「7.12 周五」迷失于噪音: Kita No Wave+浮云合唱团+鸮鸣

实验音乐 Experimental , 噪音 Noise , 自由即兴 Free Improvisation , 氛围音乐 Ambient , 

极简主义 Minimalism

Kita No Wave是一个实验/氛围/声音艺术单人项目，作品不追求绝对的音乐性与非音乐性，创作方式及演出形式均以即兴为主。项目背后的艺术家在该项目以外还进行古典音乐、电子音乐、配乐等多类作品的创作，这也让Kita No Wave的现场即兴可能会在实验氛围的基础上混入不同的音乐元素。

Bandcamp:

https://kitanowave.bandcamp.com/

浮云合唱团是一支实验迷幻电子乐队两个成员帅得很，甚至有资格组成一个k-pop组合。自从2011年《浮云》的两个成员Richard Doran （董默涵）和Michael Cupoli （小麦）在自己的厂牌（厨房桌子）发行过若干的小专辑与此同时在中国国内外演出过。浮云的音乐风可以理解为通过反复达成一层又一层的噪音以及低调节奏（有点像快没有电的迪斯科）让听众觉得自己已经飘进了另一个世界，甚至融入到了一个‘忘我的状态’。也许你会觉得前往一个浮云合唱团的演出就是一个很随便的一个决定但当你体会了那种现场感受之后你就不会这样认为的，甚至可以这样说，看完咱们的演出你就无法回到过去的生活状态（这话一点都不夸奖）。

浮云合唱团期待您的光临！

https://cloudchoir.bandcamp.com

Cloud Choir is an experimental drone duo with the dashing good looks of a boy band. Richard Doran and Michael Cupoli have been recording on kitchen tables with releases on labels based in China and abroad as well as playing at various noise shows around town since 2011. By slowly building up walls of sound, the listener becomes hypnotized from the overwhelming feeling. You may come into a Cloud Choir event thinking it’s just another show and leave having an experience like you’ve never had before. 

Bandcamp:

https://cloudchoir.bandcamp.com‍

鸮鸣 Noby Owl

毕业于录音艺术专业，独立音乐人、声音艺术家。倾向于使用新奇的处理设备，与各类声源、采样、乐器相结合的方式创作。作品跨越Drone、Ambient、Soundscape、Noise、Beats等风格流派。实践中坚持非定义无概念，追求特殊听感体验；努力打破界限，挖掘每种声音的音乐潜力；相信“万物之声皆音乐”。

艺术项目：宇宙与分形理论听觉作品《42》（2021），《42-Parallel》（2022）；展览《流变-无尽的风景》开幕音乐《流感变觉》（2023）；身体即兴现场声音《游牧的风力》（2023），《Bridge》（2023）；生物视觉展览《肢解疼痛》现场噪音《Hurts》（2023）；声音作品“它们”对五感的欺骗《浸染》（2024)。

A recording arts graduate, independent musician, and sound artist, Noby Owl gravitates towards processing equipment in conjunction with sound sources, sampling, guitar, and synthesizers in his creative endeavors. Spanning various genres, including drone, ambient, soundscape, noise, beats, and more, he is steadfast in breaking boundaries, as every sound has musical potential. His projects reflect this ethos: from exploring the cosmos and fractal theory with "42" (2021) and "42-Parallel" (2022), to immersive sonic experiences like "Sensation" at the "Metamorphosis - Endless Landscapes" exhibition (2023). His performances incorporate live improvisational sets like "Nomadic Winds" and "Bridge" (2023), noise-inspired performances such as "Hurts" in the "Dismember the Pain" exhibition (2023), and exploration of the concept of sensory illusion in his piece "Stained Perception" (2024).

作品试听：

https://music.163.com/djradio?id=988372589&userid=1735662416

https://music.163.com/djradio?id=990002427&userid=1735662416