白天到入夜，9号一起让音乐「在场」！

来自中国上海的唱作人Siena ，拥有亚洲双眸的独特视⻆，她的创作同时充满灵动妙意与细腻触感。敏锐但不失真意 ，她用人声与合成器交织的语汇还原高能量表达。
自幼年时期创作音乐，后于伯克利音乐学院学习电子音乐制作与声音设计 。深受R&B/ Soul和电子音乐等影响，其极具个人色彩的曲⻛兼具大众流行度与国际前沿⻛味。
Born and raised in Shanghai, China, SIENA creates music that is fit for the world to hear. Combining empathetic songwriting with sharp production that often includes modular synth passages and ethereal vocals, her sound is organic and anthemic. Constantly venturing out into different musical influences such as Electronic, Indie pop and Soul/R&B, she has come a long way since graduated from Berklee College of Music, marking her own path as an pop artist representing the Asian youth today.
Spotify / Apple Music / TIDAL: SIENA
NETEASE Cloud Music & QQ Music：SIENA
Weibo: Siena_Wu
Bilibili: siena_wu7
RED: SIENA
Douyin: SIENA

音乐制作人、编曲、配乐人，电子音乐实践者。
从业至今进行了大量的歌曲创作、编曲和制作工作。业余时间痴迷于电子音乐创作、声音探索，希望通过音符、声响来表达一种声音的哲学，加入电音项目“藍圖Blueprint”后，身影常活跃于各电子音乐现场。2010年组建“妙韵天语”音乐工作室，2023年创建Future Wave音乐工作室。
Music producer, arranger, composer, and practitioner of electronic music.He has been engaged in a large amount of song creation, arrangement, and production work since then. In spare time,he is obsessed with electronic music creation and sound exploration, hoping to express a philosophy of sound through notes and sounds. After joining the electronic music project “Blueprint”, he is often active in various electronic music scenes. In 2010, the “Miaoyun Tianyu” music studio was established, and in 2023, the Future Wave music studio was created.

影视音乐制作人/电子音乐/作曲、音乐编辑
多年坚持用Ambient Music. IDM等多融合方式表达现场感受，参与帮助电子音乐文化的推广。Flowing Touch厂牌主理人之一MODE LIVE策划，作品多出现在电视节目片头与影视音乐，兼顾自由创作钢琴音色的演奏叙述与多媒体画面 电子声音的结合表达，让现场更有可观听的旋律视觉感。个人音乐写作例求自由创作的探求理念 ，作品曾得到张亚东，陈伟伦等知名音乐制作人的认可，与南非诗人Lethokuhle Msimang 合作音乐项目曾在钓鱼台国宾馆表演，参与过清醒梦sound blanc live，UCCA新年跨年活动演出.近年来与知名的S.A.G声音艺术组及floso 、wigwam MCLAB 麦爱 囍市 工厂等电子音乐文化场景合作，为视觉及电影等配乐.在艺术空间、美术馆 、俱乐部等地方表达内。
Born in Jilin, North-East of China, he is a young composer, music producer and music editor, engaged in film and television music production and editing. His personal style is built upon the concept of free exploration. His works got approval by Zhang Yadong, Chen Weilun and other well-known music producers. He has been working in the field of visual design and film scoring, performing in varied places including art spaces, museums, clubs, etc.
Douyin: 95372271766

电子音乐制作人、编曲人、声音交互制作者。耀乐团创始人、制作人、团长。“新 乐 府 |昆曲” 制作人、团长。一直在尝试将科技性、实验性融入大量中国古典戏曲元素，用西方手段表达东方哲学思想，用电子音乐表达高山流水， 以达到听觉的美好体验。

她是一位模块化合成器演奏家、电子音乐艺术家和歌唱家。
她用模块化合成器和声音表达自己的奇幻世界。她的主题是将电子音效和声音有机地结合起来，创造出介于现实和抽象之间的神奇声音。
她的主题是通过将电子音效和声音有机地结合在一起，创造出介于现实和抽象之间的魔幻音效。
她曾在讲谈社主办的 “Miss iD2020 ”大赛中荣获各个奖项。除个人活动外，她还作为主唱参加了多个单位的活动。
她在 PURRE GOOHN 发行了《Body In Ether》和《Listen in a Cool Room》。
她在音乐和艺术两个领域都有作品、
她曾在东京模块节、关西模块节、日本音乐节 Harukaze、冈山三年展、练马美术馆、DOMMUNE 等地演出。目前，她正在日本各地积极开展演出活动。2024 年，她在赫尔辛基和柏林进行了欧洲巡演。
She is a modular synthesizer player, electronic music artist, and vocalist.
She expresses she own fantastical world using modular synthesizers and voice. She theme is to create magical sounds that move between reality and abstraction by organically
combining electronic sounds and voice.
She was selected as the winner of each award at Miss iD2020 sponsored by Kodansha. In addition to her solo activities, she also participates in various units as a vocalist.
She released “Body In Ether” and “Listen in a Cool Room” on PURRE GOOHN.
She works in both realms, music and art.She has performed at Tokyo Festival of Modular,
Kansai Festival of Modular, Japanese Music Festival Harukaze, Okayama Triennale, Nerima Art Museum, DOMMUNE, and others. She is currently actively performing throughout Japan. She toured Europe in 2024, performing in Helsinki and Berlin.Meng Qi is a pioneering synthesizer designer and musician famous for his music and distinctive instruments, which are used by electronic artists all over the world. With dedication, research, and deep experience in electronic musical interfaces, he designs synthesizers with unique thoughts and aesthetics and performs synthesizers with a gestural, emotional edge. As a synthesis, creative coding, and instrument-building teacher, he has led courses at institutions like Beijing Contemporary Music Academy, Tianjin Academy of Fine Arts, Central Academy of Fine Arts, and other significant events throughout China and abroad. Meng Qi’s two latest designs are Wing Pinger and Wingie. Wing Pinger is an analog musical instrument that merges chaos and melody on a highly optimized interface for sonic versatility and profound expressions; Wingie is a handheld stereo resonator with onboard microphones. Meng Qi maintains effective communication and cooperation with the whole community of synthesizer designers worldwide. He’s working on his third standalone instrument with Trent Gill, which is expected to be launched by 2024. Otherwise, he’s been running a media called Synthesizer Minority with his friend, devoting themselves to introducing the knowledge of synthesizers and how they are used in modern electronic music to more and more people.Founder of LFO MUSIC, music producer, film score and sound design. Director of Music Study Abroad Organization, students have been accepted to Berklee College of Music, CalArts, Peabody Conservatory of Music, MI,LACM, and more!

