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丁至 DING Zhi
冯山 FENG Shan
堀奈奈美 Nanami HORI
刘一妙 LIU Yimiao
栾天明 Valentin RILLIET
王韵尧 Ernie WANG
李美娟 Miyeon YI
李美娟 Miyeon YI
李美娟（Miyeon YI）1995年生于韩国首尔，2017年于芝加哥艺术学院获学士学位， 并于2023年在皇家艺术学院获硕士学位，现工作生活于英国伦敦。艺术家以个人经历和对日常观察的解构和实践，多维度呈现了在看似生活化的空间内部中，局内人和局外人互相切换时空的叙事。在李的作品中，画面的主体往往以组合或孤立的形式挤压在其中，暗示了对于自由、生命和空虚的焦虑，以及期望改变所处世界的推拉与挣扎。画作中鲜明的色调和灵活的空间透视角度，呈现了置身于一个潜藏于幽默表象的自我意识的场所，邀请观者进入错综复杂的内心感受与环境之间的多层次体验。
李美娟 Miyeon YI
喋喋不休的金鱼 Chattering Goldfish, 2024
板面蛋彩画 Egg tempera on wood
21 x 50 x 2.5 cm
其近期个展和项目包括： “Her Home Is In A Tea Ceremony Box”，2022，Ojiri Gallery，伦敦；“Sunday that only had an Afternoon”，2022，ERA Gallery，米兰。其近期群展包括：“Buzz~ Buzz~ Buzz~”，2024，LINSEED, 上海；“Imagined States: Chapter 2 ‘Intrinsicality’”，2023，Woaw, 香港；“The Hoarders”，2023，The Shophouse，香港；“Friends and Family: Part Two”，2023，Pi Artworks，伦敦；“Angel with Dirty Faces”，2022，Ojiri Gallery，伦敦；“Fragments”，2022，Omer Tiroche Gallery，伦敦；“No Place Like Home”，2022，Fitzrovia Gallery，London。
堀奈奈美（Nanami HORI）1995 年出生于日本，于 2017 年获得武藏野美术大学油画系学士学位，目前工作生活于东京。堀的创作受到日本亚文化、漫画和动漫在同人文化的影响，其中的风格、人物或主题再次成为艺术家模仿、修改及扩展的元素。其极具在地视觉化的表达成为当下人们相互交流的纽带，这种独特的同人文化被观者和艺术家共同分享、交换，创作，包含了各自互联的想象和情绪的渗透。
堀奈奈美 Nanami HORI
终结者 Terminator, 2022
布面油画 Oil on canvas
100 × 80.3 cm
其近期个展包括：“Left Skin”, 2023, Neuer Essener Kunstverein, 埃森; “ スチ、スチ、スチーム、血迷い ”，2022，XYZ collective，东京; “Which rice bowl?”，2021，Bel ami，洛杉矶;“Mother’s flesh ran away”，2019，XYZ collective，东京。 其近期群展包括： “Buzz~Buzz~Buzz~”, 2024, LINSEED, 上海; “Hunger”，2024，Weiss Falk，巴塞尔; “Warm Invitations”，2024，Gattopardo，洛杉矶；“COOL INVITATIONS 9”，2022，XYZ collective，东京；“La réforme de Pooky”，2022，Fri Art Kunsthalle Fribourg，弗里堡；“Natsuyasumi: In the Beginning Was Love”，2021，Nonaka-Hill，洛杉矶; “Tokyo Detroit Berlin”，2020，TOKAS Hongo，东京; "Tokimeki Memorial”，2019，LA MAISON DE RENDEZ-VOUS，布鲁塞尔。
王韵尧 Ernie WANG
王韵尧（Ernie WANG） 1993 年出生于中国台湾高雄，于2017年获得斯莱德美术学院学士学位，目前生活工作于德国柏林。王的作品涉及陶艺、雕塑和跨媒体装置，结合小说、电子游戏、日常用品、风景及空间形态等元素，错综交织地展示了人们在现实中所经历的复杂体验。作品中不断模拟的生活场景逐渐被超现实所吞噬，艺术家试图从经验的碎片中构建一个乌托邦式避世的想象世界。作品中呈现的元素不规则的排列组合在微缩的世界中，由此产生的空间体验超越了二维的静态领域，转化为神秘的组合，捕捉了虚拟与现实、人工与有机、控制与欲望等看似对立概念之间的微妙联系。
王韵尧 Ernie WANG
闪光 Glory, 2024
釉面陶瓷 Glazed ceramics
49 × 17 × 47 cm
