设计 Shine Community (山河斋传播联合体) – 项目策划 U-dance Radio (电音中国) – 艺术总监 后成立 独立声音艺术工作室 [圆形科技局]， 与好友合资在杭州成立聆澜艺术学校，并负责声音设计相关的教学内容/作品集辅导。杭州学军中学选修课讲师、杭州网易放刺音乐学校 声音设计网络课程作者、中国美术学院客座讲师、独立模块合成器品牌模块乌戛团队核心成员。个人擅⻓模拟/数字声音合成，音色设计。

Herbix，曾进修于自英国利兹音乐学院，在导师Jamie Taylor和Mike Walker的引导下，他探索着爵士乐和现代音乐的边界，将不同元素融汇于自己的音乐创作和演奏中。作为一名音乐制作人和吉他手，除了参与商业项目外，他以艺名Herbix在全网发布个人作品，将电子、爵士和嘻哈等多元音乐元素巧妙融合，让人耳目一新。此外，他还是一位电子音乐live set深重度研究人员，通过使用模块，合成器，鼓机，采样器等硬件设备更加即兴的表达声音。
Herbix studied at the Leeds College of Music in the UK, where he explored jazz and modern music under mentors Jamie Taylor and Mike Walker. As a music producer and guitarist, he blends electronic, jazz, and hip-hop in his works, released under the name Herbix. He also researches electronic music live sets, using hardware like synthesizers, drum machines, and samplers for spontaneous sound expression.
Red: Herbix的声音实验
WeChat Video Channel: Herbix的声音实验

声音艺术家 / 电子音乐人 / 制作人
作品涉及音乐，影像，装置等。其创作遵循极简美学，崇尚现场偶发及非叙事性表达。
音乐现场呈现以硬件live为主，风格偏向于实验电子，噪音即兴，Techno等
Sound Artist / Electronic Musician / Producer
His work spans from music, video art to installations etc. His creativeness is based on minimalistic aesthetics and pursues spontaneous and non-narrative expressions on the spot. The live performance is mainly presented through hardware equipment and the style is towards experimental electronics, noise improvisation, techno and etc.

电子音乐制作人/声音艺术家 毕业于中国音乐学院作曲系
2020 年发行第一张电子音乐专辑《韵》，并登上 Apple Music 的推荐位;同年入选“野猎新 声”竞演计划。
2021 年发行第二张电子音乐专辑《Black Snake Suite》(黑蛇组曲);同年与摩登天空旗 下乐队“荷尔蒙小姐”合作，参与专辑的制作工作。
2022 年与摩登天空旗下第一支电子乐队“超级市场”合作，参与专辑的制作工作;同年与数 字艺术设计师灰昼合作，为数字信徒系列短片 – 彼岸 X 制作音乐;年末发行个人第三张电 子音乐专辑《FADED GLORY》(逝去的辉煌)。
2023 年为 VOGUE“模特日志”系列短片制作音乐;随后在未来主义音乐厂牌 2088Official， 发行个人第四张专辑《VIRTUALNETWORK SERVER》(虚拟网络服务器);同年参与“乐 队的夏天”第三季改编赛《绿光》的制作工作。
Q I U 的创作基于表达，不拘泥于风格。
Electronic Music Producer / Sound Artist
Composition Department, China Conservatory of Music (CCM)
In 2020,he released his first electronic Music album “Oriental Charm” and was featured on Apple Music. In the same year,he was selected into the “Wild Hunting New Sound competition program.
In 2021, he released his second electronic music album “Black Snake Suite” ; ln the same year, he collaborated with Modern Sky’s band “The Hormones” and participated in the production of the album.
In 2022, he cooperated with Modern Sky’s first electronic band “Supermarket” and participated in the production of the album. In the same year, he collaborated with digital art designer NOIR to produce music for the “Digital Believer” series of short films. At the end of the year, he released his third electronic music album “FADED GLORY” .
2023 to produce music for VOGUE’s “Model Diaries” series of short films; ln 2023, he released his fourth electronic music album “VIRTUALNETWORK SERVER” on the futuristic music label “2088 Official”.
QIU’s creations are based on expression, not limited to style.