王爽武汉青年艺术家，他的创作是“模糊的”。简单的语言如此描述:如今他是画画的，是采声音的，是制作音乐的，是做装置的，是学习物理知识的，也是转化于以上所有行为于其艺术作品上的艺术家。他链接的是更自由和跨界的领域:声音反哺了他灵感;发声原理与相关物理知识是他创作的基础，这些看似与绘画不紧密的领域也逐渐成为他艺术表达的一部分。在更加跨界的创作中，声音和跨界知识也逐渐成为了他作品中的“元素”，这些元素的堆叠，看似让他的表达更加的模糊，实则致力于更为“清晰”的表达。平常使用Ciat-Lonbarde模拟合成器或DIY合成器及软件进行记录与表演。

Bigdog王可 aka 大狗，中文说唱先锋人物、歌手、音乐制作人、IRONMIC钢铁麦克风大赛中国区负责人，在《中国有嘻哈》节目中凭借出色的发挥和音乐素养，再次获得众人赞赏和钦佩的目光。
Bigdog王可在进行自己音乐道路的同时，也给无数喜欢说唱音乐的年轻人提供着平台，发掘了许多后来的一线说唱歌手，因此被誉为中国最值得尊敬的说唱歌手之一，超强的作词能力也让他得到hiphop诗人的称号。

电子音乐人/声音艺术家/新媒体视觉艺术家，艺术实践跨越不同领域如声音、实验影像、新媒体艺术等。现居上海。作品风格涵盖Ambient/Drone/Dub techno/Experimental Music/Electro-acoustic/Field Recording等。曾在中国/美国/德国/荷兰/英国/法国/立陶宛等知名Deep/Ambient厂牌发行音乐作品。受极简主义/随机主义等观念影响, 实验性的运用多层次声音织体构建沉浸感极强的氛围环境/实验音乐。近年作品曾展出于第60届威尼斯双年展、上海当代艺术馆、上海油罐艺术中心、ECHO回声展等。Electronic musician/composer/sound artist/newmedia visual artist, artistic practice spans different fields such as sound, experimental video, new media art, etc. Currently living in Shanghai. Sound works include Ambient/Drone/Dub techno/Experimental Music/Electro-acoustic/Field Recording, etc. He has released music works on well-known Deep/Ambient labels in China/USA/Germany/the Netherlands/the United Kingdom/France/Lithuania, etc. Influenced by concepts such as minimalism/randomism, he experimentally uses multi-layered sound textures to construct highly immersive ambient/experimental sound. In recent years, his works have been exhibited at the 60th Venice Biennale, Shanghai Museum of Contemporary Art, Tank Shanghai Art Center, Echo Exhibition, etc.

Official Website: https://guofei.work

王道善 山东青岛氛围声响、极端/合成器譟音，青岛传统管乐家。嗡鸣、黑氛围单元。主作配乐和厂牌拷贝发行。包括进行始于2020年的noisy remix计划。在多国发行粗噪音和管乐即兴拷贝20余份。粗噪音/强电计划代号：MVSP。主要根据地青岛。

Wang Daoshan is an individual in the atmosphere, noise, and improvisation of traditional music in tsingtao, Shandong. Buzzing, black atmosphere unit. More than 20 improvised copies of rough noise and ethno music have been released in multiple countries. harsh noise/power electrics project code: makairisa. Base in Qingdao.
Official Website: https://guofei.work

音乐是人类最好的意识形态传达方式之一，这种无形而又巨大的信号能量一直在改变着由各种物质组成的空间，也改变着可以接受到这种信号能量的人们，就 这样才有了2Xy。从90年代感受西方摇滚乐后对世界观的重建，到后来接触电子乐对意识形态的解读，2Xy是一个新的意识载体，之前的一切只是为了形成新 的进化成果的过程。也许音乐才是能记录这个过程的那一条线。这条线上包含了时间轴，有对从对70年代迷幻音乐的膜拜，有对80年代摇滚乐盛世的热爱和 对90年代独立音乐垂死的无助惋惜，电子乐信号技术和模拟合成器技术是这些繁华背后运算程序，从而使音乐信号能量影响着人类对文化和物质理解进化， 2Xy就是要用音乐穿越这个维度的限制。
Music is one of the best ways for human beings to communicate their ideologies. This invisible yet immense signaling energy has been changing the space made up of all kinds of matter and the people who can receive it, and that’s how 2Xy came to be. From the reconstruction of the worldview after experiencing western rock music in the 90’s to the later exposure to the interpretation of ideology through electronica, 2Xy is a new carrier of consciousness. Everything before was just a process to form a new evolutionary outcome. Perhaps music is the thread that can document this process. This line contains a timeline, from the worship of 70’s psychedelic music, to the love of 80’s rockmusic and the helplessness of 90’s Indie music dying, electronic music signal technology and analog synthesizer technology is the arithmetic program behind these prosperity, so that the music signal energy influences the evolution of human’s understanding of the cultural and material understanding, 2Xy is to use the music to cross the limitations of the dimension!
Founder of LFO MUSIC, music producer, film score and sound design. Director of Music Study Abroad Organization, students have been accepted to Berklee College of Music, CalArts, Peabody Conservatory of Music, MI,LACM, and more!

法律人/合成器玩家_动与静非线性综合体。2018年开始接触Eurorack模块合成器系统。

Lawyer/Synth explorer_Non-linear complex of motion & stillness· Eurorack modular system player since 2018.

