New Noise荣誉呈现 2024年12月在上海和北京举办两场 toe 特别演出。五年前，他们在中国双城演出火速售罄， toe备受期待地回到中国，并带来他们广受好评的新专辑《NOW I SEE THE LIGHT》。toe乐队由鼓手柏倉隆史、吉他手美濃隆章、贝斯手山根敏史 和吉他手山嵜廣和组成，多年来以令人惊叹的 激烈澎湃的现场表演备受推崇，期待这支世界级艺术家演奏的美妙音乐和压倒性的现场体验！
昨天toe 上海与北京专场所有门票在短时间内都已经售罄，12月4日我们会在上海加场，本场票将于今日18:00在@秀动ShowStart 准时开票。
因为乐队的档期原因没办法加其他城市与站次。希望朋友们不要错过！现场见！
New Noise荣誉呈现
toe - NOW WE SEE THE LIGHT CHINA TOUR
12/03 上海 万代南梦宫上海文化艺术中心·梦想剧场1F
12/04 上海 万代南梦宫上海文化艺术中心·梦想剧场1F（加场）
12/05 北京 福浪LiveHouse 福
加场购票二维码 ↓
加场演出将于2024年9月26日18:00正式开票
自2000年成立以来，toe已经将流行、后摇滚和数学摇滚、爵士、R&B和电子音乐等各种流派融合成摇滚领域中最独特的声音之一。他们的首张专辑《the book about my idle plot on a vague anxiety》(2005) 在器乐和实验音乐的分裂世界中刻下标志性的印记，同时通过创作编排和现场表演来传递硬核的强度，从而打破了传统后摇滚的信条。
自成立以来，toe一直保持着稳定的阵容。山嵜廣和的原声吉他和美濃隆章的电吉他，经常在鼓手柏倉隆史无与伦比的直觉和节奏感背景下并置——他擅长用意想不到的后发力和高潮骤停来迷惑听众；贝司手山根敏史为断奏、探索性的旋律增添了深度，将它们糅合在一起，并很巧妙地与鼓的独特风格相得益彰。
toe今年发布的第四张全长专辑《NOW I SEE THE LIGHT》（2024）中，由早期的爆发性逐渐转向近年的实验性克制，从而呈现平稳蜿蜒的进程以及冥想般的重复。在“LONELINESS WILL SHINE,” “サニーボーイ・ラプソディ,” and “NOW I SEE THE LIGHT,” 等歌曲中，Hirokazu再次扮演了歌手的角色，使乐队与以前曾定义他们的器乐作品进一步决裂，这张专辑可以说是toe全新面貌的有力展现。
12月3日上海，5日北京，现场见！
New Noise proudly presents two special shows for toe in Beijing and Shanghai in December 2024 at Bandai Namco in Shanghai and Full Off in Beijing. After selling out both of their shows in China five years ago, toe’s highly anticipated return to China to present their new critically acclaimed album “NOW I SEE THE LIGHT”. Composed of Kashikura Takashi on drums, Mino Takaaki on guitar, Yamane Satoshi on bass guitar, and Yamazaki Hirokazu on guitar, toe is one of these bands that blows everybody away with their intense live shows. Expect an overwhelming live experience of beautiful harmonies performed by world class musicians.
Toe - “NOW WE SEE THE LIGHT” CHINA TOUR
DEC 3 Shanghai - Bandai Namco Dream Hall
DEC 5 Beijing - Full Off
Tickets: www.showstart.com
Info: www.newnoise.cn
Since forming in 2000, toe have synthesized everything from pop, post- and math-rock, jazz, R&B, and electronic into one of the most distinct sounds in rock music. Their debut LP the book about my idle plot on a vague anxiety (2005) left an unmistakable imprint across the splintered worlds of instrumental and experimental music, exploding the tenets of post-rock with writing and performances that channel the intensity of hardcore.
toe have kept the same lineup since their inception. Yamazaki Hirokazu’s acoustic and Mino Takaaki’s electric guitars often juxtapose one another against the backdrop of drummer Kashikura Takashi’s unmatched sense of feel and rhythm, specializing in phrases that trick the listener with unanticipated backbeats and climactic gasps. Bassist Yamane Satoshi lends depth to the staccato, explorative melodies, gluing them to, and making sense of Takashi’s unique style.
NOW I SEE THE LIGHT (2024), toe’s fourth full-length album, is a bridge between the experimental restraint of their later work and the explosive abandon of their earlier output. From the opening tracks, toe balance serpentine passages against meditative repetition. On “LONELINESS WILL SHINE,” “サニーボーイ·ラプソディ,” and “NOW I SEE THE LIGHT,” Hirokazu reprises his role as part-time vocalist, breaking the band yet further from the instrumental work that formerly defined them. As a whole, NOW I SEE THE LIGHT closes the loop between early and late toe, giving them a clean slate for their new outlook.
万代南梦宫上海文化中心 9月总览
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TEL：演出合作 021-6266-3199
公交 | 112 、206 、68 、76 、105 、801 、830 、19
