上海叫人嫉妒。当一切新奇发生在这里，再惊艳、再创新，对它来说都似乎理所应当。而「真实的日常」对于上海来说，有太多层次，多到上帝也会眼花缭乱。但也源于这份层次、丰富与多元，才使得LSD本次的设计主张「超越上海的不凡日常」，在这里精彩呈现。
Shanghai is enviable. When everything new happens here, no matter how amazing or innovative it is, it seems natural for it. For Shanghai, "real daily life" has too many levels, so many that even God would be dazzled. But it is also because of this level, richness and diversity that LSD's design proposition of "surpassing Shanghai's extraordinary daily life" is presented here brilliantly.
LSD始终认为，设计不能刻意凌驾内容，且必须承认存在和现实，直面矛盾。设计尽管往往由呈现为个体的设计师完成，但它最终必须面对的，是被抛掷入社会，接受更大范围的检验，并倾听必要的善意回馈。这是通过设计去推动产品的核心要义，也是参与AUTHOR | 中興傲舍产品建设的底层诱因和逻辑。
LSD always believes that design cannot deliberately override content, and must acknowledge existence and reality and face contradictions. Although design is often completed by individual designers, what it must face in the end is being thrown into society, accepting a wider range of tests, and listening to necessary goodwill feedback. This is the core essence of promoting products through design, and it is also the underlying incentive and logic for participating in the product construction of AUTHOR | ZTE Ao She.
当我们面对一个如此先锋的作品，或者说将先锋做为责任和理想的微缩社会模型，我们希望看到的，是那些宏大叙事之外的，真挚的、诚恳的、未被吞噬的人性的价值。
When we face such a pioneering work, or a miniature social model that takes pioneering as responsibility and ideal, what we hope to see is the sincere, honest, and unswallowed value of human nature beyond the grand narrative.
此次279户型&249户型创作，对于LSD而言，是敬畏自然，尊重自然的参与；是不以审美的输出或以艺术性为本身做为驱动设计的根本因素，把有可能的美的表现，退让给真实的情感，引导居住者回归真实的需求的呈现，也是满足需求，预见需求，示范需求的过程。
For LSD, the creation of the 279 and 249 apartment types is about respecting and participating in nature. It is not about aesthetic output or artistry itself as the fundamental factor driving the design, but about giving up the possible expression of beauty to real emotions, guiding residents to return to the presentation of real needs, and also a process of meeting, foreseeing and demonstrating needs.
比如，复合型功能在空间中的应用，并不只是不同尺度、不同规模、不同元素的组合，而是力图打破对“永久性”的追求，为喧哗的当下和不确定的未来，构成“流动性”的生活模式和文化内容场景。
For example, the application of complex functions in space is not just a combination of different scales, different sizes and different elements, but an attempt to break the pursuit of "permanence" and form a "fluid" life model and cultural content scene for the noisy present and uncertain future.
与艺术作品对话的专属电梯，把对仪式感的需求转化为对风景和情绪的表达。
The exclusive elevator that dialogues with artworks transforms the need for a sense of ritual into an expression of scenery and emotions.
仪式感同样也体现在对于材质和细节的精准把握和打磨之上，客餐厅选用天然大理石希腊木纹，通过纵横纹理拼接，让空间呈现精致而非繁复的优雅与奢华。沙发区域的壁炉设计，把对风格的需求转换为对观念和文化的获取。
The sense of ceremony is also reflected in the precise grasp and polishing of materials and details. The living and dining room uses natural marble Greek wood grain, and through the splicing of vertical and horizontal textures, the space presents exquisite elegance and luxury instead of complicated. The fireplace design in the sofa area transforms the demand for style into the acquisition of concepts and culture.
客厅11.5M的长桌、270°超宽尺度景观窗、扩容客厅功能的转角飘窗下午茶空间，把对尺度的需求转换为对资源和关系的重塑。
The 11.5-meter long table in the living room, the 270-degree ultra-wide landscape window, and the corner bay window afternoon tea space that expands the function of the living room transform the demand for scale into a reshaping of resources and relationships.
如何在体量感较大、色彩较重的陈列柜上感受松弛和舒适，选材与纹理就至关重要。
How to feel relaxed and comfortable on a display cabinet with a large volume and darker colors, the selection of materials and textures are crucial.
深尤加利木纹配浅色橡木，借自然之手制造出自然的Chill感。用丹霞地貌般的巴西石材、在西厨区引诱人的食欲。
The dark eucalyptus wood grain and light oak create a natural chill with the help of nature. Brazilian stone with Danxia landform is used to tempt people's appetite in the western kitchen area.
