周末来回血！松弛与快乐「在场」等你

模块的初学者。

生于1987年广州，mafmadmaf是一名声音创作者，同时从事平面设计和独立出版，作品类型主要包括环境音乐、装置和出版物。钟情于模组合成器的开放与逻辑理性，结合其生物科学、乐器训练、视觉艺术等跨领域经验，他的作品充满实验精神和结构美感。曾参与东京模组合成器艺术节、浮梁大地艺术节、南海大地艺术节、日本越后妻有大地艺术节等国内外艺术节和展览，享受于不同场域特性中创造声音景观。 2020年起运作独立出版机构 Jyugam。他亦从事平面设计工作至今超过十年，关于视觉设计和出版的更多内容，请查看 mafworks.com。

SUNK是来自中国的一位富有开创性电子音乐人、制作人和DJ。她以北京为基地，凭借其充满强烈的个人风格，成为蓬勃发展的中国电子领域最有前途的艺术家之一。 她至今为止发布了两张专辑「山陬海澨」「天干地支」，不仅赢得了媒体、乐评人和公众的赞誉，同时受到包括欧洲艺术频道ARTE ( Association Relative à la Télévision Eu ropéenne)、法国电视台、RA、Mixmag、时尚 COSMO，海报时尚、放刺电音、丛林电音在内的国内外媒体关注。
SUNK是摩登天空氛围音乐厂牌“Sound Blanc白”合作艺人。
曾受 邀参加丛林电音“空旅行音乐嘉年华”、东海音乐节、梅塔特隆电音节、拉萨圣山林卡音乐节等大型音乐节。也受邀在画廊周北京、798艺术开放日、陶然集等演绎电子乐Live现场。
SUNK is a pioneering electronic musician, producer, and DJ from China. Based in Beijing, she has become one of the most promising artists in the booming local electronic scene with her strong personal style. She has released two albums so far, The Mountainsea and Day Chronology，which have not only won praise from the media, music critics, and the public but also received attention from domestic and foreign media. These include European art channel ARTE (Association Relative à la Télévision Européenne), france TV,RA, Mixmag, fashion COSMO, Poster Fashion, Freethroat Electronic Music, and Jungle Electronic Music.
SUNK is a cooperative artist of Modern Sky’s ambient music label Sound Blanc.
She has participated in large-scale music festivals such as the Jungle Electronic Music called Sky Travel Music Carnival, Donghai Music Festival, Metatron Electronic Music Festival, and Lhasa Holy Mountain Linka Music Festival, to name a few. She has also performed live at Gallery Week Beijing 2023 Art Week, 798 Art Open Day, and Taoranji, among
others.

音乐制作人、DJ、声音设计师、合成器发烧友。电子组合 Polypumpkins 创始人、ASM Hydrasynth 合成器协作设计师，发明多项电子乐器专利，作品荣获多项国际音乐科技奖项。曾参与无数国内外乐展演示及培训，Ableton 认证导师，热衷分享及教授音乐科技与制作。醉心钻研老牌跟现代电子乐器的传承与创新。透过不同设置的演出去找寻新灵感，音乐渗透 Synthwave、Techno、DnB、Chill Out、Funk、Ambient 等各类元素。

Music producer, DJ, sound designer, synthesizer enthusiast. Founder of the electronic duo Polypumpkins, codesigner of the ASM Hydrasynth synthesizer, inventor of various patents for electronic instruments. His works earned a few international music technology awards. Participated in numerous domestic and international music exhibitions performances and trainings. He is an Ableton Certified Trainer who is keen on sharing and teaching music technology and production. He is obsessed with studying the inheritance and innovation of both vintage and modern electronic instruments. He seeks new inspiration through performances in different settings, and his music is infiltrated with various elements such as Synthwave, Techno, DnB, Chill Out, Funk, Ambient, etc.
Homepage: https://www.polypumpkins.com
Bandcamp: https://polypumpkins.bandcamp.com
Bilibili: https://space.bilibili.com/381459419