Afterintro 擅长解偏微分方程和16×16 地图扫雷，立志成为平凡料理大师和模块理线高手。
Afterintro excels at solving partial differential equations and playing Minesweeper on a 16×16 grid. Aspires to become a master of simple-cooking and an expert in modular cable management.
Netease Music: afterintro

艺术实践者、神秘学爱好者以及VJ技术支持。她涉足的媒介横跨声音、装置、绘画以及行为，围绕意识和色彩搭建与万事万物的连接。欢迎随时拨打开心电话热线。

大学教授/设计师/边缘音乐人/模块合成器玩家。
刘老师是学生们喜爱的艺术设计老师，能将生活和创作合二为一的艺术家。经由跨领域的创作实践形成独特的表达语言，从声音频率的实验，到意识氛围的营造，释放其对音乐的全部想象。

常驻日本横滨
2023东京模块电子音乐节参演音乐人 ；
2023亚洲模块电子音乐人参演音乐人；
2022MOTS东京参演嘉宾
DNS的音乐融合了氛围、工业、Post Rock、Chill out 和碎拍等风格，以模块合成器为主要的表达方式。他的创作手法结合了摇滚音乐的爆发力和氛围音乐叙事般的宇宙视角。作为东京地下电子音乐圈的活跃分子，DNS与不同领域的艺术家保持高密度合作，同时还将他的音乐拓展到多媒体实验艺术领域。
Based in Yokohama
2023 Guest Artist @ Tokyo Festival of Modular
2023 Guest Artist @ Asian Festival of Modular
2022 Guest Artist @ MOTS Tokyo
DNS’s solo project is primarily presented through analog system and computer technology. His musical styles include ambient, industrial, post-rock, chill-out, and broken beats. His creative approach encompasses the explosiveness of rock music and a narrative-like cosmic perspective, which is also reflected in his distinctive live performances. As a regular performer at underground electronic music clubs in Tokyo, DNS is carving out his own electronic music style and is beginning to extend his music into the realm of multimedia experimental art.
Official Website: https://www.dnsinfo.cloud/

Gm.XE
小恩（Gm.XE），半个职业经理人半个独立音乐人，摇滚乐手+电子音乐发烧友，擅长氛围音乐和电子舞曲，擅长buchla以及其他模块类合成器演奏，专注声音dsp科技产品类开发，音频制作声音设计等音频技术领域。
Bandcamp: gmxe.bandcamp.com/album/magic-cityHerbix studied at the Leeds College of Music in the UK, where he explored jazz and modern music under mentors Jamie Taylor and Mike Walker. As a music producer and guitarist, he blends electronic, jazz, and hip-hop in his works, released under the name Herbix. He also researches electronic music live sets, using hardware like synthesizers, drum machines, and samplers for spontaneous sound expression.
Red: Herbix的声音实验
WeChat Video Channel: Herbix的声音实验

毕业于南京艺术学院，DAWless茶馆华东区域负责人，南京NKG Soundsystem创办者。精通于合成器鼓机音乐系统操作与使用，擅长于在各种情景下传造出适合当前环境得声音，并且将富有创造性得音色融入到现场得节奏中，各种和弦得运用加上独特得律动给他得音乐带来了独特的结构，让聆听者沉醉其中，流连忘返。2023年创建了NKG Soundsystem项目，致力于丰富南京多元音乐文化，把电子音乐带入室外场景下，配合独特的声学设计与搭配，构建出独特的电子音乐与城市人文结合之美。
2021年加入DAWless茶馆旗下核心团队DAWless Sound System，参与了“茶馆群英会”(深圳Oil)，“茶馆演武会”(南京61与北京莫须有)等演出。又以个人身份作为特邀嘉宾完成了在上海Abyss与Hammer铁锤活动得演出，足迹更是踏遍整个华东，华中地区(杭州Loopy，武汉Mininini等)。

