“万壑松风——刘海粟美术馆馆藏松主
题作品展”将于2024年9月15日开展，展期至2024年10月15日。
‘The Pine-Soughing Valleys—Art Exhibition of Pine Theme from the Liu Haisu Art Museum Collection’ will be presented from September 15, 2024 to October 15, 2024.
/01/
前言
Preface
研究中国传统意象是探源和传承中华文化根基的切入点，也是推动和活化中国传统文化创新性发展的重要方式。作为岁寒三友的代表之一，我馆将松、竹、梅三个中国古代传统意象的馆藏主题作品展形成系列展览，而此次“万壑松风：刘海粟美术馆馆藏松主题作品展”为该系列的第二次展览。本次展览展出20件馆藏松主题古画和19件刘海粟松主题作品，是刘海粟美术馆开馆以来对馆藏历代松主题作品最集中的一次展示和研究。
The study of traditional Chinese image is the entry point to exploring the source and inheriting the foundation of Chinese culture, and it is also a crucial method for promoting and activating the innovative development of traditional Chinese culture. As one of the representatives of the Three Friends of Winter: pine, bamboo and plum, Liu Haisu Art Museum formed a series of exhibitions based on these three traditional Chinese images, and this exhibition, ‘The Pine-Soughing Valleys—Art Exhibition of Pine Theme from the Liu Haisu Art Museum Collection’ is the second exhibition of this series. A total of 20 pine-themed ancient paintings and 19 Liu Haisu pine-themed paintings are displayed in this exhibition, which is the most concentrated demonstration and research of pine-themed works in the collections since the opening of the Liu Haisu Art Museum.
刘海粟《临古山水》1944 年 纸本国画125.4×32.8cm
Liu Haisu,'Imitation of Ancient Landscape Painting',1944,Ink on paper,125.4×32.8cm（左）
倪瓒《溪山春霁图》元代 纸本国画 117.4×41.3cm
Ni Zan,'Spring Mountain after Rain',Yuan Dynasty,Ink on paper,117.4×41.3cm（右）
以松为代表的中国经典意象，代表着中国传统思想中对事物超脱于表面的深入思考。本次展览不仅是对中国传统意象的展示和解读，更是希望能激发观者对传统意象本源的回望和对传统文化精神的思考，进而探索传统文化在当代语境下的时代意义，从文化本源和精神底蕴出发找寻文化初心，坚定文化自信，以时代精神激活中华传统文化的生命力。
As one of the representatives of the Chinese classical image, pine represents deep thinking beyond the surface in traditional Chinese thought. The aim of this exhibition is not only to display and interpret traditional Chinese images but also to inspire audiences to look back at the source of traditional images and reflect on the spirit of traditional culture, thereby exploring the significance of traditional culture in a contemporary context, finding the original intention of culture, strengthening cultural confidence from the origin and spiritual deposits of Chinese culture, and activating the vitality of traditional Chinese culture with the spirit of the present.
本次展览以刘海粟美术馆馆藏历代松主题作品和刘海粟松主题作品的展示与赏析为主线索，结合围绕展览主题而创作的当代作品，展现当代艺术家对中国传统经典意象的理解和中国传统表达在当代的面貌。从倪瓒到刘海粟，从古代到当今，多角度展示松在各艺术家笔下既有共性又充满个体多样性的表达，呈现意象性表达的传承与变迁。
This exhibition takes the Liu Haisu Art Museum collection’s pine theme works throughout history and selected pine theme works of Liu Haisu as the main clue, combing with multiple contemporary pine theme works created according to the exhibition theme, to showcase contemporary artists' understanding of Chinese traditional classical images and the contemporary appearance of Chinese traditional expression. From Ni Zan to Liu Haisu, from painting to multiple materials, from historical to contemporary, this exhibition intends to demonstrate the similarity and individual diversity of plum blossoms in the works of various artists from multiple angles, presenting the inheritance and changes of imagery expression.