毕业于录音艺术专业，独立音乐人、声音艺术家。倾向于使用新奇的处理设备，与各类声源、采样、乐器相结合的方式创作。作品跨越Drone、Ambient、Soundscape、Noise、Beats等风格流派。实践中坚持非定义无概念，追求特殊听感体验；努力打破界限，挖掘每种声音的音乐潜力；相信“万物之声皆音乐”。艺术项目：宇宙与分形理论听觉作品《42》（2021），《42-Parallel》（2022）；展览《流变-无尽的风景》开幕音乐《流感变觉》（2023）；身体即兴现场声音《游牧的风力》（2023），《Bridge》（2023）；生物视觉展览《肢解疼痛》现场噪音《Hurts》（2023）；声音作品“它们”对五感的欺骗《浸染》（2024)。
A recording arts graduate, independent musician, and sound artist, Noby Owl gravitates towards processing equipment in conjunction with sound sources, sampling, guitar, and synthesizers in his creative endeavors. Spanning various genres, including drone, ambient, soundscape, noise, beats, and more, he is steadfast in breaking boundaries, as every sound has musical potential. His projects reflect this ethos: from exploring the cosmos and fractal theory with “42” (2021) and “42-Parallel” (2022), to immersive sonic experiences like “Sensation” at the “Metamorphosis – Endless Landscapes” exhibition (2023). His performances incorporate live improvisational sets like “Nomadic Winds” and “Bridge” (2023), noise-inspired performances such as “Hurts” in the “Dismember the Pain” exhibition (2023), and exploration of the concept of sensory illusion in his piece “Stained Perception” (2024).

zuho也叫Kian，独立音乐制作人、配乐师，多乐器演奏者与声音艺术家，涉猎音乐风格广泛。
在家玩模块很久，觉得该让它们见见光了。
2020 年发行专辑《zuho – sharp, sharp》获评新加坡第十四届 Freshmusic Awards 年度十大专辑、年度十大单曲双提名;LiveChinaMusic 年度最佳专辑、最佳单曲; beehype 中国区域 年度五大最佳专辑。
2022 年负责音乐制作的实验动画《Silver Cave》(Cai Caibei)在日本新千岁动画节因音乐性而破格纳入音乐动画单元组，获评最佳音乐动画。

中国最具影响力的独立播客品牌网络广播电台“糖蒜广播”联合创始人，推广中英文经典复古跳舞音乐的Party DJ。现任摩登天空氛围音乐厂牌【Sound Blanc 白】的主理人。作为交流方式系列活动的核心团队也在积极推动模块合成器在中国的发展和推广。

Buchla 模块合成器演奏家
视觉艺术家
写真偶像
滑板教练
Midifan 创始人
交流方式组织者之一
tamiX是一位在现场进行即兴创作的电子音乐演奏家和视觉艺术家。拒绝使用套路的电脑和软件，tamiX完全利用独立的硬件设备和纯自然的物理形式根据现场氛围进行即兴的音乐演奏和视觉创作。作为Buchla认证艺术家，tamiX的现场即兴音乐创作以少有的Buchla 200e模块化合成器为基础，创造出集实验性和音乐性于一身的独特声音风格。
Buchla improv performer
Visual artist
Photo idol
Skate coach
Founder of Midifan.com
Organizer of Modular Commune
tamiX, a professional artist of improvisational electronic live music and visual arts, refusing to perform with computer programs or software, specializes in unprepared visual creativity, and music performance with standalone gear to demonstrate physically natural effects as atmosphere changes likewise. As Buchla & Eventide endorsed artist, with Buchla 200e modular synthesizer system, her live improvisation has created an impressively unique mode filled audiences with experimentally rhyming tunes.

真的大胖兔从 16 岁起就开始制作音效，探索音乐创作的深度。他曾在一家地下 Hip-Hop 唱片公司担任节拍制作人，也曾在俱乐部和酒吧担任兼职 DJ，但他一直渴望制作属于自己的电子音乐。从最初的个人爱好逐渐演变成与朋友合作，为进入模块化合成世界铺平了道路。
真的大胖兔 has been crafting soundscapes and exploring the depths of musical creativity since the age of 16. He tried himself as beat producer for an underground Hip-Hop label, was playing at clubs and bars as a part time DJ, but he always desired to produce his own electronic sound. What began as a solitary hobby gradually evolved into collaborative sessions with friends, paving the way for a profound journey into the world of modular synthesis.
Bilibili: https://b23.tv/I0JZ0Gh