NeteaseMusic: http://music.163.com/artist?id=34628731&userid=427502817
Bandcamp: https://qiuuuuuuu.bandcamp.com/

新媒体艺术家，中国音乐学院作曲系电子音乐作曲专业教师，中央音乐学院电子音乐作曲专业博士。专注于计算机音乐与视听艺术，作为跨媒体艺术家，在国际重要计算机音乐活动中持续发表相关作品。所创作的互动多媒体类作品曾在北京国际电子音乐节作曲比赛、全国声音与音乐技术会议（CSMT）作曲比赛、全国高校数字艺术大赛（NCDA）、等赛事中多次获得奖项。所创作的新媒体音乐作品曾多次在中国、美国、欧洲等多个地区的艺术活动中上演，其中包括北京国际电子音乐节、上海电子音乐周、波兰Audio ART FEStival、2016世界电子音乐联合年会（CIME）、2018 国际现代音乐协会新音乐日（ISCM）、2020国际计算机音乐协会年会（ ICMC）、2021新音乐表现界面会议（NIME）等。所作的装置类艺术作品曾于2015 B3+Beijing动态之再影像展（中央美术学院美术馆）、2018中国音乐新媒体联盟装置展、2021长沙無用美术馆“隐形的声音》装置展等活动中展出。2022年10月于上海举办作品个展《再声：RESOUND》。
Shihua Ma , a new media artist, educator and music technologist based in Beijing. He received his Ph.D. with electronic music composition studies at the Central Conservatory of Music. As a cross-media artist, he has performed at major international art events. He is now served as a lecturer of electronic music composition in the Composition Department of China Conservatory of Music. Shihua has long been dedicated to studies on computer music and audiovisual art. His interactive multimedia works have won awards in the MUSICACOUSTICA BEIJING Composition Competitions. He has given speeches on Asian New Media Art Forum. His new media music works such as Cinemagic, Boundless, Hymn for Creators have been staged in art events in China, the United States and Europe, including at MUSICACOUSTICA BEIJING, Shanghai Electronic Music Week, Poland Audio ART FEStival, IEMC(2016), ISCM(2018), ICMC(2020),etc. His installation art works SonsPaysahes and Mimetic Still-Life were exhibited at B3+Beijing moving image Exhibition (Central Academy of Fine Arts Art Museum) in 2015, and at China Music New Media Alliance Installation Exhibition in 2018. Ma Shihua has published several academic papers in journals and won the highest award twice in the MUSICACOUSTICA BEIJING Paper Award.In October 2022, he held a solo art exhibition RE-SOUND in Shanghai.

旅美音乐人/职业吉他手
毕业于美国 MI现代音乐学院
NeoMusic 学院创始人 (neomusicschool.com)
曾任 北京现代音乐学院 吉他教师 牛班音乐学校 吉他教程作者
Eastman/Mooer/One Control/Orange 代言人，与国内众多一线音乐制作人、乐手合作，参加过各大型音乐节、演唱会、电视节目和专辑录制，具有丰富的教学、演出和音乐制作经验。 

擅⻓音乐⻛格:Blues/Funk/R&B/Neo-Soul/Hip-Hop/Gospel

oo-khiat（乌戛）是一名电子音乐人、声音设计师、多乐器演奏者和跨媒体艺术创作者。游走于俱乐部/剧场/美术馆/编曲工作台/面包板之间的乌戛，发现模块合成器才是这一切的交汇点，对声音调制的热情趋势他创立自己的品牌——modular.khiat/模块乌戛。跨过与半导体打交道的日日夜夜，他希望产品化的模块能成为交流创作方法、探索声音美学、发掘肉身-电路共鸣之乐趣的最佳媒介。