其近期个展包括: “Little Market of Wet Dreams”，2024，Efremidis Gallery，首尔；“Play Area”，2023，Efremidis Gallery，柏林。其近期群展包括: “Buzz~ Buzz~ Buzz~”， 2024，LINSEED，上海；“Zeitgenössische Keramik // Contemporary Ceramics”，2024，格拉应用艺术博物馆，格拉 (即将展出) ；”Garden Problems”，2023，Åplus Gallery，柏林；“Educational Web”，2023，汉堡艺术协会，汉堡；“No Remedies for Memory”，2023，Efremidis Gallery，首尔；”Primary Container”，2022，Floating Gallery，柏林；“Until you reveal, we continue the game.”，2022，Thorn Apple Project Chapter II, Billard Cafe，柏林；“Start To Finish”，2022，Tor Art Space，法兰克福；“Where Dreams Come True (…)”，2022，汉诺威艺术中心，汉诺威；“BPA Exhibition”，2022，KW 当代艺术中心，柏林；“Charlottenburg”，2021，Bar Am，柏林。
丁至 DING Zhi
丁至1992年出生于中国九江。她于2017年获得匹兹堡大学数学与统计学学士学位，于2021年获得芝加哥艺术学院绘画学士后学位，并于2023年获得芝加哥艺术学院绘画硕士学位。丁至的创作通过迷离朦胧的质感，如同承载着私密经验和关系的珍贵照片或纪念物，捕捉脆弱、忧郁、怀旧的生活瞬间。画作中无法识别的人物常常被帷幔、水和船只等具有象征意义的事物掩饰，伪装出一种超然的姿态，而缺失的面部特征则与观者拉开距离。丁至看似简单却又神秘的构图，似乎保护着画中的主体，试图诉说其对于深层次及亲密关系的一种复杂而暧昧的情感，或依恋或疏离。
丁至 DING Zhi
窥探 II Peep II, 2024
亚麻布面油画 Oil on linen
20 × 32 cm
其近期个展：“Short Stories”，2023，Arsenal Contemporary，纽约。其近期群展包括: ”“Buzz~ Buzz~ Buzz~”, 2024，LINSEED, 上海；“Night Stroll”，2024，Dans les yeux d'Elsa and Mathilde le coz，巴黎；“A Room with A View”，2023，Vardan Gallery，洛杉矶；“New American Paintings 2023 Review”，2023， Steven Zevitas Gallery，波士顿；“A Happy Beginning”，2023，LATITUDE Gallery，纽约；“Genesis: A New Generation of Chinese Artists”，2023，前波画廊，纽约；“Wild is the Wind”，2023，Hew Hood Gallery，伦敦；“Let’s Play a Love Game”，2023，RUSCHMAN，芝加哥。
刘一妙1993年出生于中国湖南，2015年毕业于重庆邮电大学获学士学位，并于2018年于加州州立大学长滩分校获硕士学位，现工作生活于纽约。刘一妙将现实生活的感受、电影叙事及中国古诗词的意境糅合于作品中，以轻薄、多层叠加的颜料传达中国传统绘画的质感与笔触，刻画更细腻和具体的情感。其作品以人的形态和拟人化的动植物为画面的主体，在光线和自然元素的引导下，探索有机生命超越自身的形式与意识。艺术家将熟悉的和难以捉摸的意象混合在一起，作品中暗含的感受远观近查地描述这些模棱两可、矛盾摇摆的内心情感，漂浮于内在和外在世界之间。
刘一妙 LIU Yimiao
夜贼 Night Thief, 2024
亚麻布面油画、石墨 Oil and Graphite on linen
99 × 45.7 cm
其近期个展和双人展包括：“TBD”，2024，COMA，悉尼（即将展出）；“Attunement”，2024，Giovanni’s Room，洛杉矶；其近期群展包括：“Buzz~ Buzz~ Buzz~”, 2024，LINSEED, 上海；“Blue Is The Only Color My Heart Can See”，2023，Giovanni’s Room，洛杉矶；“The Moth and The Thunderclap”，2023, Modern Art，伦敦；“Works on Paper on Fridges”，2022，Harkawik，纽约；“Mid Trip”，2022，Winston’s，洛杉矶；“Charta”，2022，Fortnight Institute，纽约；“Harmonious Arrangement”，2022，Half Gallery，洛杉矶；“Urban Whispers”，2021，Woaw Gallery，香港；“Re:orient”，2020，AucArt，伦敦。