在混乱的电子电路中发现美和噪音，锡人乐器将DIY自制合成器带到中国。
Discovering the beauty and noise in the chaos of electronic circuits and bringing DIY synths to China with 锡人乐器。
WeChat: AB-Synth
Red: 锡人Synths

Daft cat、Aira cat 、Disc cat，不管你怎么叫，他有很多名名字，也许明天他又心血来潮觉醒了新爱好变成另外一只奇奇怪怪的猫？一个普通的高中生，喜欢带着呆傻猫咪头像 到各种设备群里去水群，梦想是获得无与伦比的吉他演奏技巧。饱受三分钟热度的折磨，甚至接触到合成器也仅仅是一个普通的巧合，可惜的是从了解到有合成器这种高级电子琴至今，发展了那么多爱，貌似没有一个取得较大成果的，令人伤心 。更令人伤感的是到目前为止除了小学朗读比赛拿过第一的话貌似并没有什么成就了（这是我第一次当着那么多人的面制造声音，希望不会搞糟）

bilibili: https://space.bilibili.com/518451722

Red: https://www.xiaohongshu.com/user/profile/6358ba97000000001802f698

It is a digital trash bin.

Machine Control Voltage 「MCV」 。混乱是未知的序列。声音艺术家/视觉艺术家。极简化的电子原声和实验性的混乱失谐构成了各种形态各异的声响空间和一切未知的发生。作品常常呈现非持续性的实验声场更替，在静默克制与极度混乱间探索。

Machine Control Voltage 「MCV」. Chaos is an unknown sequence. Sound artist/visual artist. The extremely minimal simplified electronic-acoustic and experimental chaotic dissonance constitute various forms of sound spaces and all unknown occurrences. She’s sound art works often present non sustained experimental sound field transitions, exploring between silent restraint and extreme chaos.

Urban designer // sound explorer // musician
Found where interesting sonic textures and pop hooks meet // a focus on music and sound that makes you feel something.
One half of Tāmaki Makaurau’s (Auckland, NZ) leading oceancore ambient duo The Sea Plus, member of too many indie bands to remember, the last few years have seen a move inwards to focus on synthesizer driven sound…

王大治/D
西安时音唱片主理人，黑撒乐队主唱/音乐制作人，岛屿心情乐队音乐制作人，长期以来他制作过上百张国内摇滚乐队的音乐专辑，同时也是西安电子音乐先驱者，电子合成器&SCRATCHDJ的狂热玩家，拥有电子灵魂的他，正式成为西安独立音乐厂牌COMPASS【 合成因素】成员 ，DZ的现场表达方式大多数以合成器/采样器的LIVESET 方式呈现，致力于融合并创作多维度电子音乐，所有旋律的想象依存对他来说都有自己的格调，探索纯音乐的全新表现形式塑造新的音乐艺术风格是他一直探索的目标。
Director of Xi ‘an Shiyin Record, lead singer/music producer of Black Sa Band, music producer of Island Mood Band, he has produced hundreds of music albums of domestic rock bands for a long time, and is also a pioneer of electronic music in Xi’an, an avid player of electronic synthesizer & SCRATCH DJ, with an electronic soul, he has officially become a member of Xi’an independent music label COMPASS [Synthesis Factor].DZ’s live expression is mostly presented in the way of synthesizer/sampler LIVE SET, and is commit- ted to integrating and creating multi-dimensional electronic music.All the imaginative reliance of melodies has its own style for him.Exploring the new expression form of pure music and shaping a new style of music art is the goal he has been exploring.
Jing 李静儿
假斯文乐队主唱、莫西子诗键盘手、无头电掌乐队成员，多年学院作 曲专业的经历，曾组建荷尔蒙小姐乐队，创作专辑《象》《谁的世界》《无处不在》《但是瞬间移动的蚂蚁它是怎么一回事》《不用什 么的都给予意义》等多张专辑并受邀参加国内外各大音乐节演出2015 年开始担任莫西子诗乐队键盘手共同创作专辑《月光白得很》获台湾金音奖最佳创作音乐奖，为电影纪录片《生活万岁》配乐录音。如今尝试用搭建的硬件模块系统去创作和现场演出，在电子乐的探索路上越发痴迷流连，懂得在音乐路途中开悟，不与天斗融入万物，其乐无穷。乐法自然，则自然而燃。
在两人以电子组合的形式呈现时，王大治 -DZ以其独特音乐感知与精湛制作技巧，运用多种硬件器材创造出有层次丰富的律动和整体框架,让舞池沸腾；李静儿-Jing运用模块合成器对音色和旋律进行控制，灵动的声音塑造和感染力，让其在电音舞台崭露头角。当他们的律动与音符碰撞，融合成强大 techno 能量，带来听觉与视觉双重震撼，音乐如燃烧的火焰，瞬间照亮世界，心跳与速度共鸣，深藏的热情与狂野释放。
Lead singer of Fake Sven band, keyboardist of Moxi Zishi, member of Head- less Electric Palm Band, many years of professional experience in college composition, once formed Miss Hormone band,Created albums such as “Ele-phant”, Whose world”,”Everywhere”,”But what is it about the instanta-neousant”,”Give meaning to nothing”and was invited to participate in major music festivals at home and abroad.2015 began to work as a keyboard player of Moxi Zishi band to co-create an album “Moonlight Is Very White” won the Taiwan Golden Music Award for Best Creative Score, for the film documentary “Viva la vie”soundtrack recording.Now I try to use the built hardware module system to create and perform live, and I am more and When the two presented in the form of electronic combination, Wang Dazhi-DZ used his unique musical perception and exquisite production skills to create a rich level of rhythm and overall framework by using a variety of hardware equipment, which made the dance floor hot.Li Jinger-Jing uses a modular synthesizer to control timbre and melody, and her flexible sound shaping and appeal make her stand out on the electronic music stage. When their rhythms and notes colide, merge into powerful techno energy, bringing both auditory and visual shock, music like burning flames, instantly illuminate the world, heartbeat and speed resonance, deep passion and wild release.

