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杨宏杰（1989年出生于中国）是一位常驻荷兰的艺术家，于2015年毕业于荷兰埃因霍温设计学院，获情境设计硕士学位。他的作品曾在多个重要展览中展出，包括：法国蓬皮杜中心（2019年）；法国蓬皮杜中心×中国西岸美术馆（2020年）；以色列霍隆设计博物馆（2020年）；比利时CID格兰霍努艺术中心（2019年、2021年）；荷兰克兰嫩堡博物馆（2018年）；德国马塔赫福德博物馆（2016年）；荷兰鹿特丹新美术馆（2014年、2016年）；荷兰范阿贝博物馆（2014年、2015年）等。
Hongjie Yang (b. 1989. China) is a Netherlands-based artist, graduating with a Masters Degree in contextual design from Design Academy Eindhoven in 2015. His work has been exhibited at Centre Pompidou, France (2019); Centre Pompidou x West Bund Museum, China (2020); Design Museum Holon, Israel (2020); CID Grand Hornu, Belgium (2019, 2021); Museum Kranenburgh, the Netherlands (2018); MARTa Herford Museum, Germany (2016); Het Nieuwe Instituut, Rotterdam (2014, 2016); Van Abbemuseum, the Netherlands (2014, 2015), among others.
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杨宏杰的《合成独石》（Synthesis Monolith）作品深入探索了金属材料的转化过程，通过古今技艺的融合，将有机与人工元素相结合，创作出引人深思且具有实用功能的艺术作品。Hongjie Yang’s "Synthesis Monolith" explores the material transformation of metal, merging the organic and the artificial through ancient and modern techniques to create thought-provoking, functional art.△Synthesis Monolith X / 2019 / Stainless Steel / 200x80x35 cm△Synthesis Monolith VIII / 2018 / Stainless Steel / 245x35x42cm
杨宏杰的《合成独石》是对材料转化的一次引人注目的探索，它将铝与钢的基本元素特质与其现代抛光形态相结合。杨宏杰采用创新的铸造手法，将古老技艺与当代技术无缝融合，创作出模糊了自然与机械界限的雕塑作品。这些作品反射性的表面邀请观众成为审美对话的一部分，将观众的存在与雕塑形态交织在一起，促发深刻的自我反思。Hongjie Yang’s "Synthesis Monolith" is a striking exploration of material transformation, merging the elemental origins of aluminum and steel with their polished, modern forms. Through his innovative approach to casting, Yang seamlessly combines ancient techniques with contemporary technology, producing sculptures that blur the line between the natural and the machined. The reflective surfaces of these works invite viewers to become part of the aesthetic dialogue, intertwining their presence with the form and fostering moments of introspection.
△Synthesis Monolith VI / 2018 / Stainless Steel / 47x40x30 cm△Synthesis Monolith III / 2017 / Aluminium / 180x165x30 cmSynthesis Monolith XII / 2020 / Stainless Steel / 200x35x35 cm杨宏杰运用独石结构，不仅凸显了金属从原生矿石到精炼产品的演变过程，还隐喻了对自然、文化与技术之间互联互通的更广泛评论。他的作品——包括镜子、咖啡桌和长椅——不仅是实用物品，更是富有概念性的陈述。它们揭示了人类与自然世界的互动如何既推动工业变革，又带来美学上的启示。因此，《合成独石》成为了人类干预的象征，矗立于有机与合成之间的十字路口。Yang's use of monolithic structures not only highlights the evolution of metal from raw ore to refined product, but also suggests a broader commentary on the interconnectedness of nature, culture, and technology. His pieces—mirrors, coffee tables, and benches—are not just functional objects but also conceptual statements. They reveal how humanity's interaction with the natural world can lead to both industrial transformation and aesthetic revelation. In this way, the "Synthesis Monolith" becomes a totem of human intervention, standing at the crossroads of the organic and the synthetic.
△Synthesis Monolith II / 2016 / Aluminium / 200x80x35 cm
△Synthesis Monolith VII / 2018 / Stainless Steel / 120x75x40 cm
内容策划 Content Planning Dinz Lin / 新媒体编辑 Social Media Editor 叶钰霖 Linya / 美术编辑 New Media Designer 陈慧 Chen Hui / 文案撰稿 Content Writing 叶钰霖 Linya / 翻译 Translation 叶钰霖 Linya
视觉设计Design 钉子工作室 Dinz Studio / 陈慧 Chen Hui 陈植贤 Again
特别感谢 Special Thanks Synthesis Monolith