栾天明（Valentin RILLIET）1996年出生于瑞士日内瓦。他于2020年获得斯莱德美术学院艺术学士学位，2023年获得苏黎世艺术大学艺术硕士学位。他目前生活工作于日内瓦和苏黎世。栾天明的创作围绕神话、民间故事、象征主义和历史事件展开。通过探索其来自不同文化的身份背景，他将东西方艺术史之间的特定语言重新融合编排，错时的叙事与幽灵般的人物和景象交织。以绘画过程作为个人档案和历史叙事的再次建立，艺术家将虚构与纪实相结合，试图在其所描绘的魔幻现实事件中探讨不同文化参照者的真实性。既带有过去的印记，又无法辨别它们的自身起源，其作品成为看似史实或档案的再现，解构、收集、反思对于历史和个人经验错综复杂的阐释。
栾天明 Valentin RILLIET
心跳加速 Heartleap，2024
布面油画 Oil on canvas
190 × 140 cm
其近期个展包括：TBD，2024，Galerie Peter Kilchmann, 苏黎世（即将展出）；“A Fear of Mist”，2023，Modern Animals Gallery，苏黎世。其近期群展包括: “Buzz~ Buzz~ Buzz~”，2024，LINSEED，上海；“NewKammer: A Showcase of New Talent”，2024，Atelier Righini-Fries，苏黎世; Artgenève日内瓦艺术博览会，2024，Galerie Peter Kilchmann，日内瓦；“Above All Love”，2024，Espace TOPIC，日内瓦;“Grosse Regionale 23”，2023，ALTEFABRIK，拉珀斯维尔；“Alina Kopytsia, Sarah Margnetti, Valentin Rilliet (three new positions)”，2023，Galerie Peter Kilchmann，苏黎世；“Breathing Spaces”，2023，Bahay Contemporary，日内瓦；“Kunst im Nomad”，2023，Nomad Hotel，巴塞尔；“In the other Room”，2022，Sonnenstube Offspace，卢加诺；“Austellung Josef Lada”，2021，CzechIN，苏黎世。
冯山1985年出生于石家庄，2012年毕业于天津美术学院雕塑系，于2016年获中央美术学院雕塑系硕士学位，现工作生活于北京。冯山的创作以敏锐的直觉捕捉着周围环境的变化，从中提取形式与叙事线索。她的作品常常设置在虚构的故事的框架下，将人类复杂的情感、欲望，以及内在与外在的双重冲突性，隐藏在材料与空间的秩序中。有着学院科班训练背景的她并不掩饰自己对具象物以及传统工艺的喜爱，日常家庭中常见的装饰物、外观独特的植物，都可以成为她一件作品的起点，并在造型与材料语言层面的多次摹写和转换后，保留下模棱两可的影子和轮廓，成为她繁复构型工作在演变过程中的表达。
冯山 FENG Shan
小心 4 Watch Out 4, 2024
铁 、混凝土 Iron, concrete
30 × 15 （可拆卸）
Miyeon YI was born in Seoul, South Korea in 1995. She received her BFA from the School of the Art Institute of Chicago in 2017 and her MA from the Royal College of Art in 2023. She currently lives and works in London. Drawing on personal experience and the deconstruction and practice of daily observation, Yi presents a multi-dimensional narrative that shifts time and space between insiders and outsiders within a seemingly lived-in space. The subjects of her paintings are often squeezed into combinations or isolations, suggesting anxieties about freedom, life, and emptiness, as well as the tension and struggles of expecting to change the surroundings in which one is situated. The sharp hues and flexible spatial perspectives in the paintings present a place of self-consciousness that is submerged in a humorous tableau, inviting the viewer to enter into a multi-layered sensation of intricacy between complex inner emotions and environments.