融合实验和techno,experimental，现场多用硬件即兴表达声音叙事形式。尝试各种的声音存在可能。在秩序与无序中平衡，探索声音设计和电子乐的未来景观。
Fusion of experimental and techno, experimental, on-site multi-use hardware improvisation voice narrative form. Try a variety of sounds that are possible. Balancing order and disorder, explore the future landscape of sound design and electronic music.

SoundCloud: soundcloud.com/ndercurrent

顺从与叛逆的完美平衡。

新媒体艺术家，中国音乐学院作曲系电子音乐作曲专业教师，中央音乐学院电子音乐作曲专业博士。专注于计算机音乐与视听艺术，作为跨媒体艺术家，在国际重要计算机音乐活动中持续发表相关作品。 所创作的互动多媒体类作品曾在北京国际电子音乐节作曲比赛、全国声音与音乐技术会议（CSMT）作曲比赛、全国高校数字艺术大赛（NCDA）、等赛事中多次获得奖项。所创作的新媒体音乐作品曾多次在中国、美国、欧洲等多个地区的艺术活动中上演，其中包括北京国际电子音乐节、上海电子音乐周、波兰Audio ART FEStival、2016世界电子音乐联合年会（CIME）、2018 国际现代音乐协会新音乐日（ISCM）、2020国际计算机音乐协会年会（ ICMC）、2021新音乐表现界面会议（NIME）等。所作的装置类艺术作品曾于2015 B3+Beijing动态之再影像展（中央美术学院美术馆）、2018中国音乐新媒体联盟装置展、2021长沙無用美术馆“隐形的声音》装置展等活动中展出。2022年10月于上海举办作品个展《再声：RESOUND》。
Shihua Ma , a new media artist, educator and music technologist based in Beijing. He received his Ph.D. with electronic music composition studies at the Central Conservatory of Music. As a cross-media artist, he has performed at major international art events. He is now served as a lecturer of electronic music composition in the Composition Department of China Conservatory of Music. Shihua has long been dedicated to studies on computer music and audiovisual art. His interactive multimedia works have won awards in the MUSICACOUSTICA BEIJING Composition Competitions. He has given speeches on Asian New Media Art Forum. His new media music works such as Cinemagic, Boundless, Hymn for Creators have been staged in art events in China, the United States and Europe, including at MUSICACOUSTICA BEIJING, Shanghai Electronic Music Week, Poland Audio ART FEStival, IEMC(2016), ISCM(2018), ICMC(2020),etc. His installation art works SonsPaysahes and Mimetic Still-Life were exhibited at B3+Beijing moving image Exhibition (Central Academy of Fine Arts Art Museum) in 2015, and at China Music New Media Alliance Installation Exhibition in 2018. Ma Shihua has published several academic papers in journals and won the highest award twice in the MUSICACOUSTICA BEIJING Paper Award.In October 2022, he held a solo art exhibition RE-SOUND in Shanghai.