自打心里有了模块合成器演出这档子事，他便放下了自己很多过往的title——受上海爱乐、中福会合唱团等机构委约的作曲家，中国优秀音综节目的编曲人，N部影视剧的配乐作曲，樂臨® 全景声空间主理人，上海市作曲二级职称，以及上音作曲硕士学位的一纸文凭和一名过气的手风琴演奏者。好吧，最后一个可能有点失真，因为时至今日他仍然非常愿意将自己演奏的手风琴采样塞进模块中折腾。在他看来，这代表着对童年的致敬。一个人的童年记忆如呼吸般伴随终生，而音乐将成为探究自我的重要灵媒。
Ever since modular synthesizer performances became his thing, Junhao Liu has let go of many of his past titles—composer commissioned by institutions such as the Shanghai Philharmonic and the China Welfare Institute Children’s Choir, arranger for top-tier Chinese music variety shows, composer for multiple film and TV scores, curator of the immersive sound space Lélin®, holder of the Level II Composer title in Shanghai, and a master’s degree graduate in composition from the Shanghai Conservatory of Music. Oh, and a washed-up accordion player—though that last part may be a bit exaggerated. Even today, he’s still more than happy to stuff his own accordion samples into his modular setup and experiment. To him, it’s a tribute to his childhood. Childhood memories, like breathing, stay with a person for life, and music, he believes, will always be a crucial medium for exploring the self.

演员兼导演，模块合成器虾拧爱好者也。有玉树临风之姿，亦有风流倜傥之貌，以超卓艺术表现之力，假苦中作乐之心，于音色节奏中觅画面，与模块之虾拧共舞，聊以自娱耳。

原名Max，电子音乐人、制作人、DJ与策划人，DAWless茶馆馆长。
与硬件结合的电子音乐Live是他在内容创作与表现上的主要方式，他将自己定位为非原教旨主义的内容创作者，音乐性、艺术性、功能性三者的融合始终是他音乐内容的探索方向。作为合成器玩家与数字音频技术研究者，他同时也是多家国际软硬件乐器厂商的合作艺术家。
作为南方地下音乐届的活跃分子，你可以在OIL、Abyss、System、Loopy、莫须有工厂、JAR等地找到他的身影。
Electronic musician, producer, DJ and promoter, curator of DAWless Teahouse.
Bilibili: https://space.bilibili.com/192062329
WeChat Video Channel: @SPOTLITE
Resident Advisor: https://ra.co/dj/spotlite

Konstantin Heuer 是一名来自德国的作曲家，他同时还有着另一个身份——Techno 艺术家tsimtsum。他善于为听众创造细致入微的听感、真诚的情感，以及形式上的趣味。Konstantin谱写的管弦乐、声乐、室内乐和电子音乐作品为观众打开沉浸的聆听体验，而在 tsimtsum 的身份下，他的音乐则属于俱乐部。
Konstantin 从文艺复兴、巴洛克、古典时期的欧洲音乐、印度尼西亚的甘美兰和阿拉伯的木卡姆音乐中汲取营养，并通过寻找易于理解的结构和节奏, 使音乐可以在一种更纯粹的氛围中表现他的微分和声复调的技法。当代意大利作曲家 Marco Stroppa 和加拿大作曲家 Marc Sabat 是他最重要的导师。他在德国罗斯托克、斯图加特和荷兰海牙学习作曲专业, 并在巴黎的“声学及音乐研究院 (IRCAM)”深造作曲和计算机⾳乐。他同时也是荷兰格地姆斯国际作曲大赛 Gaudeamus Prize获奖者。
来自古典音乐训练的背景，Konstantin 的个人项目 tsimtsum 以深沉粗犷并充满 Garage 风格的Techno、和声，以及不断的演进为基础。tsimtsum 将细腻的巴黎 Electronica 与酸涩的Berlinoise analog 传统相融合，所有声音都经过精心的打磨和处理，调制出有机的、沉浸的、具有内生动力的音乐体验，以及尘土飞扬、神秘、充满律动同时又情绪丰富的氛围。
tsimtsum 的下一张 EP 即将在 Inland / Ed Davenport 的厂牌 Counterchange 上发行。
For the listener, German composer Konstantin Heuer aka Techno artist tsimtsum creates experiences of nuanced sensation, emotional honesty, and formal interest. He writes orchestral, vocal, and chamber pieces and electronic music for listening, immersing, and per the alias tsimtsum, for the club context.
Learning from Renaissance, Baroque, Classical Music, Gamelan, and Maqam. Konstantin Heuer creates new tonalities in extended just intonation. His mentors were Marco Stroppa, and Marc Sabat. He did the Cursus for computer music at IRCAM Centre Pompidou and received the Gaudeamus Price. The tsimtsum project sets up on deep, gritty garage-infused techno, harmonies, and evolutions that draw from the musical background of a classically trained composer. Bridging delicate Parisian electronica with tart Berlinoise analog traditions, all sounds are meticulously honed and specified, organic, hypnotic, and in inner motion. Atmospheres — dusty, mystic, groovy, yet they also speak emotionally. tsimtsum’s upcoming EP will be released on Inland/Ed Davenport’s Counterchange label.