Her recent solo exhibitions includes: “Her Home Is In A Tea Ceremony Box”, 2022, Ojiri Gallery, London; “Sunday that only had an Afternoon”, 2022, ERA Gallery, Milan. Her selected group exhibitions include: “Buzz~ Buzz~ Buzz~”, 2024, LINSEED, Shanghai(upcoming); “Imagined States: Chapter 2 ‘Intrinsicality’", 2023, Woaw, Hong Kong; “The Hoarders”, 2023, The Shophouse, Hong Kong; “Friends and Family: Part Two”, 2023, Pi Artworks, London; “Angel with Dirty Faces”, 2022, Ojiri Gallery, London; “Fragments”, 2022, Omer Tiroche Gallery, London; “No Place Like Home”, 2022, Fitzrovia Gallery, London.
Nanami HORI was born in Japan in 1995. She obtained her BFA at Musashino Art University Department of Oil Painting in 2017, currently lives and works in Tokyo. Hori's creations are influenced by Japanese subculture, manga and anime in the homoerotic culture, in which styles, characters or themes once again become elements for the artist to imitate, modify and expand. Its highly localized visual expression has become a link for people to communicate with each other nowadays, and this unique homoerotic culture is shared, exchanged, and created by both the viewer and the artist, containing the penetration of their own interconnected imaginations and emotions.
Her selected solo exhibitions include: “Left Skin”, 2023, Neuer Essener Kunstverein, Essen; “ スチ、スチ、スチーム、血迷い ”, 2022, XYZ collective, Tokyo; “Which rice bowl?”, 2021, Bel ami, Los Angeles;“Mother’s flesh ran away”, 2019, XYZ collective, Tokyo. Her selected group exhibitions include: “Buzz~ Buzz~ Buzz~”, 2024, LINSEED, Shanghai; “Hunger”, 2024, Weiss Falk, Basel; “Warm Invitations”, 2024, Gattopardo, Los Angeles; “COOL INVITATIONS 9”, 2022, XYZ collective, Tokyo; “La réforme de Pooky”, 2022, Fri Art Kunsthalle Fribourg, Fribourg; “Natsuyasumi: In the Beginning Was Love”, 2021, Nonaka-Hill, Los Angeles; “Tokyo Detroit Berlin”, 2020, TOKAS Hongo, Tokyo; "Tokimeki Memorial", 2019, LA MAISON DE RENDEZ-VOUS, Brussels.
Ernie WANG was born in Kaohsiung, Taiwan in 1993. Wang obtained his BA from The Slade School of Fine Art in 2017, and currently lives and works in Berlin, Germany. Wang's work involves ceramics, sculpture and cross-media installations, combining elements of fiction, video games, daily objects, landscapes, and spatial interiors to intricately display the complexity of the experiences people go through in reality. The constant simulation of life scenarios is gradually engulfed by symbolic surreality, suggesting the artist's attempt to construct a utopian escapist imaginary world out of the fragments of experience. The way of Wang's works are arranged in a microcosm of all the motifs contained within, the resulting spatial experience transcends the static realm of the two-dimensional and transforms them into mysterious organic combinations, which captures the subtle connection between several seemingly opposing concepts such as virtuality and reality, artificiality and organicism, control and desire.
