SOMMARHUS E. / 瑞典哥特兰岛

In the coastal forests south of Visby, on the Swedish island of Gotland, lies Sommarhus E. Crafted from local wood, limestone, concrete, and glass, the home reflects a Nordic mid-century style. The result is a sensory-rich retreat that harmonises flexibility and comfort within a natural environment.

Sommarhus E 坐落在瑞典哥特兰岛维斯比南部的沿海森林中。该住宅采用当地木材、石灰石、混凝土和玻璃制成，体现了北欧中世纪风格。其结果是一个感官丰富的休养所，在自然环境中协调灵活性和舒适性。

It lies low, harmonising with the island's landscape rather than aiming to impress with height and size. The narrow slats of slow-grown Gotland pine on the facades further contribute to the dialogue with the surrounding nature. "I want the architecture to enhance the character of the place," says Johan Sundberg. "We capture the views and the feeling of the place and amplify the sensory experience with materials, light, and shadows. It's like different scenes in a film, not all bright and cheerful; there is also darkness, autumn, and spring."

它地势较低，与岛上的景观相协调，而不是为了给人留下深刻印象的高度和大小。立面上缓慢生长的哥特兰松的狭窄板条进一步促进了与周围自然的对话。“我希望建筑能够增强这个地方的特色，”约翰·桑德伯格说。“我们捕捉这个地方的景色和感觉，并用材料、光和影放大感官体验。这就像电影中的不同场景，并不都是明亮和欢快的；还有黑暗、秋天和春天。”

Designed as a lasting family home, Sommarhus E prioritises flexibility and comfort for various uses. The fundamental question is: How should life be lived in this place? "It's about creating generality and flexibility, both for solitude and gatherings," says Johan, comparing it to how a train works. "Everything has its place. There can be a party in one compartment, while people sleep in another. Similarly, the house is open to various kinds of social interactions."

Sommarhus E 被设计为持久的家庭住宅，优先考虑各种用途的灵活性和舒适性。根本问题是：在这个地方应该如何生活？“这是为了创造通用性和灵活性，无论是独处还是聚会，”约翰说，并将其与火车的工作原理进行了比较。“一切都有它的位置。一个隔间里可以举行聚会，而人们可以在另一个隔间里睡觉。同样，房子也对各种社交互动开放。”

The main building consists of various volumes, complemented by a guest house and garage nearby, arranged like a small village in the forest with paths connecting the dwellings. Emphasis was placed on creating a home with multiple good sides, with several interior and exterior rooms integrated with open corners and shifts. The volumes of the home form various garden rooms within the inner spaces. "We work with enclosure," says Johan, who rarely designs glass walls on all sides. That creates an exposed living space, a feeling of being seen from the outside.

主建筑由不同的体量组成，附近有宾馆和车库，布置得像森林中的一个小村庄，有小路连接着住宅。重点是创造一个具有多个良好侧面的房屋，其中多个内部和外部房间与开放的角落和轮班相结合。房屋的体积在内部空间内形成了各种花园房间。“我们使用围护结构，”约翰说，他很少设计四面玻璃墙。这创造了一个暴露的生活空间，一种从外面被看到的感觉。

The kitchen serves as the heart of the house- an airy gathering place with significant height due to a roof that curiously protrudes above other structures. "It brings a lovely, delicate general light into the kitchen," says Johan. A few steps lead down to the living room, which opens to the garden through a sliding glass door. The pool area, framed by local limestone, offers multiple cosy spots to relax and enjoy the surroundings. Throughout the day, the compass directions guide life- providing sun or shade, with evenings offering a view of the sunset on the west side.

厨房是房子的中心——一个通风良好的聚会场所，由于屋顶奇怪地突出在其他结构之上，因此具有很高的高度。“它给厨房带来了可爱、精致的普通光线，”约翰说。几步之遥通向客厅，客厅通过滑动玻璃门通向花园。泳池区由当地石灰石围成，提供多个舒适的场所供客人放松身心并享受周围的环境。白天，罗盘方向指引着生活——提供阳光或阴凉，晚上则可以欣赏西侧的日落景色。

Sommarhus E reflects an approach focused on human needs and atmospheric responses rather than an artificial order. It represents a place for nature-close living over many summers- a clear embodiment of emotional design and practical living.

Sommarhus E 体现了一种关注人类需求和大气反应而不是人为秩序的方法。它代表了一个可以在许多夏天亲近自然的生活的地方——情感设计和实用生活的明确体现。

Stylist: Malin Wahlström Walter
造型师：Malin Wahlström Walter

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编排：布忠耀