作为资深声音设计师，DJ，Sound Artist，Ankar从没停下自己追求音乐的脚步，从伦敦的先锋实验音乐场景到各类展览秀场至国内各地地下俱乐部都留下了他独特的音乐痕迹，少数 民族的出厂设置在基因里就映射了他对音乐的独特理解，英国生活的经历在他的音乐品味中 添加了不少低音和酸性元素，2013至今主要研究MUSIQUE CONCRETE具象音乐以及Electroacoustic Music，其作 品触及自然现实与科技虚拟之间的矛盾，游走在静谧与狂暴之间，如画家般为你描绘出内心难得一窥的梦境。以live set的形式结合少数民族民族乐器给舞池输送刚硬的4/4拍科技音 乐。作为dj，黑胶唱片是他的拿手好戏，他更是喜欢以超长的马拉松set与舞池互动。
As a sound designer, DJ, Sound Artist, Ankar has never stopped his practice of music, from the experimental music scene in London to various exhibitions and shows to underground clubs all over the China, he has left his unique musical traces. “The minority ethnic preset reflect his unique understanding of music in his genes. The experience of uk life has added a lot of bass and acid elements to his musical taste. He is used to combining exotic musical instruments and Hard 4/4 techno music in his live sets to communicate with the dance floor. .As DJ, vinyl records are his specialty, and he prefers to interact with the dance floor with long marathon sets.

张驰从事新媒体艺术工作，专注于算法的视觉呈现。现生活工作于北京。
Chi is a new media artist specializing in audiovisual performances. He currently lives and works in Beijing.

合声器爱好 喜欢听不喜欢动手 为了逼自己一把报名。
SoundCloud: https://on.soundcloud.com/bg9yv9wYs4S63Tis5

MMS 是⼀位艺术家和策展⼈，其多元化的⼯作以⽆数个假身份展开。其中⼀个身份便是“Plain District 素域”项⽬的创始⼈。他的实践跨越多个学科领域，融合艺术、技术与⾳乐。MMS 在中国的创意和⾳乐界树⽴了独特的艺术、策展和⾳乐表达⻛格。MMS不拘于正统的表演涵盖 hybrid DJ/live Techno sets 和实验⾳乐 live sets。
MMS is an artist and curator whose diverse body of work crossed infinite pseudo-identities
— founder of the Plain District platform.
Working across a multiplicity of disciplines, blending art, technology, and music, MMS hascarved out a distinct artistic, curatorial, and sonic voice in China's creative and music scene.His unorthodox performance spans from hybrid DJ/live Techno sets to experimental live sets.

