Timeless Here and Now.
此时此地永存
Vincent Van Duysen于1962年出生于比利时洛克伦，1990年成立Vincent Van Duysen建筑事务所。他习惯在探索建筑、室内和产品之间的互动中展开设计，从三者的微妙过渡中持续汲取灵感，结合强烈的个人风格，明晰本质：1以可触可感的材料演绎简练的长期主义空间；2完善两大核心，当地环境和传统人文的感官体验 + 空间、肌理和光影塑造的实体感受；3围绕功能性、耐用性和舒适性呈现建筑之美，而非追随流行趋势。
文森特 · 范 · 杜伊森
Vincent Van Duysen
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伦巴第B宅，一个完美度假胜地，一方私属精神乐园。建筑与环境相融相生，尽显优雅、精致、不朽。共邀用户开启一场探寻和谐自然的体验之旅。
B Residence offers an architectural experience where its inhabitants find harmony with nature. This home embodies peace and elegance, blending seamlessly with its natural surroundings. Designed as a private haven, it is the perfect family retreat, exuding timeless sophistication.
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建筑坐落在斜坡上，以两种不同的立面与环境展开对话。北侧是内向的围合空间，有灰泥砖体块搭配檐下的大面积窗户。南侧则以黑色陶土砖露台作为屋顶悬垂下的重要亮点。
基于场地的形态背景——树木繁茂的自然丘陵景观，为项目赋予竖向过渡的天然架构。VVDA以寻求建筑与周围环境之间的和谐统一为目标，通过强调露台的水平线和屋顶的悬垂，摒弃多余元素，实现与场所相契的理性互动。Situated on a sloping plot, the mansion presents two distinct facades. The north side is introverted and horizontal, with plastered brick volumes and expansive windows beneath the eave line. In contrast, the south side showcases soaring double heights, featuring terraces made of black terracotta bricks sheltered by generous roof overhangs.As the morphological context of the land – a natural hilly and wooded landscape – instilled a vertical flow to the program, VVDA sought harmony between the building and its surroundings, achieved by accentuating the horizontal lines of the terraces and the overhangs of the roofs, a wholesome element with the environment. Superfluous elements were eliminated.
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设计方案是将建筑基础部分抬升至地面以上，创造出可供行居的露台等空间，赋予它们与建筑相仿的低矮砌体平台外观，并因此，让地下室同时充当上面楼层的基座。开放式的布局设计有助于消除隔墙，避免将房间封闭。通过简单的建筑手法，形成连续的大型空间，构建无界的限性环境：空气、光线和视野渗透到每一个空间，营造整体感，仅保留少量的明显分区。The idea was to bring the foundation above ground level, creating habitable surfaces such as terraces and imparting them the resemblance of a low masonry platform on which the building stands. As a result, the basement doubles as a plinth to the level above.
The open plan is based on the concept of eliminating partition walls and avoiding rooms as enclosed spaces. Large continuous volumes, articulated through simple architectural artifices, create a circumscribed environment: Air, light and views permeate every ambient with a sense of unity, preserving only minor subdivisions.松散的家具融入成为建筑的一部分，它们就好像一个更大的宏观世界中的一个小项目。不仅满足起居功能，也要在材料和形式上与周围环境相协调，VVDA选择以天然实心木材为关键元素，作为其与建筑与环境的额外连接。Loose furniture, incorporated within the architecture, becomes part of the building, as if a small project within a bigger macrocosm. Functional to the purpose of the house and integrating with the surroundings in materials and forms, the living room features solid natural wood blocks as an additional connecting element.
立面上，房屋墙壁也承担屏风的作用；它们拔地而起，不同于窗户在屋檐下形成连续的阵列；宽阔的屋檐帮助窗格遮挡风雨阳光，这些构造表达，包括体块间的精心组合结合建筑表面肌理，它们共同实现了这座建筑的永恒美感。
Within the elevation, the walls of the house are conceived as screens; they rise directly from the ground, while the windows line up as a continuous band below the eaves. Window compartments are protected from the elements (wind, sun, rain) by wide eave overhangs, a tectonic expression of architectural volumes, timeless where the careful composition of volumes is combined with the tactility of surfaces.