重轻是一个生活在北京的吉他手、电子音乐制作人、音乐讲师、合成器发烧友。他是音乐技术的深度用户与布道者。借助杂志、播客和视频的媒介，他以历史、文化演化与技术的视角，重新启发他人对音乐的理解与想象。
Zhongqing is a guitarist, electronic music producer, teacher and hardware synth enthusiast. By writing, podcasting and making videos, he inspires people to rethink music in perspective of history, cultural evolution and technology.
Bilibili: https://space.bilibili.com/17180401

艺术家/制作人/音乐制作讲师/DJ
Wan，20岁，以听觉色彩感知音乐，使用音响效果表现空间，通过音符表达时间的艺术。通过模块合成器等手段探索声音的边界，重视自然感受与声音的交互。主张自由、流动、自然的音乐，接受一切音乐和美的影响，包括爵士、古典、民族音乐等，拒绝被风格所规训。Wan即是自己的风格。目前，Wan也作为DJ分享音乐，并正在筹备个人专辑。
Artist/Producer/Music Production Instructor/DJ
Wan, at age 20, perceives music as auditory colors. He tries to describe the space through sound art , and to present the time concept through notes. Using modular synthesizers to explore the boundaries of music sound, Wan emphasizes the interaction between human sensation and the sound, based on which, he values most the free- flowing and natural music. He embraces influences from all genres of music and aesthetics，including but not limited to jazz, classical, ambient, and folk music. He rejects being defined by any genre. “Wan” is his name and the only style.
Currently, Wan is also known as a DJ artist and meanwhile, preparing for his own album.
Bilibili: W4n_Hz

王道善 山东青岛氛围声响、极端/合成器譟音，青岛传统管乐家。 嗡鸣、黑氛围单元。 主作配乐和厂牌拷贝发行。 包括进行始于2020年的noisy remix计划。 在多国发行粗噪音和管乐即兴拷贝20余份。 粗噪音/强电计划代号：MVSP。 主要根据地青岛。