自 90 年代中期以来，Hataken 一直是一名电子音乐制作人和表演者。他的音乐风格是使用合成器演奏氛围轻松的旋律，跨越多种类型，创造出独特的风格和迷幻的感觉。Hataken 曾在许多音乐节上表演，包括 Boom 2012（使用模拟复古设备进行 7 小时现场表演）、Ozora 音乐节 2013 和 2014、Sonica 音乐节 2013 和 2014、Sound Wave（2009 和 2010）、SXSW（2008）、FUJIROCK fes.（2023）、SUPERBOOTH24 等。鸠健曾发行个人专辑《从东京到底特律》（BWLR/2021）、《A Prana Planet》（Matsuri Digital Chil/ 2017）、《Ascension》（TKG music/2012）。
从复古模拟合成器表演转向模块化合成器，畑健已成为日本模块化合成器领域的标志性人物。2013 年，他组织了东京模块节，这是一个展示国际模块合成器技术和艺术家表演的年度盛会。他的目标是培养下一代模块化合成器音乐。
Hataken 参与了许多合作项目。Wåveshåper是他与格雷格-亨特（Greg Hunter）合作的一个项目，该项目制作了一张专辑，并在欧洲进行了一系列现场表演。他还是另类文化地下平台
ZEN ZEN "的组织者。Hataken 与著名吉他手 SUGIZO（LUNA SEA、X JAPAN）合作演出和录制唱片，并被收录在 SUGIZO 的专辑《ONENESS M》（3 首曲目）、2018 年的混音专辑《SWITCHED ON OTO》和 2021 年的《爱と調和》中。最后，作为即兴现场乐队，“SUGIZO x HATAKEN ”由 UNIVERSAL MUSIC（2022 年）发行专辑《Voyage to The Higherself》。
2018 年，HATAKEN 模块化合成器现场与工作坊美国巡演，地点包括 SFC、波特兰、西雅图、凤凰城。他的采访见于传奇书籍《PATCH & TWEAK》（第108-112页）。他还加入了东京大学 “memu earth lab ”的
“Otocare "项目（2021-2022 年）。他还在 Youtube 上撰写了名为 “Patch the World for Peace ”的月刊系列，介绍他每月推荐的模块。还为 Roland、Moog、Buchla、Pioneer DJ、Malekko Heavy Industry、EarthQuaker devices 等电子乐器品牌做演示。在日本。举办了许多关于模块化合成和现场表演技巧的工作坊。
HATAKEN 还在 FUJIROCK2023 为 Coppe's feat.DJ KENSEI & HATAKEN 演出。2024 年，他在丹麦、西班牙、芬兰和德国举办了 HATAKEN EUROPETOUR24 现场和工作坊巡演，并获得成功。
Hataken has been an electronic music producer, performer since the mid 90’s. His musical style employs ambient chilled out grooves using synthesizers to span multiple genres that create a unique style and psychedelic feeling. Hataken has performed many festivals including Boom 2012 (7 hours live show with analog vintage rigs), Ozora festival 2013&2014, Sonica festival 2013&1014, Sound Wave(2009&2010), SXSW(2008), FUJIROCK fes.(2023), SUPERBOOTH24 and more. Hataken released his solo album “From Tokyo to Detroit come in Detroit” (BWLR/2021),“A Prana Planet”(Matsuri Digital Chil/ 2017) “,Ascension”(TKG music/2012).
Shifting from vintage analogue synth performances to modular synthesizers, Hataken has become an icon in the Japanese modular synthesizer scene. In 2013 he organized the Tokyo Festival of Modular; a yearly event that showcases international modular synthesizer technology and artist performances. His goal is to foster the next generation of modular synthesizer music.
Hataken has taken part in many collaborative projects. Wåveshåper is a project with Greg Hunter which produced an album and series of live performances in Europe. He is an organizer of the alternative culture underground platform
ZEN ZEN. Hataken performed and recorded with renowned guitarist SUGIZO (LUNA SEA, X JAPAN), and has been featured on SUGIZO’s album “ONENESS M” (3 tracks), remix album “SWITCHED ON OTO” in 2018 and “愛と調和” in 2021.finally as an improvisational live unit “SUGIZO x HATAKEN” released an album “Voyage to The Higherself” from UNIVERSAL MUSIC(2022)
HATAKEN modular synthesizer live & workshop tour US in 2018 from SFC, Portland, Seattle, Phoenix. His interview can see on the legendary book , “PATCH & TWEAK” (p108-p112). He also joined Tokyo University “memu earth lab” ‘s
“Otocare”project 2021-2022. And writing monthly colum series with Youtube, tittled “Patch the World for Peace” that introducing his recommending modules each month. Also demonstrators for electronic instrument brands as Roland,Moog,Buchla,Pioneer DJ,Malekko Heavy industry, EarthQuaker devices etc. For Japan. Offered many Workshops about modular synthesis and live performance tips.
HATAKEN also performed at FUJIROCK2023 for Coppe’s feat.DJ KENSEI & HATAKEN. In 2024, he made a live and workshop tour HATAKEN EUROPETOUR24 for Denmark, Spain, Finland and Germany and succeed.
Official web: http://hataken.info/
Soundcloud: http://soundcloud.com/hataken/
Mixcloud (live archives): http://mixcloud.com/hataken/
Bandcamp: https://hataken.bandcamp.com/
Wåveshåper (with Greg Hunter): http://mutantra.bandcamp.com/

Piah是金斯敦大学电影和电视作曲硕士学位以优异成绩毕业的出色音乐家和音乐制作人。他拥有坚实的古典音乐和电子音乐基础，从小就开始学习钢琴，踏上了音乐之旅。16岁时，他获得了他的第一台合成器，从那时起，他开始同时探索古典音乐和电子音乐这两个领域。Piah在2023年发布了两张专辑。第一张专辑《A Man on the Mars》展示了他的电子音乐制作技巧，探索了未来感的音景和节奏。第二张专辑《A Week》以最少的乐器使用和独特的氛围为特点，基于由硬件音序器驱动的合成器的重复旋律与钢琴旋律元素之间逐渐演变的互动。最近，他发布了第三张专辑《The Musician of OZ》，这是一张具有进步性浩室风格的专辑，进一步扩展了Piah的音乐范围。
Piah is an outstanding musician and music producer who graduated with a Master’s degree in Composing for Film and TV from Kingston University with commendation. He has a solid foundation in both classical and electronic music, and began his musical journey by learning the piano from a young age. At 16, he acquired his first synthesizer, and since then, he has been exploring both classical and electronic music genres simultaneously. In 2023, Piah released two albums. The first album, “A Man on the Mars,” showcases his skills in electronic music production, exploring futuristic soundscapes and rhythms. The second album, “A Week,” features minimal use of instruments and a unique atmosphere, with music that gradually evolves based on the interaction between repetitive.
Piahmusica@gmail.comShihua Ma , a new media artist, educator and music technologist based in Beijing. He received his Ph.D. with electronic music composition studies at the Central Conservatory of Music. As a cross-media artist, he has performed at major international art events. He is now served as a lecturer of electronic music composition in the Composition Department of China Conservatory of Music. Shihua has long been dedicated to studies on computer music and audiovisual art. His interactive multimedia works have won awards in the MUSICACOUSTICA BEIJING Composition Competitions. He has given speeches on Asian New Media Art Forum. His new media music works such as Cinemagic, Boundless, Hymn for Creators have been staged in art events in China, the United States and Europe, including at MUSICACOUSTICA BEIJING, Shanghai Electronic Music Week, Poland Audio ART FEStival, IEMC(2016), ISCM(2018), ICMC(2020),etc. His installation art works SonsPaysahes and Mimetic Still-Life were exhibited at B3+Beijing moving image Exhibition (Central Academy of Fine Arts Art Museum) in 2015, and at China Music New Media Alliance Installation Exhibition in 2018. Ma Shihua has published several academic papers in journals and won the highest award twice in the MUSICACOUSTICA BEIJING Paper Award.In October 2022, he held a solo art exhibition RE-SOUND in Shanghai.

设计师、艺术指导、合成器爱好者，教师。桂林公园 FM” 播客创始人之一。近年来以“桂林公园 FM” 身份参与到国内各类艺术实践活动之中，其音乐作品以及现场 live 参加多次媒体艺术展演。
Designer, art director, and synthesizer enthusiast. Founder of ‘Guilin Park FM’ podcast. Participated in various domestic art practices, with music works and live performances featured in multiple media art exhibitions.