His recent solo exhibitions includes: “Little Market of Wet Dreams”, 2024, Efremidis Gallery, Seoul; “Play Area”, 2023, Efremidis Gallery, Berlin. His recent group exhibitions includes: “Buzz~Buzz~Buzz~”, 2024, LINSEED, Shanghai; “Zeitgenössische Keramik // Contemporary Ceramics”, 2024, Museum für Angewandte Kunst Gera, Gera (upcoming) ; "Garden Problems" 2023, Åplus Gallery, Berlin; “Educational Web”, 2023, Kunstvere in Hamburg, Hamburg; “No Remedies for Memory”, 2023, Efremidis Gallery, Seoul; "Primary Container", 2022, Floating Gallery, Berlin; “Until you reveal, we continue the game.”, 2022, Thorn Apple Project Chapter II, Billard Cafe, Berlin; “Start To Finish”, 2022, Tor Art Space, Frankfurt Am Main; “Where Dreams Come True (…)”, 2022, Kunsrtverein Hannover, Hannover; “BPA Exhibition”, 2022, KW Institute of Contemporary Art, Berlin; “Charlottenburg”, 2021, Bar Am, Berlin.
DING Zhi was born in 1992 in Jiujiang, China. She received her BS in Mathematics and Statistics from the University of Pittsburgh in 2017, her Post-Baccalaureate in Painting and Drawing from the School of the Art Institute of Chicago in 2021, and her MFA in Painting and Drawing from the School of the Art Institute of Chicago in 2023. Ding’s work, characterized by its fuzzy texture and muted palette, encapsulates moments of vulnerability, melancholy, and nostalgia, paralleling a cherished photograph or memento that may carry one’s intimate memories. Juxtaposed with motifs such as drapery, water, and boats, the unidentified figure in her paintings is often veiled and disguised into an aloof manner, and their absent facial features establish a distance from the viewer. By highlighting this sense of distancing and protection through simple yet enigmatic compositions, Ding attempts to convey the complex emotions of attachment or detachment towards intimacy and deeper connections.
Her recent solo exhibition: “Short Stories”, 2023, Arsenal Contemporary, New York. Her recent group exhibitions include: “Buzz~ Buzz~ Buzz~”, 2024, LINSEED, Shanghai; “Night Stroll”, 2024, Dans les yeux d'Elsa and Mathilde le coz, Paris; “A Room with A View”, 2023, Vardan Gallery, Los Angeles; “New American Paintings 2023 Review”, 2023, Steven Zevitas Gallery, Boston; “A Happy Beginning”, 2023, LATITUDE Gallery, New York; “Genesis: A New Generation of Chinese Artists”, 2023, Chambers Fine Art, New York; “Wild is the Wind”, 2023, Hew Hood Gallery, London; “Let's Play a Love Game”, 2023, RUSCHMAN, Chicago.
LIU Yimiao was born in 1993 in Hunan, China, she received her BA from Chongqing University of Posts and Telecommunications in 2015 and her MFA from California State University, Long Beach in 2018. She currently lives and works in New York. Liu blends real-life feelings, movie narratives, and classical literature into her works. She uses light and layered pigments to convey the texture and brushwork of ink painting, portraying delicate and specific emotions. Through figural contours and anthropomorphic animals and plants as the primary subjects of her works, she explores the form and consciousness of organic life beyond itself, guided by light and natural elements. The artist combines familiar and elusive imagery, creating works that, when viewed from a distance, evoke ambiguous, contradictory and oscillating emotions that float between the inner and outer worlds.
