论文和影片征集 - ICTMD（International Council for Traditions of Music and Dance，传统音乐与舞蹈国际理事会）影音民族音乐学第四届国际研讨会，上海，2025年7月16日至18日
主办机构: 上海音乐学院，中国上海
会议地点: 上海音乐学院，中国上海
会议日期: 2025年7月16日-18日
第四届ICTMD影音民族音乐学国际研讨会将与第四届华语音乐影像志双年展（CMEFF）联合举办。本次研讨会旨在推动关于视听媒体在民族音乐学研究中日益重要性的深入讨论，以及其在民族音乐学知识的创作、传播和体验中的关键作用。通过促进对视听实践的方法论及其角色的探讨，本次活动将为学者、电影制片人和从业者提供一个对新兴影音民族音乐学领域进行批判性反思的平台。
我们诚邀来自民族音乐学、民俗学、人类学及相关领域的专家和电影制作人提交与人类音乐生活为主题的论文与影片，尤其欢迎围绕您所在国家/地区或实地考察区域中影音民族音乐学的历史展开的投稿。此外，我们也欢迎与视听民族音乐学相关主题的任何投稿。特别鼓励采用民族音乐学研究方法，探索在研究、教育及公众推广中创新使用视听材料的新方式，或聚焦于少数民族社区音乐创作的投稿。
会议语言
• 论文与研讨会：演讲应使用英语（如果使用其他语言，发言者应提供英文字幕或翻译）。
• 影片：使用其他语言的影片需提供英文字幕。
投稿
提交截止日期为2025年2月28日。所有提案均应发送至 qiaoqiaocheng922@gmail.com，并在主题栏注明您提交的是论文、电影还是工作坊。邮件应包含作者姓名、演讲题目和一个附加文件（Word或Open Office格式），文件中应包含摘要（最多250字）和5个关键词，且不得包含任何作者信息。每人在每个类别中最多可以提交一个提案（即1篇论文 + 1部影片+1个工作坊）。
• 论文：发言时间为20分钟，随后进行10分钟的讨论。鼓励在发言中使用视听材料。
• 影片：我们欢迎完整的民族志影片（最长 90 分钟）、短片以及主题相关的短片集（2-4 部影片）。影片摘要必须包含预告片、花絮或完整影片的超链接。影片委员会可能会要求提供完整影片以供评估。影片应至少为 1080p 分辨率，文件大小不得超过 5GB。提交的摘要（最多 250 字）应解释影片的民族志意义、目的以及与民族音乐学主题的关系。
• 工作坊：工作坊提案没有特定的格式，但应是非演讲性的分享特定视听技术、研究技巧等经验知识的场合。工作坊时间不应超过2小时。组织者必须在摘要中说明任何特殊设备的需求。
评审程序
所有提交的论文将采用双盲同行评审制度进行评审，每份摘要将由两名匿名评审员进行评审，必要时还会有第三名评审员参与评审。
评审结果通知将于2025年3月30日前发出。
报名费用
• 有薪参与者：80欧元
• 学生和无薪参与者：60欧元
报名费将涵盖研讨会期间的会议餐费（午餐和茶/咖啡休息时间）。
项目委员会
• Helen Rees（加州大学洛杉矶分校，美国）- 主席
• Yuri Prado（圣保罗大学，巴西）
• 徐欣（上海音乐学院，中国）
• Marco Lutzu（卡利亚里大学，意大利）
• 何华（云南师范大学，中国）
影片委员会
• 萧梅（上海音乐学院，中国）- 主席
• Daniele Zappatore（罗马大学，意大利）
• Julian Grey（密歇根大学，美国）
• Miguel Angel Garcia Velasco （Afrokuba民族视听项目，巴西）
影音民族音乐学研究小组执行委员会
• Leonardo D’Amico（独立学者）- 主席
• Marija Dumnić Vilotijević（SASA 音乐学研究所，塞尔维亚）- 副主席
• 程俏俏（上海音乐学院，中国）- 秘书
更多信息
如需更多详细信息，请联系：
程俏俏 - qiaoqiaocheng922@gmail.com
我们期待您的参与，共同使2025年研讨会取得成功！
Call for Papers and Films - ICTMD Study Group on Audiovisual Ethnomusicology The 4th International Symposium, Shanghai (China), 16–18 July 2025
Hosting institutions: Shanghai Conservatory of Music, Shanghai, China.