链接主卧的双动线衣帽间、定制主卧套房设计，把对品质的需求转化为对时间和形态的掌控。
The double-traffic cloakroom connected to the master bedroom and the customized master bedroom suite design transform the demand for quality into control over time and form.
从行为习惯到情感链接，让使用者与更好的日常平起平坐。
From behavioral habits to emotional connections, let users be on an equal footing with a better daily life.
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从意识形态到设计落地，尽可能的避免矫揉造作的创造。
From ideology to design implementation, try to avoid artificial creation as much as possible.
真实的设计也意味着时刻的较真。较真空间里的“公平与尊重”，不许单一空间过于具有侵略感，这和传统豪宅所传递的家庭关系不同，在AUTHOR这里，家庭成员间的空间公平、资源公平更重要。
Authentic design also means being serious at all times. The "fairness and respect" in the serious space does not allow a single space to be too aggressive. This is different from the family relationship conveyed by traditional luxury houses. At AUTHOR, spatial fairness and resource fairness among family members are more important.
父亲、母亲、丈夫、妻子、女友、男友、女儿、儿子…一切成员平等。这意味着我们在同一层面对话，无所谓谁是这个空间的权力主导。在家庭性之中同时保存个体性与公平性，这很难得，但这就是设计的价值和意义所在。
Father, mother, husband, wife, girlfriend, boyfriend, daughter, son... all members are equal. This means that we are talking on the same level, regardless of who is the dominant power in this space. It is rare to preserve individuality and fairness in family nature, but this is the value and significance of design.
AUTHOR｜中興傲舍首次出现在大众视野中的时候，葛亚曦先生就曾说过：设计有责任让时间成为时光。再看本次创作，洄游在空间里的体现，最直接的就是它包含了时间性的生活细节，我们所到之处，是有趣的，有爱的，温暖的，丰富的。
AUTHOR｜When ZTE Ao She first appeared in the public eye, Mr. Ge Yaxi once said: Design has the responsibility to make time become time. Looking at this creation, the most direct manifestation of migration in space is that it contains the details of temporal life. Wherever we go, it is interesting, loving, warm and rich.
设计团队需要关注和融入真实生活，带着感知力和专业管理的意识，以综合能力解决实际问题。如果你暂时放下来到AUTHOR的强动机，在这两个空间里，自由的溜达一阵，放空一阵，你能感受到这种[时间性的生活细节]。没有一个空间为了成全其他空间，就此附和。
The design team needs to pay attention to and integrate into real life, with perception and professional management awareness, and solve practical problems with comprehensive ability. If you temporarily put aside the strong motivation to come to AUTHOR, in these two spaces, stroll freely for a while, and empty your mind for a while, you can feel this [temporal life details]. No space is just to fulfill other spaces.
正如X空间的设计背后，是对世界、文化、还有生活本身的感受。也是关于公共性，包容性，丰富性，和多样性的探讨。这么一个巨大的洄游本质上也代表着一种价值观：在一个时代的特殊时期，可以双向选择的人居价值观。
Just as the design of X-Space reflects the feelings about the world, culture, and life itself. It is also a discussion about publicness, inclusiveness, richness, and diversity. Such a huge migration essentially represents a kind of value: the value of human settlement that can be chosen in both directions during a special period of an era.
我们在做的这些具体的事情，其实就是重新找回我们自己，重新找回创建共同体的能量和信念感，重新找回这个世界应该有的样子。
The specific things we are doing are actually to rediscover ourselves, to rediscover the energy and belief in creating a community, and to rediscover what the world should be like.
万科强调的「洄游住区」与LSD倡导的「折衷共相」之间，有相通之处。“洄游”是空间的旋律，“折衷”是如何更好的演绎旋律。没有特意高光，但时刻又在体现LSD设计者的叙事—— “洄游在我们设计的方法层面，它是有趣的，它是交互，它是动态，它不是线性的发展，而是变化的发展，所以它是一个我们空间的重要组成部分。”
There is a commonality between the "migratory residential area" emphasized by Vanke and the "compromise commonality" advocated by LSD. "Migration" is the melody of space, and "compromise" is how to better interpret the melody. There is no special highlight, but it always reflects the narrative of LSD designers - "Migration is interesting, interactive, and dynamic in our design method. It is not a linear development, but a changing development, so it is an important part of our space."
在这里，我们不断向外求索的同时，也可以回到自己。就像我们这些做设计的，外部的参照固然重要，但时机出现，你切换视角，用他人回观自己的内心。这也是洄游。回到使用者身份，道理异常简单——我们在这样的空间和风景中，获得了巨大的自由。
Here, while we are constantly seeking outside, we can also return to ourselves. For those of us who do design, external references are certainly important, but when the opportunity arises, you switch perspectives and use others to look back at your own heart. This is also migration. Returning to the identity of a user, the reason is very simple - we have gained great freedom in such a space and landscape.