一个泌尿外科医生；一个传统循规蹈矩的遵从者，在模块的声音世界里寻找各种不确定、噪音、无调式、反音乐性、非理想国。以手术刀的方式切割声音振动片段，碎片缝合、熔接。在他看来，声音如同医学，“To Cure Sometimes, To Relieve Often, To Comfort Always”（偶尔能治愈，常常是帮助，总是在安慰）。
seven nine: a doctor; A conformist by the rules. Look for all kinds of uncertainty, noise, atonality, anti-musicality, non-ideal countries in the modular sound world. The sound and vibration fragments are cut by means of scalpel, and the fragments are stitched and fused. “To Cure Sometimes, To Relieve Often, To Comfort Always”.

白夜休·乌烟啼 是一个音视多媒体组合，将东方神话传说与现代电子音乐深度融合，创造出极具特色的艺术表现形式。他们的音乐风格独树一帜，充满了工业Techno的元素，在冷峻、机械的节奏和音色中，巧妙地融入了东方文化的精髓。通过这种融合，他们重新构建和表达了传统的东方元素，使之在当代语境中焕发新生。在视觉表现上，白夜休·乌烟啼同样追求创新与融合。他们将东方神话传说中的意象通过现代数字媒体技术进行再诠释，形成了具有浓厚东方韵味却不失当代艺术感的视听体验。音视多媒体的融合是他们创作的核心，他们通过将声音和图像无缝衔接，营造出一种沉浸式的艺术氛围，使听众和观众不仅能聆听音乐，还能“看见”音乐，从而在感官上获得双重的享受。该组合的创作灵感深受乌烟啼在东南亚的旅居经历影响，通过异地采风，他们深入探寻了海外华人文化中的独特魅力，并将这些文化亮点融入到音视多媒体的创作中。在这种跨文化的探索和实践中，他们不仅展现了东方文化的深厚底蕴，还通过现代电子合成器和数字视觉技术，创造出具有国际视野和现代感的艺术作品。
“PakYeeSoi·WooYimTee” is a cross-disciplinary digital media art project initiated by Associate Professor Wang Dong. As an accomplished university associate professor and doctoral scholar, Wang Dong integrates his profound research in sound, technology, and humanities into this artistic practice.
Simultaneously, Associate Professor Wang Dong ingeniously incorporates oriental instrumental timbres, shaping a novel era of resonance where sonic elements swirl, surge with energy, and interweave in pulsating waves. The experimental electronic ambient album “8dirctions_8 ” epitomizes this creative 荒 philosophy, featuring eight thematic pieces titled with the same Chinese pronunciation “Huang” yet representing different meanings, weaving abstract electronic textures with oriental aesthetics. Audiences will immerse in aural landscapes experiencing sound’s physical potency and spiritual essence. For instance, the piece “Frosty Blaze” employs a unique frequency modulation algorithm alongside ancient Chinese reed pipes, sculpting a vision of frozen flames amidst cascading spectral torrents. This project transcends sound itself, probing the avant-garde contexts of digital media art and achieving a unification of body and mind through artistic
experience. Whether it is the unwavering pursuit of sonic exploration or the insightful perspectives on contemporary media, “WooYimTee” will leave a profound impression as an enthralling artistic endeavor. As a doctoral associate professor
striding across academia and art, Wang Dong refracts the future potentials of sound art through his unique theoretical lens and creative practice. PakYeeSoi·WooYimTee is a groundbreaking sonic endeavor that forges a novel aural terrain by fusing experimental electronics, coded synthesis and ancient oriental instrumentation into an unprecedented, energetically interweaving resonance.

姚司晨和贾慧真是工作在北京的一对音乐搭档，从2006年开始一起制作音乐，主要制作合成器流行类型音乐 独立完成若干唱片/现场表演/视频/配乐等音乐艺术项目。Konstantin 从文艺复兴、巴洛克、古典时期的欧洲音乐、印度尼西亚的甘美兰和阿拉伯的木卡姆音乐中汲取营养，并通过寻找易于理解的结构和节奏, 使音乐可以在一种更纯粹的氛围中表现他的微分和声复调的技法。当代意大利作曲家 Marco Stroppa 和加拿大作曲家 Marc Sabat 是他最重要的导师。他在德国罗斯托克、斯图加特和荷兰海牙学习作曲专业, 并在巴黎的“声学及音乐研究院 (IRCAM)”深造作曲和计算机⾳乐。他同时也是荷兰格地姆斯国际作曲大赛 Gaudeamus Prize获奖者。
来自古典音乐训练的背景，Konstantin 的个人项目 tsimtsum 以深沉粗犷并充满 Garage 风格的Techno、和声，以及不断的演进为基础。tsimtsum 将细腻的巴黎 Electronica 与酸涩的Berlinoise analog 传统相融合，所有声音都经过精心的打磨和处理，调制出有机的、沉浸的、具有内生动力的音乐体验，以及尘土飞扬、神秘、充满律动同时又情绪丰富的氛围。
tsimtsum 的下一张 EP 即将在 Inland / Ed Davenport 的厂牌 Counterchange 上发行。
For the listener, German composer Konstantin Heuer aka Techno artist tsimtsum creates experiences of nuanced sensation, emotional honesty, and formal interest. He writes orchestral, vocal, and chamber pieces and electronic music for listening, immersing, and per the alias tsimtsum, for the club context.
Learning from Renaissance, Baroque, Classical Music, Gamelan, and Maqam. Konstantin Heuer creates new tonalities in extended just intonation. His mentors were Marco Stroppa, and Marc Sabat. He did the Cursus for computer music at IRCAM Centre Pompidou and received the Gaudeamus Price.
The tsimtsum project sets up on deep, gritty garage-infused techno, harmonies, and evolutions that draw from the musical background of a classically trained composer. Bridging delicate Parisian electronica with tart Berlinoise analog traditions, all sounds are meticulously honed and specified, organic, hypnotic, and in inner motion. Atmospheres — dusty, mystic, groovy, yet they also speak emotionally.
tsimtsum’s upcoming EP will be released on Inland/Ed Davenport’s Counterchange label.