重型节拍与致幻旋律
Hit by the overwhelming drums at a club by the seashore of Valencia, NaNnotanumber woke up finding her blood vessels Techno-Electroplated. NaNnotanumber pushes toward lucid dream-like music experiences for the crowd through her strong rhythms and hallucinating melodies. NaNnotanumber has been active in prestigious clubs like Dada Beijing, MCLAB, Wigwam and Solo, often spotted in diverse music venues in Beijing as well.

R Ξ Π，来⾃北京的Industrial Techno DJ及制作⼈，现为Metasonar和SILK的成员。热衷于⽤Techno再现北京⼯业时代的氛围，展现社会主义建设初期的"⼯业景观"；这不仅是对北京早期⼯业时代的追溯，更是⼀种挖掘Techno与社会主义美学、粗野主义和东亚精神融合的实验性表达。通过这种⽅式，R Ξ Π 试图在⾳乐中建⽴起⼀种全新的联系，引起⼈们对北京这座城市逝去的⼯业美感产⽣共鸣，以及其表象背后对⼯业社会的思考。
R Ξ Π, an Industrial Techno DJ and producer from Beijing, is a member of both Metasonar
and SILK. Skilled in using Techno to recreate the ambiance of Beijing's industrial era, he showcases the "industrial landscape" of the early days of socialist construction. This is not only a retrospective of Beijing's early industrial age but also an experimental expression
exploring the fusion of Techno with socialist aesthetics, brutalism, and East Asian spirit.
Through this approach, R Ξ Π aims to establish a new connection in his music, evoking a resonance with the vanished industrial beauty of Beijing and prompting reflection on the underlying aspects of industrial society.

ARCHITECT是Alex Damboianu的另⼀个⾃我，他是罗⻢尼亚出⽣、庆定居的建筑师和视听艺术家，同时也是实验⾳乐⼆奏ATELIER II的成员。就像他的建筑⼀样，亚历克斯的声⾳也是抽象的、压倒性的、粗暴的、冥想的、内省的、存在主义的，有时甚⾄是令⼈不安的。在过去⼏年中，他的作品和现场表演在节奏选⽤都⾮常克制，⽽如今则愈发往techno⾳乐发展。

ΛNGELVS 是⼀位⾳乐制作⼈，她的作品涉及声⾳可视化、空间声⾳装置，曾于不同的美术馆、画廊、剧院与俱乐部演出。她发起的独⽴⼚牌 Metasonar 专注于推⼴实验⾳乐，并尝试将不同的媒介与科学融⼊俱乐部场景，拓宽声⾳的界限。作为 DJ，她深受 Techno、DubTechno、UK Bass、Dark Wave 等⻛格的影响 将复古的元素与解构的节奏微妙地融合成暗⿊、凛冽⼜极具空间感的氛围之旅。
ΛNGELVS is an artist and music producer whose works involved sound visualisation, spatial sound installations and has performed in various galleries, museums, theaters and clubs. She launched the independent label Metasonar, which focuses on promoting experimentalmusic and experimenting with different mediums and sciences into the club scene to broaden the boundaries of sound. As a DJ, she is deeply influenced by Techno, Dub Techno, UK Bass and Dark Wave, subtly blending retro elements and deconstructed rhythms into a dark, cold and atmospheric journey.