如何看到具体、真实、人的需求，而非抽象的集体情绪，从中興路一號到中興傲舍，LSD与万科彼此成就的背后，是长期主义和理想主义与当下时代交锋的回馈，也是建造者和设计工作者对这个世界的生动爱意。
How to see the specific, real, human needs rather than abstract collective emotions. From No. 1 Zhongxing Road to Zhongxing Aoshe, the mutual achievements between LSD and Vanke are the feedback of the confrontation between long-termism and idealism and the current era, and the vivid love of builders and designers for the world.
如何激发设计师们对场景做出反应和回馈？如何让设计的叙事成为一个吸引人且打动人的过程？如何通过设计改善人，社会，城市和自然之间的关系？如何让每个生命都富有意义？对LSD来说，设计不仅仅是设计，更是人们聚集在一起，创造有趣的作品和想法，它们不止一个空间，亦或一个产品，它们背后有一个愿景，一种情绪。
How to inspire designers to respond and respond to scenes? How to make the narrative of design an attractive and touching process? How to improve the relationship between people, society, cities and nature through design? How to make every life meaningful? For LSD, design is not just design, but also people coming together to create interesting works and ideas. They are more than a space or a product. There is a vision and an emotion behind them.
为什么要做真实的设计？
Why do we need to design for the real thing?
设计是为智慧，为美而服务的，因为真实才美丽。
Design serves for wisdom and beauty, because the real thing is beautiful.
“因为真实才美丽。”
"The real thing is beautiful."
这也许就是是我们深信，这个世界应该美好，我们有责任去努力抬高设计和文明的底线。
This may be because we firmly believe that the world should be beautiful, and we have the responsibility to work hard to raise the bottom line of design and civilization.
项目信息
项目名称：上海万科·中興傲舍
项目地址：中国·上海
设计面积：249㎡、279㎡
室内设计：LSD interior design
软装设计：LSD interior design
业主名称：上海万科
空间摄影：如你所见-王厅
视频制作：天时文化-ken
视频素材：天时文化 / Designwire设计腕儿
Project information
Project name: Shanghai Vanke·Zhongxing Aoshe
Project address: Shanghai, China
Design area: 249㎡, 279㎡
Interior design: LSD interior design
Soft decoration design: LSD interior design
Owner name: Shanghai Vanke
Space photography: As you see-Wang Ting
Video production: Tianshi Culture-ken
Video material: Tianshi Culture / Designwire Design Master
中興傲舍 全球设计天团
ZTE AOSHUE Global Design Team
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▲建筑面积约279㎡，来源网络仅供参考
由葛亚曦创立于2007年，于深圳、上海，双中心运营发展设计，LSD始终认为设计因解决问题而生，坚持基于时代共相的研究，关注用户群体意识、行为及时代文化。从认知科学的角度去发展设计，为构建者及用户创造价值。
Founded by Ge Yaxi in 2007, LSD operates and develops design in two centers in Shenzhen and Shanghai. LSD always believes that design is born out of solving problems. It insists on research based on the common characteristics of the times and pays attention to the consciousness, behavior and culture of the user group. It develops design from the perspective of cognitive science to create value for builders and users.
LSD提供具有前瞻性的室内空间整体解决方案。业务涵盖地产室内、商业空间、酒店设计、高定私宅等领域。十余年间持续引领高端居住审美，以中国设计的前沿视角，探索时代语境下的前瞻式表达手法，推动⻛格迭代，不断打造经典设计作品，并赢得了全球范围的媒体关注以及设计嘉奖，包含了加拿⼤AZ、INSIDE世界室内设计节、dezeen award、WIN世界室内新闻大奖、英国SBID、英国Andrew Martin、安邸AD、美国BEST OF YEAR等等，成为中国室内设计标杆企业。
LSD provides forward-looking overall solutions for interior space. The business covers real estate interior, commercial space, hotel design, high-end private residence and other fields. For more than ten years, it has continued to lead the aesthetics of high-end residences, exploring forward-looking expression methods in the context of the times from the cutting-edge perspective of Chinese design, promoting style iteration, and constantly creating classic design works. It has won global media attention and design awards, including Canada AZ, INSIDE World Interior Design Festival, dezeen award, WIN World Interior News Award, British SBID, British Andrew Martin, AD, American BEST OF YEAR, etc., becoming a benchmark enterprise for Chinese interior design.
▲相关阅读：琚宾新作／上海万科·中兴傲舍
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