国内知名音乐制作团队火星电台成员，火星电台乐队吉他手。作为从业超过25年的火星电台，音乐范围包括流行、摇滚、电子、电影原声等，为行业不断提供高质量的音乐作品，曾宇负责了绝大多数火星电台的编曲与制作工作。火星电台乐队作为独立乐队从2017年开始陆续发布了三张专辑，以独立电子摇滚，前卫摇滚风格为主，乐队仍然不断在探索新的声音。曾宇从2010年开始探索模块合成器，认为用模块合成器创作和表演是超越任何DAW制作创作音乐的体验，更加容易去帮助艺术家去挖掘自己的内核。
Member of Radio Mars – A Renowned Music Production Team in China
Guitarist of Radio Mars Band
As a member of Radio Mars，a music production team with over 25 years of experience, Zeng Yu has contributed to a wide range of music genres including pop, rock, electronic, and film scores, consistently delivering high-quality music to the industry. Zeng Yu has been responsible for the majority of Mars Radio’s arrangements and production work.Since 2017, Radio Mars Band, an independent band, has released three albums featuring mainly indie electronic rock and progressive rock styles. The band is continually exploring new sounds.
Since 2010, Zeng Yu has been exploring modular synthesizers. He believes that creating and performing with modular synthesizers surpasses any DAW (Digital Audio Workstation) in terms of music creation, making it easier to help artists explore their own inner essence.

强硬的电路板用真实的电流现场轰击疲劳的耳膜，模拟合成器最直接的低音轰炸出迷幻的舞步。这不仅是音乐表演，更是一场身临其 境的冒险。将我们带入一个充满挑战和不 确定性的音乐旅程。通过合成器模块的独 特语言，探索着声音的本质和边界，重新思考音乐的定义和审美。他将带领我们走 出舒适区，探索音乐的无限可能性。
他们是突破常规的音乐探险家。他追求音乐的极限，将合成 器的模块化音源作为他创作的基石和表达方式。他对传统音 乐形式的规则和限制不感兴趣，相反，寻求通过音源的自由、 混乱和非凡性来打破常规。以实验性和前卫的音乐特色，将各种不同的声音源、噪音产生器和电子音乐设备融合在一起， 创造出令人惊奇音乐作品。他对音色、节奏控制非常敏感， 在即兴演奏中自由地调整和塑造声音的形态。

RustyChuan，德国电子音乐人，从90年代开始游走在欧洲各电子音乐圣地。近些年定居上海，他以其独特的现场表现力，活跃在全国各地派对和舞台。他擅长使用合成器和鼓机的结合，并配合模块儿合成器和DIY Eurorack在现在挖掘不同的声音组合，带大家感受音乐频率的本质。RustyChuan将带你踏上一段有质感和律动的电子音乐之旅。
German Synthesizer aficionado who has been addicted to electronic music for more than 25 years. RustyChuan is well known for his pure electronic long run LiveSets with Synthesizer and Drum machines around Chinese Techno Scene. Besides that, he is also passionate about Modular Synthesizer and DIY Eurorack. Bringing his modular cases to the modular commune tonight he will take you on a danceable electronica journey with rich textures and atmospheric soundscapes.
Official website:

http://www.rustychuan.com
SoundCloud: https://m.soundcloud.com/rustychuan
Resident Advisor: https://ra.co/dj/rustychuan

Helmet started at the age of 16 (illegal) as “DJ Elton” in a local underground club in his hometown Munich/Germany. He played techno and indie dance music for more than 20 years on international stages in America, Europe and mainly in southern Germany. Now -Shanghai based-, he performs with electronic music and visuals across China and had several shows in Beijing, Shanghai, Guangzhou, Nanjing, Shenyang, Dalian and so on. Helmet’s live act works with synthesizers and stunning visuals – playing live – acting together. Driven by rythm.

A.I. 纪实摄影师，音乐制作人。坡道厂牌模块专员。美国东部大农村的生活造就了他的狂野和“质朴”。专为探索现场多元可能性构建了自己独特的模块系统。热衷于hypnotic deep techno，坚持纯硬件输出，不使用任何pre-program的预设和音序，让模块即时交互，用深邃的氛围以及永不停歇的发动机构建起印有属于A.I.标签的独一无二的电子音乐场景。模块录制的单曲《a1》和《A2》也分别收录在I/O和环形山唱片的合集中。
A.I. is a documentary photographer, music producer, and module specialist at Rampway label. His time spent living in the countryside in the east of the United States has influenced his wild and “unadorned” style. He has developed his unique modular system specifically to explore diverse possibilities during live club performances. A.I. is passionate about hypnotic deep techno and insists on using pure hardware without pre-programmed presets or sequencers. He allows the modules to interact in real-time, creating electronic music scenes that bear the distinctive A.I. label with deep atmospheres and non-stop engines. His singles “a1” and “A2,” recorded using this modular system, have been released by I/O and CRATER Records.

她是一位模块化合成器演奏家、电子音乐艺术家和歌唱家。
她用模块化合成器和声音表达自己的奇幻世界。她的主题是将电子音效和声音有机地结合起来，创造出介于现实和抽象之间的神奇声音。
她的主题是通过将电子音效和声音有机地结合在一起，创造出介于现实和抽象之间的魔幻音效。
她曾在讲谈社主办的 “Miss iD2020 ”大赛中荣获各个奖项。除个人活动外，她还作为主唱参加了多个单位的活动。
她在 PURRE GOOHN 发行了《Body In Ether》和《Listen in a Cool Room》。
她在音乐和艺术两个领域都有作品、
她曾在东京模块节、关西模块节、日本音乐节 Harukaze、冈山三年展、练马美术馆、DOMMUNE 等地演出。目前，她正在日本各地积极开展演出活动。2024 年，她在赫尔辛基和柏林进行了欧洲巡演。
She is a modular synthesizer player, electronic music artist, and vocalist.
She expresses she own fantastical world using modular synthesizers and voice. She theme is to create magical sounds that move between reality and abstraction by organically
combining electronic sounds and voice.
She was selected as the winner of each award at Miss iD2020 sponsored by Kodansha. In addition to her solo activities, she also participates in various units as a vocalist.
She released “Body In Ether” and “Listen in a Cool Room” on PURRE GOOHN.
She works in both realms, music and art.She has performed at Tokyo Festival of Modular,
Kansai Festival of Modular, Japanese Music Festival Harukaze, Okayama Triennale, Nerima Art Museum, DOMMUNE, and others. She is currently actively performing throughout Japan. She toured Europe in 2024, performing in Helsinki and Berlin.