Her selected solo and duo exhibitions include: “TBD”, 2024, COMA, Sydney (upcoming);“Attunement”, 2024, Giovanni’s Room, Los Angeles. Her recent group exhibitions include: “Buzz~ Buzz~ Buzz~”, 2024, LINSEED, Shanghai; “Blue Is The Only Color My Heart Can See”, 2023, Giovanni’s Room, Los Angelas; “The Moth and The Thunderclap”, 2023, Modern Art, London; “Works on Paper on Fridges”, 2022, Harkawik, New York; “Mid Trip”, 2022, Winston’s, Los Angelas; “Charta”, 2022, Fortnight Institute, New York; “Harmonious Arrangement”, 2022, Half Gallery, Los Angelas; “Urban Whispers”, 2021, Woaw Gallery, Hong Kong; “Re:orient”, 2020, AucArt, London.
Valentin RILLIET was born in 1996 in Geneva, Switzerland. He received his BFA from the Slade School of Fine Art in 2020, and his MFA from Zürcher Hochschule der Künste (Zurich University of the Arts) in 2023. He currently lives and works in Geneva and Zurich. Rilliet’s practice manifests visible blends of mythologies, popular tales, symbolism and historical events. Through the exploration of his heritage, he marks his images with ambiguous stories, interwoven with ghostly figures and motifs to specific languages between Western and Eastern art history. The compilation of personal archives against the process of painting collides those narratives into magical realism, ultimately raising the question of authenticity in his cultural references. By combining the fictional and documentary, his work becomes evocations of events, possessing an imprint of the past yet blurring any clear indications of their own origin. A dialogue is articulated on the canvas, as a method to deconstruct, collect and contemplate the multiplicity of interpretations over a seemingly historical —or archival— reproduction.
His recent solo exhibitions include: TBD, 2024, Galerie Peter Kilchmann, Zurich (upcoming); “A Fear of Mist”, 2023, Modern Animals Gallery, Zurich. His recent group exhibitions include: “Buzz~ Buzz~ Buzz~”, 2024, LINSEED, Shanghai; “NewKammer: A Showcase of New Talent”, 2024, Atelier Righini-Fries, Zurich; Artgenève Fair with Galerie Peter Kilchmann, 2024, Geneva; “Above All Love”, 2024, Espace TOPIC, Geneva;“Grosse Regionale 23”, 2023, ALTEFABRIK, Rapperswil; “Alina Kopytsia, Sarah Margnetti, Valentin Rilliet (three new positions)”, 2023, Galerie Peter Kilchmann, Zurich;“Breathing Spaces”, 2023, Bahay Contemporary, Geneva;“Kunst im Nomad”, 2023, Nomad Hotel, Basel; “In the other Room”, 2022, Sonnenstube Offspace, Lugano; “Austellung Josef Lada”, 2021, CzechIN, Zurich.
FENG Shan was born in 1985 in Shijiazhuang, China. She received her bachelor's degree in Sculpture from the Tianjin Academy of Fine Arts in 2012 and her master's degree in Sculpture from the Central Academy of Fine Arts in 2016. She currently lives and works in Beijing. Feng's practice keenly captures changes in her surroundings, extracting both formal and narrative clues. Often set in the framework of fictional stories, her works conceal the complexity of human emotions and desires, as well as the dual conflict between the inner and outer worlds, through the arrangement of materials and space. With her interest in figurative objects and traditional craftsmanship, Feng incorporates everyday objects such as household decorations and uniquely shaped plants into her work. Through imitation and transformation of shapes and materials, she preserves ambiguous shadows and contours, which express the evolutionary process of her intricate configurations.
Her recent solo exhibition includes: “Shell in the Ghost", 2024, Okra Homa Projects, Beijing. Her recent group exhibitions include: “Buzz~ Buzz~ Buzz~”, 2024, LINSEED, Shanghai; “All Tomorrow's Parties", 2024, Wind H Art Center, Beijing; "Elegy: Five Desire Mechanisms of Nostalgia", 2019, A+ Contemporary, Shanghai.
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