亚帕克出生于法兰克福，现定居柏林。自上世纪 90 年代初以来，他一直是电子音乐制作人和厂牌所有人，用他的现场音乐震撼着电子乐界和舞池。他在很小的时候就开始接触模拟电子设备，从而激发了他对音乐的兴趣。1997 年，他以技术双人组的假名 “Electrasmus ”创作并发行了第一张漩涡唱片 EP。随后，他在法兰克福的艺术唱片公司 “诗人俱乐部录音室”（Poet Club Recording）与布莱恩-埃诺（Brian Eno）、香特尔（Shantel）和阿佩克斯（Apex）一起为 “Inside 2 ”合辑录制了一首曲目。此后，他在 Neuton、Perlon、Wir/Treibstoff、Brise 和 Lucidflow 等 80 多个厂牌发行了 250 多张唱片，并为 Ricardo Villalobos、Italoboyz、Pascal Feos、2raumwohnung 等人制作混音作品。自 2003 年以来，yapacc 还与詹姆斯-迪恩-布朗（James Dean Brown）共同参与了 “麻醉语法”（Narcotic Syntax）项目，该项目一直是 Perlon 历史的重要组成部分。同年，他们发行了第一张 Perlon 036 专辑《Ping Pong Voodoo》，之后又发行了大量的合辑和现场模拟演出，直至今日。Yapacc 曾在许多国际俱乐部及其访客中演出，并在 Panorama Bar、Fabric London、Watergate、Love Parade Berlin、Time Warp、Sonar Festival、Bar 25/Kater Holzig、Tresor、Harry Klein、Fuse Club、Studio 80、U60311、Airport、Bar Americas (MX)、Bootleg (TELAVIV)、The Bunker (NYC)、Harvest Festival (CA)、Fusion Festival、Closer Club (UA)、  Propaganda Club (RU)等地进行密集而有机的现场表演。他还在柏林的Heinz Schüftan 酒吧主持每周一次的“Chapeau Klack”活动。Yapacc目前还与UFO Hawaii、Argenis Brito、Sierra Sam、Katya Ryba 和 Red Pig Flower 合作。此外，他还与帕特里克-特斯托尔（Patrick Testor）一起在 BRISE 唱片公司发行了几张 EP。除音乐活动外，他还经营着模块公司 IO INSTRUMENTS 和 RIDES IN THE STORM，后者也参加了模块公社。
模块公社。在此之前，他曾与几年前去世的 “MFB - Manfred Fricke Berlin”一起制作模拟合成器和鼓计算机。由于他自己的模块活动，yapacc 用他的乐器和一个小采样器进行模块现场表演，他经常在柏林和其他模块场地表演。
Born in Frankfurt and now based in Berlin, producer and label owner Yapacc sways the electronic music scene and dancefloors with his live sound since the early 90s. His interest in music was aroused by his experience with analogue electronics at a very young age. He wrote and released his first maelstrom recordings EP in 1997 under the techno duo pseudonym «Electrasmus». This was followed by a track at the Frankfurt’s art label Poet Club Recording for the compilation «Inside 2» alongside Brian Eno, Shantel and Apex. Henceforth emerged more than 250 releases by over 80 labels such as Neuton, Perlon, Wir/Treibstoff, Brise and Lucidflow, and remixes for Ricardo Villalobos, Italoboyz, Pascal Feos, 2raumwohnung and many more. Since 2003 is yapacc has also been a member of the project «Narcotic Syntax» with James Dean Brown, which is has been an important part of the Perlon history. In the same year they released their first Perlon 036 «Ping Pong Voodoo», which was followed by plenty more on compilations and live analogue performances up until the present day. Yapacc has performed in many international clubs and their visitors with his intensive and organic live performances at venues such as Panorama Bar, Fabric London, Watergate, Love Parade Berlin, Time Warp, Sonar Festival,Bar 25/Kater Holzig, Tresor, Harry Klein, Fuse Club, Studio 80, U60311, Airport, Bar Americas (MX), Bootleg (TELAVIV), The Bunker (NYC), Harvest Festival (CA), Fusion Festival, Closer Club (UA), Propaganda Club (RU), amongst many more. He also hosted the weekly held event «Chapeau Klack» in Berlin’s Heinz Schüftan Bar. Yapacc also had current projects with UFO Hawaii, Argenis Brito, Sierra Sam, Katya Ryba and Red Pig Flower. Actual he released with patrick testor few EPs at BRISE records. Beside his musical activities he run the module company IO INSTRUMENTS and RIDES IN THE STORM, who is also present at the modular commune. Before he was creating analog synths and drum computer with «MFB — Manfred Fricke Berlin» who passed away few years ago. Because of his own module activities yapacc shows a modular live set with his instruments and a little sampler, which he perform regulary in berlin and other modular venues.

疯孩帝国合成器及DIY课程品牌创立人，合成器DIY课程讲师，独立合成器设计师，有机电子噪音爱好者，平常喜欢画画、听音乐、玩电脑。

星海音乐学院电子乐器工程系
2023中国Beatbox锦标赛双人组4强
2024广西Beatbox大赛双人组冠军

Helmet started at the age of 16 (illegal) as “DJ Elton” in a local underground club in his hometown Munich/Germany. He played techno and indie dance music for more than 20 years on international stages in America, Europe and mainly in southern Germany. Now -Shanghai based-, he performs with electronic music and visuals across China and had several shows in Beijing, Shanghai, Guangzhou, Nanjing, Shenyang, Dalian and so on. Helmet’s live act works with synthesizers and stunning visuals – playing live – acting together. Driven by rythm.