自 90 年代中期以来，Hataken 一直是一名电子音乐制作人和表演者。他的音乐风格是使用合成器演奏氛围轻松的旋律，跨越多种类型，创造出独特的风格和迷幻的感觉。Hataken 曾在许多音乐节上表演，包括 Boom 2012（使用模拟复古设备进行 7 小时现场表演）、Ozora 音乐节 2013 和 2014、Sonica 音乐节 2013 和 2014、Sound Wave（2009 和 2010）、SXSW（2008）、FUJIROCK fes.（2023）、SUPERBOOTH24 等。鸠健曾发行个人专辑《从东京到底特律》（BWLR/2021）、《A Prana Planet》（Matsuri Digital Chil/ 2017）、《Ascension》（TKG music/2012）。
从复古模拟合成器表演转向模块化合成器，畑健已成为日本模块化合成器领域的标志性人物。2013 年，他组织了东京模块节，这是一个展示国际模块合成器技术和艺术家表演的年度盛会。他的目标是培养下一代模块化合成器音乐。
Hataken 参与了许多合作项目。Wåveshåper是他与格雷格-亨特（Greg Hunter）合作的一个项目，该项目制作了一张专辑，并在欧洲进行了一系列现场表演。他还是另类文化地下平台
ZEN ZEN "的组织者。Hataken 与著名吉他手 SUGIZO（LUNA SEA、X JAPAN）合作演出和录制唱片，并被收录在 SUGIZO 的专辑《ONENESS M》（3 首曲目）、2018 年的混音专辑《SWITCHED ON OTO》和 2021 年的《爱と調和》中。最后，作为即兴现场乐队，“SUGIZO x HATAKEN ”由 UNIVERSAL MUSIC（2022 年）发行专辑《Voyage to The Higherself》。
2018 年，HATAKEN 模块化合成器现场与工作坊美国巡演，地点包括 SFC、波特兰、西雅图、凤凰城。他的采访见于传奇书籍《PATCH & TWEAK》（第108-112页）。他还加入了东京大学 “memu earth lab ”的
“Otocare "项目（2021-2022 年）。他还在 Youtube 上撰写了名为 “Patch the World for Peace ”的月刊系列，介绍他每月推荐的模块。还为 Roland、Moog、Buchla、Pioneer DJ、Malekko Heavy Industry、EarthQuaker devices 等电子乐器品牌做演示。在日本。举办了许多关于模块化合成和现场表演技巧的工作坊。
HATAKEN 还在 FUJIROCK2023 为 Coppe's feat.DJ KENSEI & HATAKEN 演出。2024 年，他在丹麦、西班牙、芬兰和德国举办了 HATAKEN EUROPETOUR24 现场和工作坊巡演，并获得成功。
Hataken has been an electronic music producer, performer since the mid 90’s. His musical style employs ambient chilled out grooves using synthesizers to span multiple genres that create a unique style and psychedelic feeling. Hataken has performed many festivals including Boom 2012 (7 hours live show with analog vintage rigs), Ozora festival 2013&2014, Sonica festival 2013&1014, Sound Wave(2009&2010), SXSW(2008), FUJIROCK fes.(2023), SUPERBOOTH24 and more. Hataken released his solo album “From Tokyo to Detroit come in Detroit” (BWLR/2021),“A Prana Planet”(Matsuri Digital Chil/ 2017) “,Ascension”(TKG music/2012).
Shifting from vintage analogue synth performances to modular synthesizers, Hataken has become an icon in the Japanese modular synthesizer scene. In 2013 he organized the Tokyo Festival of Modular; a yearly event that showcases international modular synthesizer technology and artist performances. His goal is to foster the next generation of modular synthesizer music.
Hataken has taken part in many collaborative projects. Wåveshåper is a project with Greg Hunter which produced an album and series of live performances in Europe. He is an organizer of the alternative culture underground platform
ZEN ZEN. Hataken performed and recorded with renowned guitarist SUGIZO (LUNA SEA, X JAPAN), and has been featured on SUGIZO’s album “ONENESS M” (3 tracks), remix album “SWITCHED ON OTO” in 2018 and “愛と調和” in 2021.finally as an improvisational live unit “SUGIZO x HATAKEN” released an album “Voyage to The Higherself” from UNIVERSAL MUSIC(2022)
HATAKEN modular synthesizer live & workshop tour US in 2018 from SFC, Portland, Seattle, Phoenix. His interview can see on the legendary book , “PATCH & TWEAK” (p108-p112). He also joined Tokyo University “memu earth lab” ‘s
“Otocare”project 2021-2022. And writing monthly colum series with Youtube, tittled “Patch the World for Peace” that introducing his recommending modules each month. Also demonstrators for electronic instrument brands as Roland,Moog,Buchla,Pioneer DJ,Malekko Heavy industry, EarthQuaker devices etc. For Japan. Offered many Workshops about modular synthesis and live performance tips.
HATAKEN also performed at FUJIROCK2023 for Coppe’s feat.DJ KENSEI & HATAKEN. In 2024, he made a live and workshop tour HATAKEN EUROPETOUR24 for Denmark, Spain, Finland and Germany and succeed.
Official web: http://hataken.info/
Soundcloud: http://soundcloud.com/hataken/
Mixcloud (live archives): http://mixcloud.com/hataken/
Bandcamp: https://hataken.bandcamp.com/
Wåveshåper (with Greg Hunter): http://mutantra.bandcamp.com/

