LINSEED | 现场 | 樊博：红白复调 Of Celebration and Mourning, Counterpoint

坐顶观天 ed.2

LINSEED Outlook ed.2

樊博：红白复调

樊博 Fan Bo 

双面胶 Double-sided Tape, 2018

单屏彩色有声影像 

Color, Sound, Single-channel video

时长 Duration: 5’33”

樊博 Fan Bo

我记得你说… I remember you saying…, 2023

单屏彩色有声影像

Color, Sound, Single-channel video

时长 Duration: 10’17”

樊博 Fan Bo

把脉 Pulse Diagnosis

持续性项目 ongoing project

参与式行为表演 Participatory performance

樊博1995年出生于上海，2018年毕业于加拿大多伦多大学（University of Toronto）视觉研究专业（Visual Studies），并于2020年获得伦敦艺术大学切尔西学院（UAL Chelsea College of Arts）纯艺专业硕士学位。在以纸本与时基媒体（time-based media）为主的跨学科实践影响下，他的创作主要包含了影像、声音、行为与自出版物等媒介；欲望、执念、回忆常以碎片化的叙事和隐晦的暗示贯穿其中。樊博对于文字、图像、声音的结合方式对叙事与主观体验影响的探索常在日记式的独白与看似随机的片段拼贴中展开。伴随着时隐时现的焦虑情绪与自嘲式的幽默，艺术家的创作近乎是强迫症般的反复回溯，但又在过程中保有余地和距离，使其在交叠的身份中寻找平衡。

近期个人项目包括：“红白复调”，2024，LINSEED，上海。其近期群展与放映项目主要包括：“玩家艺术节”，2021，油罐艺术中心，上海；“闲人游戏”，2020，LINSEED，上海；“We Need Not an Archive, but Songs”，2020，Pleasure Dome，多伦多；“Fly by Night Outdoor Screening”，2019，Pleasure Dome，多伦多；“Chelsea × Late at Tate Britain”，2019，泰特美术馆，伦敦；“读图”，2019，春美术馆，上海；“Too Much World”，2019，Cookhouse Gallery，伦敦；“Symphonies of Discomfort: EXTRA Edition”，2018，V-tape，401 Richmond，多伦多；“Shelley Peterson Student Art Exhibition & Awards”，2017，多伦多大学美术馆，多伦多；“Readings by Artists – First Thursday: Be Magik”，2016，安大略美术馆，多伦多。曾于2017年获得“Shelley Peterson Student Art Exhibition & Awards”评审奖。

FAN Bo was born in 1995, Shanghai. He majored in Visual Studies and graduated from the University of Toronto, Canada in 2018 and acquired his MA degrees in Fine Art at UAL Chelsea College of Art in 2020. Within his cross-disciplinary practice that is informed by paper-based and time-based media, Fan primarily work with video, sound, performance and artist’s multiples that often incorporate fragmented storytellings and veiled narratives associated with desire, obsession and retrospection. His interests in exploring the subjectivity of encountering images, texts and sounds often unfold with diaristic monologues and seemingly arbitrary footages. Pillowed with a hint of anxiety or self-deprecating humour at times, the artist’s approach involves an almost compulsive repetition of recollections, yet simultaneously maintaining distance through the process, balancing among his intersectional identities. 

His recent solo project includes: “Of Celebration and Mourning, Counterpoint”, 2024, LINSEED, Shanghai. His recent screenings and group exhibitions include: “Tank Art Festival”, 2021, Tank Shanghai, Shanghai; “Decadent Gaming”, 2020, LINSEED, Shanghai; “We Need Not an Archive, but Songs”, Pleasure Dome, Toronto; “Fly by Night”, Pleasure Dome, Toronto; “Chelsea × Late at Tate Britain”, Tate Britain, London; “Reading Picture”, Chun Art Museum, Shanghai; “Too Much World”, Cookhouse Gallery, London; “Shelley Peterson Student Art Exhibition & Awards”, Art Museum, University of Toronto; “Readings by Artists – First Thursday: Be Magik”, Art Gallery of Ontario, Toronto. He won the Juror Award at “Shelley Peterson Student Art Exhibition & Awards” in 2017.