葡萄牙 梅利迪什
Photos by Ricardo Labougle and Vincent Van DuysenDuysen作为Casa M设计师兼客户，在项目中投入了三年多心力，致力于打造不朽设计纪念碑。这座极具特色的雕塑住宅不同于以往的野兽派设计风格(与周围景观极尽戏剧冲突效果)，它被里斯本南部阿连特茹的起伏山丘，沙丘和软木橡树所包围，外露的架构呈现泥骨般的大地色调，几乎与沙质环境融为一体。设计融合沙土、光、风、雾和远处海洋等元素，摒弃装饰主义，让雕塑般的、伞状海洋松树冠成为场地焦点，由日出日落决定这里的氛围和情绪色调，建筑结构也随着光线的变化，在墙壁和裸露的土壤上投下阴影。
Casa M was a labor of love that took over three years to build in Melides, Portugal. Sought to create an enduring monument to design – a sculptural oeuvre camouflaged by the rolling hills, dunes and cork trees of Alentejo, south of Lisbon. With an exterior of exposed aggregate tinted a bone hue to vanish into its sandy surroundings, the compound achieves the opposite effect of its Brutalist forebears, which tended to overpower the landscape. The house is meant to take in the elements – sand, light, wind, sun, air, fog and the Ocean in the distance – with a non-ornamental attitude letting the sculptural, umbrella-like canopies of marine pines be the center of attention. Sunrise and sunset here dictate the palette of colors and moods, while the structure casts shadows on the walls and on the bare soil as light shifts.![]()
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从约恩·伍重、路易斯·巴拉甘等现代主义大师的标志性混凝土住宅结构中汲取灵感，这座空灵、不显眼的建筑消隐在周围的森林沙丘中。其现浇混凝土体块展现Van Duysen的特色风格美学，对肌理痴迷、材料驱动的温暖野蛮主义最纯粹的表达，也是VVD工作室30多年来代表之作。Drawing inspiration from iconic concrete residential structures by modernist masters such as Can Lis in Mallorca by Jørn Utzon, Casa Luis Barragán and Georgia O’Keefe’s Ghost Ranch, even Casa Malaparte in Capri, the ethereal, unobtrusive structure disappears into the surrounding forest dunes. Embodying Van Duysen’s stylistic aesthetics, the poured-on-site concrete volumes represent the purest expression of the texture-obsessed, materials-driven strain of warm brutalism that has defined the studio work for more than three decades.
Duysen将对极简主义的追求转化为简约的结构语言和空间。在他看来，这既是住宅，也是一个避难所、一座神殿。在这里，有当地的自然植被抚慰其心灵，他会极具安全感和灵感迸发。消除生活中的冗杂，回归自然正是该设计的关键主张。Van Duysen’s search for stripped-down essentialism translates into a bare-bone structural language and space. As Van Duyen sees it, it’s a shrine, a sanctuary, a domus in which he feels protected yet inspired, lulled by an unspoiled vegetation, so typical of the area. It’s an argument for eliminating noise and clutter from one’s life, to receding into the natural environment.
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家庭壁炉作为室内关键元素，也是整体设计的支点——设有立体壁炉的中央生活空间，连接混凝土柱构建的古希腊风庭院，把控节奏和平衡，目之所及是绿松和成片稻田组成的迷人自然景观。夏天，它是开放的遮阳空间；冬天，它又是温暖的庇护所。The concept of domestic hearth was key in envisioning the plan, whose fulcrum – a central living space featuring a cubist fireplace, opens up onto a courtyard characterized by a sort of Hellenic rhythm and balance set by concrete pillars. Casa M’s wings close onto an open space overlooking the mesmerizing natural landscape composed of green pines and vast expanses of rice patties. It’s an open, shaded pavilion in the summer; a shelter in the winter.
建筑与外部环境不断对话，沙子也融为房屋本身的一部分，模糊室内外的界限。室内装饰采用巴西重蚁木、棕色陶土砖和散置的家具，强化温暖的野兽派风格核心，但在呈现上却柔软而温馨。从木质天花板到固定装置和面板，再到定制家具，混凝土和软木在每个细节中都得到了重现。生活区11.8米长的玻璃推拉门隐藏在墙壁中，联通中央庭院的柱状空间，仿佛身处里亚德，远处的地平线和海洋，隐约可见。
Casa M’s architectural core is in a continuous dialogue with the outside where sand is allowed to be part of the house itself, blurring the distinctions between indoor and outdoor. The interiors, rendered in Brazilian ipe wood, brown terracotta tiles in a nod to the Portuguese tradition, and sparse furniture, reinforce how the warm Brutalist monolith is hard at its core but soft and welcoming in character. The colors of concrete and cork trees are actually reprised inside with each detail, from the wooden ceilings to fixtures and panels, all the way to custom-made furnishings. In the living quarters, a 11.8-meter glass sliding door, disappearing into the walls, opens onto the central columned space, riad-like, horizon and Ocean in the distance, only a little farther to grab.