⿊体辐射，北京⼆⼈电⼦组合，成员Wáa和Nous，在经历了各⾃的⾳乐探索后，融合techno/break/industrial等⻛格，这个组合试图在电⼦⾳乐的可听性和实验性中寻找到⼀种平衡，探索理性和感性之间的神秘未知空间。“⿊体辐射”这个名字本身就暗示着⾳乐的复杂性和精妙之处，就如同⿊体辐射的概念⼀样，它既能吸收所有电磁辐射，同时也能辐射出所有的电磁辐射波段。组合的名字巧妙地传达出他们⾳乐的丰富性，同时⼜点明了其易于被接受的⼀⾯。
Badiation, a Beijing-based electronic duo consisting of Wáa and Nous, blends techno,
breakbeat, and industrial styles to create a unique sound that explores the balance between listenability and experimentation in electronic music. Their music delves into the mysterious and uncharted territory between rationality and sensibility.⿊体辐射 is the Chinese name for Badiation,means "Black Body Radiation", a type of electromagnetic radiation emitted by a black body, which is a perfect absorber and emitter of radiation. This name suggests that the band's music is complex and sophisticated, yet still has a certain accessibility.

新媒体艺术家毕振宇以 「In_K」为代号进⾏数字交互影像的探索和创作。涉及影像表演，现代舞交互，灯光影像装置，沉浸式影像展览、VR、MR、AI 艺术等等。2011年成⽴「神经元」视觉团队，参与地下派对、⾳乐节、演唱会等不同规模的演出， 2017 年组建新媒体艺术 组合「DROWYEK」。囊括了视听表演和互动数字影像装置等艺术表达形式。
New media artist Bi Zhenyu explores and creates digital interactive visuals under the alias 'In_K.' His work spans visual performances, interactive visuals, light and video installations, immersive exhibitions, VR, MR, and AI art. In 2011, he founded the visual team 'Neuron Lab,' participating in events of various scales such as underground parties, music festivals, and
concerts. In 2017, he formed the new media art collective 'DROWYEK,' encompassing artforms like audiovisual performances and interactive digital installations.

年轻可汗ZAΓREOΣ的大军行进速率为120-200bpm，视情况而定，其先锋为凶狠嘈杂的Schranz。他的队伍经过，闻者无一不加入戴欧尼西亚的狂欢，于鼓点织就得暴风骤雨中发扬蹈厉。

其自传铡戈锐恶祀之路节选

“ 天沉得像铁，平原上如幼兽眼睛般的火光是大汗的铁骑，戴欧尼修斯汗独坐帐中，现如今乃世子铡戈锐恶祀立于阵前。同父亲一样，肆意的暴力与童真的嬉戏，庄严与狂热结合是他调动军队的风格。麾下迈那得斯门随着史兰兹战歌狂舞间摧毁大地的耳膜，祭典开始了。所有人将在酸性物质中得以重生。”

The young Khan ZAΓREOΣ's army marches at a rate of 120-200 bpm, depending on the situation, with the fierce and raucous Schranz leading the vanguard. As his troops pass, those who hear join the frenzy of Dionysian revelry, dancing fiercely in the storm woven by the rhythm of drums.

Excerpt from his autobiography, "The Path of ZAΓREOΣ":

"The sky hangs like iron, and on the plain, the fiery glint akin to a young beast's eyes is the iron cavalry of the Khan. While Dionysus Khan sits alone in his tent, his son, the heir ZAΓREOΣ, stands before the formation. Like his father, a blend of reckless violence and childlike playfulness, solemnity merged with fanaticism, is his style of mobilizing troops. Under his command, the Menades, amidst the frenzied dance of Schranz war songs, rupture eardrums and begin the ritual. All shall be reborn in acidic substances."

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Angry5JaR作为一名极 具个人特色且无风格限制的电 子音乐制作人以独有的 音乐思路与声音设计 ，持续探索不同的音乐领域与风格创作包含却不局限于这些类型: 故障 (Glitch) ，极简 (Minmal ) ，静谧 (Ambient)，轻透 (Hifi ) ， 深邃(Dccp)每首音乐创作对他来说都是一次漫无目的的音景旅行，变幻莫测的旋律诉说着不同心境中情绪的反应每一个细微情绪的涌动都演变成了不同的吉音元素，在音乐中穿梭 ，闪回，流淌在这不拘一格的 音乐申感 受到静赏的美 ，这就是他 以音乐旅行家的身份为你带来的疗愈旅程