Masterworks from the 80's to 90's. A Curated Selection by Hannah Gallery from Maria Luisa Samaranch's Private Collection
80至90年代的杰作---Hannah Gallery 精选自 Maria Luisa Samaranch 私人收藏
展览时间：2024年9月25日 - 10月18日
在本次Hannah Gallery 策划的展览中，我们很荣幸为您呈现 Maria Luisa Samaranch 私人收藏中的 35 件艺术作品。
策划、准备和呈现这场展览为我们提供了一个难得的机会。我们有幸能够接触、欣赏并深入了解这位编辑、画廊主和收藏家多年来凭借其创新、勇敢、直觉和智慧所打造的丰富首饰收藏。
Byung-Chul Han states in his essay The Crisis of Narration that narratives create bonds, connect us, link us, and save us from contingency. Narrating and listening attentively each requires the other to take place. The narrative community is a community of people who listen attentively. Whoever listens attentively forgets themselves, and immerses themselves in what they are hearing. Only narration elevates and unites us through a shared story of transmittable experiences that make the passage of time meaningful.
Within this discursive context, we, as curators, wish to take on the role of narrators, and in this case, of a particularly creative moment, of an expression of the feeling of an era. The method we have used, after many years of curatorial work, is to once again apply the principles we internalised long ago (which one might describe as ingredients), by assessing in each piece the degree of reality density, the clear execution of the idea, the mastery of technique, knowledge of the artistic mode of expression, a minimum of transcendent content, and a sufficient synthesis of mystery.
Through these criteria, we seek to present a narrative that makes sense. And in this case, making sense means generating coherence, consistency, and facilitating the understanding of the creation exhibited in this event.
As Walter Benjamin says, quoted in the aforementioned essay, narration is not explanatory. Narration, in the most classical sense, shows, and for that reason narration never exhausts its strength; its strength remains stored within, and even after a long time, it still maintains the capacity to grow and develop. This, we believe, is the curatorial task. We hope that the exhibition we present to you can be an understandable narrative of a moment of excellent creation that, at the same time, tells us something about our reality and how we can build it through the experience and work of artists, who are essential elements in our cultural ecosystem.
/ Hannah Gallery
Building a Collection
(...) My collection – which has been considered a 'collection' since 1986 – was built up over nearly 40 years and is based on the same assumptions as the Hipòtesi gallery: zero discrimination and openness to any idea, possibility or execution. My private interests, like those that defined the direction of Hipòtesi, have always had a broad view of the field of jewellery, encompassing contemporary jewellery, ethnic jewellery, costume jewellery and artist jewellery, among others. (...)
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