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比利时 皮尔斯
挖掘项目特质，Vinery VV的设计极具地域建筑风格。地处比利时佛兰德斯美丽乡村的中部，这里原是一片古老芦笋田，酒庄建设后更新为17,000株葡萄。为了尊重佛兰德斯的传统，VVDA将建筑融入现有景观中，以Valke Loop命名，向克莱因布拉班特乡村地区的古老农业建筑致敬。Inspired by the atypical nature of the brief, Winery VV is a project that derives its individuality from its place and architecture. Located in the middle of the beautiful rural area of Flanders, old asparagus fields made place for the Valke Vleug Winery in Puurs, covering a vineyard of 17 000 vines. Respecting the Flemish tradition, VVDA embedded the project in the existing landscape paying homage to the old agricultural buildings in the rural area of Klein Brabant. The project takes its name from the Valke Loop.
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建筑反映了当地人文不可或缺的传统佛兰德农舍理念。通过在现有开放景观中创建层次感的体块，呼应当前的线性平行状态并与周围景观建立对话。主多功能建筑、农业设施附属建筑和房屋在庭院（酿酒厂中心）周围形成了清晰的边界，但在开放的一侧与周围的自然环境相连。
The design approach reflects the concept of a traditional Flemish farmhouse, which forms an integral part of the rural heritage. By implementing volumes that forms a hierarchy in the existing open landscape, we have responded to the present horizontality and created a dialogue with the surrounding landscape. The main multipurpose building, the outbuildings for agricultural utilities and the house create a clear border around the courtyard – the heart of the winery - but the open side permits a connectedness to the surrounding nature.
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当你穿过主楼通道进入中央庭院，就能感受空间及其配置的连贯性。中央庭院覆盖着熔岩石，模糊周围绿地的边界。在功能性建筑和整体混凝土墙的保护下，视野开阔，可以看到葡萄园，雾蒙蒙的风景、日出、日落和未开发的景观。主楼内设有葡萄酒生产区和品酒区。品酒区的大型推拉窗与地板相连，将室外露台的延伸和景观融为一体。
Once entering the central courtyard through the passage of the main building, the viewer is alert to the coherence of the space and its configuration. A central courtyard covering in lava stone is formed, blurring the boundaries within the surrounding greenery. Protected by the functional buildings and monolithic concrete walls, the view opens up onto the vineyards, providing misty landscapes, sunrises, sunsets and the views on the undeveloped landscape. The main building houses among others an area for the production of wine and a wine tasting space. The large sliding windows of the tasting area with its floor continuation blends in the extend of the outdoor terrace and the view on the landscape.
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芦笋种植和葡萄栽培共同点是两者都需要线性种植并保持平行。由于葡萄藤的高度均匀，且不同谷仓的体积很长，景观中呈现出一条紧密的扁平线。水平特征被深色木质体积打断，将垂直性带入组件的层次结构。为住宅的特色外观注入灵感，与葡萄园的庄严内涵建立联系。原有的老橡树帮助平衡住宅高楼，为马坡提供遮荫，也是葡萄园精神灯塔。The main common factor of asparagus cultivation and viticulture is that both require linear plantings and ensure a horizontal image in the landscape. A tight flattened line in the landscape is present due to the uniform height of the vines and the long volume of the different barns. The horizontal character is interrupted by a dark wooden volume bringing verticality into the hierarchy of the different components. This results in a residence with a specific appearance and thus establishes a link with the stately connotations of a vineyard. The position of the old oak on the property provides a counterweight to the residential tower, providing shade to the horse slope and serving as a beacon for the vineyard.![]()
为强化建筑语言的现代性，VVDA对细节和材料进行了统一而全面的考量。选用棕灰色混凝土作为建筑物基础，与大地色调融为一体，于室内外之间形成视觉延续，模糊景观的界限，以及，结合旧谷仓建筑，采用深色木材与混凝土与景观形成鲜明对比。
A thorough approach with regard to details and purity of the materials strengthens the contemporary character of the architectural language. The foundation of the buildings is the brown-grey colour of the concrete which blends into the present earth tones. These elements provide a visual continuation between the indoor and outdoor spaces, creating blurred boundaries into the landscape. Making reference to the old barns, the dark wood contrasts with the landscape along with the use of the concrete.
混凝土、深色木材和熔岩石的色调与周围环境——杨树和柳树的绿色、葡萄藤和水景相得益彰。从远处看，这些是完整而抽象的建筑体块，只有走近才能发现它们是VVDA第一家酿酒厂。
This palette of concrete, dark wood and lava stone is tempered by the surroundings – the green of the poplars and willow trees, the vines and the water feature. From a distance the abstraction of the volumes is complete – but coming closer these shelter VVDA’s first cool climate winery.