KlangausStrom将为俱乐部带来最棒的舞曲电子乐。由德国电音现场表演者 RustyChuan 和加拿大专注电子音乐艺术家Andrew 组成的一对音乐家组合，将在舞台上现场演奏各种合成器和鼓机，即兴表演，放大动感舞曲模式等音乐。从电子乐到经典电音，我们创造电力之声 => Klang aus Strom。
KlangausStrom is bringing the finest danceable electronic sounds to the club. A team-up of German Techno Live Act RustyChuan and Canadian Eurorack Obsessed Andrew, the pair field all manner of synthesizers and drum machines live on stage in improvised performances that amplify groovy dance patterns. From Electro to classic Techno, we create Sounds from Electricity—Klang aus Strom.

浮云合唱团是一支实验迷幻电子乐队两个成员帅得很，甚至有资格组成一个k-pop组合。自从2011年《浮云》的两个成员Richard Doran （董默涵）和Michael Cupoli （小麦）在自己的厂牌（厨房桌子）发行过若干的小专辑与此同时在中国国内外演出过。浮云的音乐风可以理解为通过反复达成一层又一层的噪音以及低调节奏（有点像快没有电的迪斯科）让听众觉得自己已经飘进了另一个世界，甚至融入到了一个‘忘我的状态’。也许你会觉得前往一个浮云合唱团的演出就是一个很随便的一个决定但当你体会了那种现场感受之后你就不会这样认为的，甚至可以这样说，看完咱们的演出你就无法回到过去的生活状态（这话一点都不夸奖）。

HWA（ELVIS.T）出生于台北，身兼DJ、电子音乐制作人、厂牌主理人、母带工程师以及声音設計師等多重身份，是中国电子舞曲领域的先锋人物。2007年移居北京，并成立了 Acunpuncture Records（针刺疗法）。随后其参与创立的 Lantern Club，亦成为中国本土地下文化的杰出代表。ELVIS.T 同时也是中国最早的本土电子音乐节 INTRO Festival 发起人之一。在夯实了 Techno 在中国地下夜生活图景里的统治地位之后，ELVIS.T 这个名字如神隐一般消失于枝繁叶茂的俱乐部和音乐节海报之中。取而代之的则是 HWA 这个基于实验合成器音乐延伸出来的创作概念，开始积极地用这个代号抹平过往十数载的音乐烙印，并不断地拓展着个人声音的边界。2016年 HWA 开始了对模块合成器系统的深入探索，他使用模块合成器作为音乐制作和liveset现场演出的核心设备，探索更加随机和充满实验性的声音设计及节奏序列。他参与发起了模块合成器艺术家社区“交流方式” （The Modular Commune)，积极在中国推广模块合成器技术和概念美学。HWA 通过他的音乐作品和现场演出，将一套完整的基于模块合成器的 Techno 音乐体系，塑造成了他在场景中独树一帜的标签。2023年他开创了新音乐厂牌Eskape，旨在结合当代实验电子和90年代初的经典迷幻之声，继续不断的输出着亚洲电音界无法复制的声音。
HWA (aka ELVIS.T) was born in Taipei. He is a DJ, electronic music producer, label manager, mastering engineer and sound designer. He is a pioneer in the field of electronic dance music in China.
In 2007, he moved to Beijing and established Acunpuncture Records. Later, the Lantern Club, which he co-founded, has also become an outstanding representative of China’s local underground culture. ELVIS.T is also one of the founders of INTRO Festival, the earliest local electronic music festival in China. After consolidating Techno’s dominance in China’s underground nightlife scene, the name ELVIS.T disappeared like a god among the leafy club and music festival posters. Instead, HWA, a creative concept based on experimental synthesizer music, began to actively use this code name to erase the musical imprint of the past ten years and continue to expand the boundaries of personal sound.
In 2016, HWA began an in-depth exploration of modular synthesizer systems. He used modular synthesizers as the core equipment for music production and live set performances, exploring more random and experimental sound design and rhythm sequences. He participated in the launch of “The Modular Commune”, Beijing’s most high-profile community of modular synthesizer artists in recent years, and actively promoted modular synthesizer technology and conceptual aesthetics in China. Through his music works and live performances, HWA has developed a complete Techno music system based on modular synthesizers into his unique label in the scene.
In 2023, he founded a new music label, Eskape, which aims to combine contemporary experimental electronics with the classic psychedelic sound of the early 1990s, and continue to output sounds that cannot be copied in the Asian electronic music industry.