/02/
古画作品
（部分作品）
戈阳王孙《马》1575年 绢本国画 82.7×35.3cm
Ge Yang Wang Sun,'Horses',1575,Ink and colour on silk,82.7×35.3cm（左）
华嵒 《春山图》清代 绢本国画 129.1×61.6cm
Hua Yan,'Spring Mountains',Qing Dynasty,Ink and colour on silk, 129.1×61.6cm（右）
梅清《白龙潭图》清代 纸本国画 133.4×38cm
Mei Qing,'White Dragon Pond',Qing Dynasty,Ink and colour on paper,133.4×38cm（左）
王昱《万壑松风图》清代 纸本国画 112.4×29.2cm
Wang Yu,'Pine-Soughing Valleys',Qing Dynasty,Ink on paper,112.4×29.2cm（右）
/03/
刘海粟作品
（部分作品）
刘海粟《如松常青，如水常流》1932 纸本国画 134.8x66.9cm
Liu Haisu,'Like Pines Evergreen, Like Water Everflowing',1932,Ink and colour on paper,134.8x66.9cm
刘海粟《松鹰图》1978 纸本国画 136x67.6cm
Liu Haisu,'Pine and Eagle',1978,Ink on paper,136x67.6cm
刘海粟《石笋矼云松》1983 纸本国画 97.5x52.3cm
Liu Haisu,'The Clouds and Pines of Stone Bamboo Shoot Ridge',1983,Ink and colour on paper,97.5x52.3cm
刘海粟《黄岳人字瀑》1982 纸本国画 128.4x64.2cm
Liu Haisu,'Ren-Character-Shaped Waterfall of the Yellow Mountain',1982,Ink and colour on paper,128.4x64.2cm
刘海粟《黄山》1935 布面油画 55x46cm
Liu Haisu,'The Yellow Mountain',1935,Oil on canvas,55x46cm
刘海粟《散花坞云海奇观》1982 布面油画 59x80cm
Liu Haisu,'Scattered Flower Valley',1982,Oil on canvas,59x80cm
/04/
当代作品
（部分作品）
杨正新《不老松》2024 纸本国画 96x178cm
Yang Zhengxing,'Everlasting Pine',2024,Ink and colour on paper,96x178cm
沈雪江《万物静观皆自得》2024 纸本国画 60x184cm
Shen Xuejiang,'Observing the Universe with a Calm Mind',2024,Ink and colour on paper,60x184cm
陈翔《石涛诗意图》2024 纸本国画 50x120cm
Chen Xiang,'Poetic Painting in Tribute to Shi Tao',2024,Ink and colour on paper,50x120cm
魏立刚《云壤黑岩虬龙图》2024 纸本国画 250x125cm
Wei Ligang,'Cloud Soil Black Rock Dragon',2024,Ink and colour on paper,250x125cm
黄阿忠《庭中松》2024 纸本国画 140x68cm
Huang Azhong,'Pine in the Courtyard',2024,Ink and colour on paper,140x68cm
车鹏飞《墨松》2024 纸本国画 138x40cm
Che Pengfei,'Ink Pine',2024,Ink and colour on paper,138x40cm
李言《盘龙图》2024 纸本国画 136x68cm
Li Yan,'Coiled Dragon',2024,Ink and colour on paper,136x68cm
王波《信物》2024 布面油画 200x150cm
Wang Bo,'Token',2024,Oil on canvas,200x150cm
陈量《松之裳》2024 多种材料
Chen Liang,'The Clothes of Pine',2024,Multiple materials
黄世华《月华》2024 绢本国画 212x156cm
Huang Shihua,'The Glory of the Moon',2024,Oil on silk,212x156cm
甘永川《栾华》2024纸本国画 55x101cm
Gan Yongchuan,'Goldenrain Tree',2024,Ink and colour on paper,55x101cm
撰稿：张我
编辑：李月莉 金雨沁 / 主任编辑：洪亮