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比利时 克诺克
Photos by Hélène Binet and François Halard克诺克是比利时的一个海滨村庄，以其带有山墙屋顶的精致白色度假屋而闻名。这座永久住宅坐落在皇家高尔夫球场旁，是业主及其家人的永久住所，可以欣赏到高尔夫球场和私人花园的美丽景色，花园由Martin Wirtz设计。
Knokke, a Belgian seaside village, is known for its refined white holiday homes with gabled roofs. Situated alongside the Royal Golf Course, this permanent home for the owner and his family allows beautiful wide views across the golf course and onto its protected private gardens, designed by Martin Wirtz.
支撑着茅草屋顶的大型白色体块，简单放置在绿色景观中。褐白两色作为主要建筑元素定义了房屋浓烈而现代的特质和语境，这也是VVDA对克诺克典型传统别墅的诠释。
体块之间承担了房屋的各类功能空间。有些面向周围环境开放，可以看到四周的自然风景，有些位于巨大的体块之间、后面或被围合的内部，通过水洗骨色饰面将外部与内部连接起来。
Large, whitewashed brick volumes – positioned simply within the natural green landscape – support a large thatched roof. These primary architectural elements define the strong and modern character and expression of the house, which is an interpretation of the archetypal traditional villa in Knokke.
The massive monolithic brick volumes arrange the house spatially and functionally. It is sometimes open to its environment with vistas to the green all around, or protected when positioned between, behind or within the massive brickwork volumes. The cement-washed bone-coloured finish links the exterior with the interior.
窗户加强室内外连续性。大茅草屋顶给人一种受庇护和内向的生活氛围，为居住者提供隐私保护。没有任何排水沟或屋脊设置，屋顶边缘低垂，宽大的屋顶为房屋增添现代特色。两个大烟囱让人联想起旧宅邸的开放式壁炉和烟囱，与屋顶和泳池房延伸部分的水平线形成垂直对比。
The minimal windows strengthen the continuity between indoors and out. The large thatched roof gives a protected and introverted feel, and provides privacy for the inhabitants. Without any gutters or roof ridges, and with its low-hanging roof edges, the large abstract roof adds to the contemporary character of the house. The two large chimneys – reminiscent of the open fires and chimneys of old mansions – create a play of verticality against the horizontal lines of the roof and the pool house extension.
建筑配有露台、室外游泳池和相邻的泳池房，以便充分利用最佳阳光照射角度，同时方便业主欣赏周围环境的不同景色。在房屋南北两侧的露台提供开放或半封闭的座位区，使室外景观更接近或完全融进室内。
The architecture is completed with the terraces, an outdoor swimming pool and adjacent poolhouse, to enable the owner to enjoy different views of the surroundings while taking advantage of optimal sun orientation. The terraces create open or semi-enclosed seating areas to both the north and south sides of the house to bring the outdoor landscape closer to, or almost into the house.材料细节精致优雅，与茅草屋顶的原始表达和遍布外墙及部分内墙的水泥砖纹理形成鲜明对比。
The interior materials are finely detailed and elegant, sophisticated and in contrast to the raw expression of the thatched roof and the cement-washed brickwork textures applied all over the exterior and some of the interior walls.
根据所需的心情，不同的室内装饰在相似的设计方法和氛围范围内带来变化。大客厅采用深色木质双高天花板，与天花板较低的天然木质厨房形成鲜明对比。同时，家庭办公室和主卧室的皮革和“植物”壁纸饰面在这些私人区域更显柔和、亲密。家庭水疗中心的绿色马赛克增添了在这个空间的放松和安静体验。定制家具和室内装饰进一步增添了精致的氛围，勾起旧时的豪华度假屋记忆。
Depending on the desired mood, the different interior finishes bring variation within the bounds of a similar design approach and atmosphere. The dark wooden double-height ceiling in the grand living room contrasts with the natural-wood clad kitchen with its lower ceiling. Meanwhile the leather and ‘vegetal’ wallpaper finish of the home office and master bedroom relate to the softer and more intimate feel of these private areas. The green mosaic for the home spa adds to the essential and quiet experience of relaxing in this space. The custom-made furniture and interior decor further add to the sophisticated atmosphere, reminiscent of the grand holiday homes of the past.
大师面对面(宫城俊作&吉村纯一) + 红叶季游学招募中（11.25-12.1）
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