亚帕克出生于法兰克福，现定居柏林。自上世纪 90 年代初以来，他一直是电子音乐制作人和厂牌所有人，用他的现场音乐震撼着电子乐界和舞池。他在很小的时候就开始接触模拟电子设备，从而激发了他对音乐的兴趣。1997 年，他以技术双人组的假名 “Electrasmus ”创作并发行了第一张漩涡唱片 EP。随后，他在法兰克福的艺术唱片公司 “诗人俱乐部录音室”（Poet Club Recording）与布莱恩-埃诺（Brian Eno）、香特尔（Shantel）和阿佩克斯（Apex）一起为 “Inside 2 ”合辑录制了一首曲目。此后，他在 Neuton、Perlon、Wir/Treibstoff、Brise 和 Lucidflow 等 80 多个厂牌发行了 250 多张唱片，并为 Ricardo Villalobos、Italoboyz、Pascal Feos、2raumwohnung 等人制作混音作品。自 2003 年以来，yapacc 还与詹姆斯-迪恩-布朗（James Dean Brown）共同参与了 “麻醉语法”（Narcotic Syntax）项目，该项目一直是 Perlon 历史的重要组成部分。同年，他们发行了第一张 Perlon 036 专辑《Ping Pong Voodoo"，之后又发行了大量的合辑和现场模拟演出，直至今日。Yapacc 曾在许多国际俱乐部及其访客中演出，并在 Panorama Bar、Fabric London、Watergate、Love Parade Berlin、Time Warp、Sonar Festival、Bar 25/Kater Holzig、Tresor、Harry Klein、Fuse Club、Studio 80、U60311、Airport、Bar Americas (MX)、Bootleg (TELAVIV)、The Bunker (NYC)、Harvest Festival (CA)、Fusion Festival、Closer Club (UA)、Propaganda Club (RU)等地进行密集而有机的现场表演。他还在柏林的 Heinz Schüftan 酒吧主持每周一次的 “Chapeau Klack ”活动。Yapacc 目前还与 UFO Hawaii、Argenis Brito、Sierra Sam、Katya Ryba 和 Red Pig Flower 合作。此外，他还与帕特里克-特斯托尔（Patrick Testor）一起在 BRISE 唱片公司发行了几张 EP。除音乐活动外，他还经营着模块公司 IO INSTRUMENTS 和 RIDES IN THE STORM，后者也参加了模块公社。
模块公社。在此之前，他曾与几年前去世的 “MFB - Manfred Fricke Berlin ”一起制作模拟合成器和鼓计算机。由于他自己的模块活动，yapacc 用他的乐器和一个小采样器进行模块现场表演，他经常在柏林和其他模块场地表演。
Born in Frankfurt and now based in Berlin, producer and label owner Yapacc sways the electronic music scene and dancefloors with his live sound since the early 90s. His interest in music was aroused by his experience with analogue electronics at a very young age. He wrote and released his first maelstrom recordings EP in 1997 under the techno duo pseudonym «Electrasmus». This was followed by a track at the Frankfurt’s art label Poet Club Recording for the compilation «Inside 2» alongside Brian Eno, Shantel and Apex. Henceforth emerged more than 250 releases by over 80 labels such as Neuton, Perlon, Wir/Treibstoff, Brise and Lucidflow, and remixes for Ricardo Villalobos, Italoboyz, Pascal Feos, 2raumwohnung and many more. Since 2003 is yapacc has also been a member of the project «Narcotic Syntax» with James Dean Brown, which is has been an important part of the Perlon history. In the same year they released their first Perlon 036 «Ping Pong Voodoo», which was followed by plenty more on compilations and live analogue performances up until the present day. Yapacc has performed in many international clubs and their visitors with his intensive and organic live performances at venues such as Panorama Bar, Fabric London, Watergate, Love Parade Berlin, Time Warp, Sonar Festival,Bar 25/Kater Holzig, Tresor, Harry Klein, Fuse Club, Studio 80, U60311, Airport, Bar Americas (MX), Bootleg (TELAVIV), The Bunker (NYC), Harvest Festival (CA), Fusion Festival, Closer Club (UA), Propaganda Club (RU), amongst many more. He also hosted the weekly held event «Chapeau Klack» in Berlin’s Heinz Schüftan Bar. Yapacc also had current projects with UFO Hawaii, Argenis Brito, Sierra Sam, Katya Ryba and Red Pig Flower. Actual he released with patrick testor few EPs at BRISE records. Beside his musical activities he run the module company IO INSTRUMENTS and RIDES IN THE STORM, who is also
present at the modular commune. Before he was creating analog synths and drum computer with «MFB — Manfred Fricke Berlin» who passed away few years ago. Because of his own module activities yapacc shows a modular live set with his instruments and a little sampler, which he perform regulary in berlin and other modular venues.

作为资深声音设计师，DJ，Sound Artist，Ankar从没停下自己追求音乐的脚步，从伦敦的先锋实验音乐场景到各类展览秀场至国内各地地下俱乐部都留下了他独特的音乐痕迹，少数 民族的出厂设置在基因里就映射了他对音乐的独特理解，英国生活的经历在他的音乐品味中 添加了不少低音和酸性元素，2013至今主要研究MUSIQUE CONCRETE具象音乐以及Electroacoustic Music，其作 品触及自然现实与科技虚拟之间的矛盾，游走在静谧与狂暴之间，如画家般为你描绘出内心难得一窥的梦境。以live set的形式结合少数民族民族乐器给舞池输送刚硬的4/4拍科技音 乐。作为dj，黑胶唱片是他的拿手好戏，他更是喜欢以超长的马拉松set与舞池互动。
As a sound designer, DJ, Sound Artist, Ankar has never stopped his practice of music, from the experimental music scene in London to various exhibitions and shows to underground clubs all over the China, he has left his unique musical traces. “The minority ethnic preset reflect his unique understanding of music in his genes. The experience of uk life has added a lot of bass and acid elements to his musical taste. He is used to combining exotic musical instruments and Hard 4/4 techno music in his live sets to communicate with the dance floor. .As DJ, vinyl records are his specialty, and he prefers to interact with the dance floor with long marathon sets.