Conference venue: Shanghai Conservatory of Music, Shanghai, China
Conference dates: 16-18 July, 2025
The 4th International Symposium of the ICTMD Study Group on Audiovisual Ethnomusicology will take place as a joint event with the 4th China Musics Ethnographic Film Festival (CMEFF). This Symposium aims to advance discussions on the growing importance of audiovisual media in ethnomusicological research and the ways it facilitates the creation, dissemination, and experience of ethnomusicological knowledge. By fostering debates on the methodologies and roles of audiovisual practices, this event will offer scholars, filmmakers, and practitioners a space for critical reflection on the emerging field of audiovisual ethnomusicology.
We warmly invite submissions of papers and films from scholars and filmmakers in ethnomusicology, folklore, anthropology, and related fields. We particularly welcome contributions that explore the audiovisual ethnomusicological history of your own country/region or your fieldwork area. In addition, submissions related to any topic within audiovisual ethnomusicology are also encouraged. Submissions that incorporate ethnomusicological research methodologies, explore innovative ways to utilize audiovisual materials in research, education, and public outreach, or focus on music-making in ethnic minority communities are particularly welcome.
Conference Language
• Papers & workshops: Presentations should be in English (in the case of other languages, the
speaker should provide English subtitles or an interpreter).
• Films: English subtitles are required for films presented in other languages.
Submissions
The deadline for submissions is 28 Feb. 2025. All proposals should be sent to qiaoqiaocheng922@gmail.com with the subject line indicating whether your submission is a paper, a film or a workshop. The email should include the name of the author(s), the title of the presentation, and an attached file (Word or Open Office format) containing the abstract (max. 250 words) and 5 keywords without any reference to authorship. Each individual may submit up to one proposal in each category (i.e., 1 paper + 1 film).
• Papers: Presentations will be allocated 20 minutes, followed by a 10-minute discussion. The use of audiovisual materials during presentations is encouraged.
• Films: We welcome full-length ethnographic films (maximum 90 minutes), short films, and curated collections of short films (2-4 films) that share a thematic connection. Film abstracts must include a hyperlink to a trailer, teaser, or the complete film. The Film Committee may request the full film for evaluation. Films should be available in at least 1080p resolution and should not exceed 5GB in file size. The submitted abstract (max. 250 words) should explain the film’s ethnographic significance, purpose, and engagement with ethnomusicological themes.
• Workshops: There is no particular format or form for the workshop proposals, but they should be non-presentational occasions of sharing experience-based knowledge of specific audiovisual technologies, research techniques, etc. Workshops should not exceed 2 hours. The organizers must specify into the abstract any special equipment request.
Evaluation Process
All paper submissions will be reviewed using a double-blind peer-review system, Each abstract will be evaluated by two anonymous reviewers, with a third reviewer involved if necessary.
Notifications of acceptance will be sent by 30 March 2025.
Registration Fee
• Waged participants: €80
• Students and unwaged participants: €60
The registration fee will cover conference meals (lunch and tea/coffee breaks) during symposium
hours.
Programme Committee
• Helen Rees (University of California, Los Angeles, United States)-Chair
• Yuri Prado (University of São Paulo, Brazil)
• Xu Xin (Shanghai Conservatory of Music, China)
• Marco Lutzu (Università di Cagliari, Italy)
• He Hua (Yunnan Normal University, China)
Film Committee
• Xiao Mei (Shanghai Conservatory of Music, China)-Chair
• Daniele Zappatore (Sapienza University of Rome, Italy) Julian Grey (University of Michigan, United State)
• Miguel Angel Garcia Velasco (Proyecto Etnovisual Afrokuba, Brazil)
Local Arrangements Team
• Feng Lei
• Xiao Mei
• Zhiyi Qiaoqiao Cheng
Executive Committee of the SG on Audiovisual Ethnomusicology
• Leonardo D’Amico (Independent Scholar) – Chair
• Marija Dumnić Vilotijević (Institute of Musicology SASA, Serbia) – Vice Chair
• Zhiyi Qiaoqiao Cheng (Shanghai Conservatory of Music, China) – Secretary
Further Information
For additional details, please contact:
Zhiyi Qiaoqiao Cheng - qiaoqiaocheng922@gmail.com
We look forward to your participation in making the 2025 Symposium a success!
*点击文末“阅读原文”可跳转传统音乐与舞蹈国际理事会官网。
